{"title":"Punk","description":null,"products":[{"product_id":"smoke-or-fire-beauty-fades","title":"Smoke Or Fire 'Beauty Fades'","description":"\u003cp\u003eSmoke Or Fire were formed in Boston, MA during the late 90s alongside countless bands in the Boston underground scene. They delivered their unique brand of heartfelt emotional punk that included complex layered guitars, dirty vocals, and lyrics that ranged from deeply personal topics to social criticisms of war and politics. The songs often drew comparisons to bands like Avail, Hot Water Music, and Against Me! Although, Smoke Or Fire brought their own unique take on the genre with catchy melodies, and sing along choruses.\u003c\/p\u003e\n\u003cp\u003eThe band released their debut EP “Worker’s Union” on Iodine Recordings in 2002, and after several US tours, Smoke Or Fire relocated to Richmond, VA where they caught the attention of the iconic NOFX record label Fat Wreck Chords. They signed to Fat and remained through their career, releasing three full lengths: Above the City (produced by Fat Mike\/NOFX), This Sinking Ship, and The Speakeasy. Smoke Or Fire was praised by music critics, and revered by fans for capturing a raw energy and a genuine approach to punk music.