{"title":"Bargain Bin","description":null,"products":[{"product_id":"garrison-the-bend-before-the-break","title":"Garrison 'The Bend Before the Break'","description":"\u003cp\u003eGarrison was born in Boston during the heyday of the prolific late ’90s post-hardcore scene. Their cohort featured heavy hitters like Piebald, Cave In and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo, all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.\u003c\/p\u003e\n\u003cp\u003eGarrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their first EP “The Bend Before the Break.” The EP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. “The Bend Before the Break” opens with “Serious Heavy Drama,” which immediately hooks you with its melody, and slowly builds to a brooding and emotional breakdown where singer Joseph Grillo screams his words in a final emotional crescendo. The EP rises with pop melodies such as “Harlow” (a song that remained a fan favorite even after three more releases) and ends with the somber and dark “Untitled,” embracing more of a Midwest-Emo theme, and bringing to mind a band like Mineral.\u003c\/p\u003e\n\u003cp\u003eThough Garrison went on to release numerous albums on Revelation Records, Iodine Recordings, and Simba Recordings, “The Bend Before the Break” remained their most popular release. The record harnessed a raw and genuine youthful energy. Nearly 23 years later, Iodine Recordings presents “The Bend Before the Break” for the first time as a full length LP, including “You're Devastated, I'm Sure” and “Untitled”, previously unavailable on vinyl. The new B-Side includes rare and previously unreleased material that spans the band’s history from 1998 to 2004, including their first 7” record “24” and their split EP with UK’s Hundred Reasons, all fully remastered and featuring all new artwork by Dan McCarthy. “The Bend Before the Break” remains a relevant and vital volume in the post-hardcore and emo canon.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":40538272301227,"sku":"IOD18VC","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":40338499469483,"sku":"IOD18TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/Garrison-Cover-Sm-1.jpg?v=1652901735"},{"product_id":"smoke-or-fire-beauty-fades","title":"Smoke Or Fire 'Beauty Fades'","description":"\u003cp\u003eSmoke Or Fire were formed in Boston, MA during the late 90s alongside countless bands in the Boston underground scene. They delivered their unique brand of heartfelt emotional punk that included complex layered guitars, dirty vocals, and lyrics that ranged from deeply personal topics to social criticisms of war and politics. The songs often drew comparisons to bands like Avail, Hot Water Music, and Against Me! Although, Smoke Or Fire brought their own unique take on the genre with catchy melodies, and sing along choruses.\u003c\/p\u003e\n\u003cp\u003eThe band released their debut EP “Worker’s Union” on Iodine Recordings in 2002, and after several US tours, Smoke Or Fire relocated to Richmond, VA where they caught the attention of the iconic NOFX record label Fat Wreck Chords. They signed to Fat and remained through their career, releasing three full lengths: Above the City (produced by Fat Mike\/NOFX), This Sinking Ship, and The Speakeasy. Smoke Or Fire was praised by music critics, and revered by fans for capturing a raw energy and a genuine approach to punk music.\u003c\/p\u003e\n\u003cp\u003eSmoke Or Fire toured relentlessly over their twenty-plus year history, with numerous US and European tours, sharing the stage regularly with bands such as: Avail, Against Me!, Dillinger Four, Hot Water Music, Descendents, Anti-Flag, NOFX, Silverstein, Rise Against, Bad Religion, and The Ataris (just to name a few…).\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” is a collection of out of print and unreleased tracks from Smoke Or Fire. Side A includes their debut Iodine EP “Worker’s Union” which was completely remixed and remastered at New Alliance Studios in Boston, MA. Side B includes seven rare or unreleased tracks that span the history of the band, including the EP “Rises in the East” which was never released, but included a number of songs that were in the band’s live set throughout their tenure. The entire collection is being pressed on vinyl for the first time ever. Complete with all new artwork and packaging.\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” documents some of the best moments of the band’s legacy with fist-pumping anthems and emotional breakdowns. 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Emerging from the darkness of a collapsing nebula, Ritual Earth reverberates the electronic radiation of all things Doom, Space, and Psychedelia. Heavy, Slow, Atmospheric and Dark. Seven charged, dystopian transmissions set to the pulse of the dying universe to come.\u003c\/p\u003e\n\u003cp\u003eRitual Earth formed in 2018 when Philadelphia cult sludge veterans, Chimpgrinder, found themselves in need of a new vocalist capable of aiding the band with their journey into new musical exploration and refining their sound. The band quickly connected with former hardcore vocalist George Chamberlin (Autumn, Aim of Conrad), who’s vocal range allowed the band slow to a more expansive and layered sound. The pairing resulted in a new band that merged the riff-rock stylings of Heavy Psychedelia, the slow tempos of Doom Metal, and the atmospheric elements of Shoegaze. The band later added keyboardist Mark Boyce (Boss Hogg, Delta 72) who included synthesizers and electronic elements to the music.\u003c\/p\u003e\n\u003cp\u003eThroughout 2019, Ritual Earth began playing shows along the East Coast and released a three-song demo, that received positive reviews and acclaim from listeners and critics due to their unique sound and crossover appeal. The band gained a following in the Philadelphia area while sharing the stage with bands like High Reeper, Age of Truth, Green Meteor, and Thunderbird Divine to name a few.\u003c\/p\u003e\n\u003cp\u003eBy September 2020, the band finished writing and recording their debut full length while working with engineer David Downhan and Gradwell. The album quickly grabbed the attention of several labels, and the band began working with Iodine Recordings, who Chamberlin had previously worked with while in Aim of Conrad. 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Their unique mix of melodic and emotional punk rock helped them develop a big fan base and quickly caught the attention of Kung Fu records, who signed them in 2001 alongside bands like Blink-182 and Tsunami Bomb. Audio Karate were far from being just another “punk” band, and their blend of melodies and hooks set them apart, making it difficult to place them in any one genre. The band has mastered the art of writing infectiously catchy songs with deeply personal lyrics, while still remaining upbeat and fun. \u003cbr\u003e\u003cbr\u003eAudio Karate spent the early 2000s touring heavily and shared stages with bands like Blink-182, NOFX, The Ataris, Face to Face, and had many Van’s Warped Tour appearances. Their first studio album “Space Camp” was met with much acclaim from critics and fans, and the band was often featured on MTV and Fuse TV. Their follow up album “Lady Melody” was produced by Bill Stevenson of the Descendents. The record straddled pop-punk convention and technical oddity, with unique key changes and riffs that seemed to sound “wrong” while sounding gloriously right. Even Stevenson wondered how they did it, marveling at times during their recording sessions: “Technically, this shouldn’t work.” \u003cbr\u003e\u003cbr\u003eAudio Karate went on a long Hiatus in 2006 and returned in 2018 to record their third album “Malo” for Wiretap Records and support their idols, Descendents, on a U.S. tour. Shortly after their return, the band began working with Iodine Recordings for anther release. “¡OTRA!” is a collection of their rare and unreleased material that spans the history of the band and feature works produced by Bill Stevenson (Descendents\/ALL) and Trever Keith (Face to Face). Featuring guest vocals by Agent M \/ Emily Whitehurst of Tsunami Bomb and new original artwork by Chris Shary (Descendents\/Teenage Bottlerocket). “¡OTRA!” contains some of Audio Karate’s best songs that have never been released on vinyl. A soon to be essential volume for pop-punk and emo fans’ collections. \u003cbr\u003e\u003cbr\u003e“Well crafted melodic-punk and the passion in the vocals is undeniably infectious. 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Once hiding behind the aggressive and in-your-face façade as frontman of hardcore stalwarts BoySetsFire, Gray’s personal reckoning came with his confrontation of his own painful and past – he couldn’t just keep pummeling his repressed emotions into submission… he had to slow down, dissect and examine it. A victim of sexual assault at the hands of the church (which he is rather open about on stage and in song), he once sublimated the bubbling-under pain and anger into hardcore’s demands for speed and fury. These days, however, he battles his repressed demons by relaying his experience to his audience in a more relatable and therapeutic manner – though indie rock. “In my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. 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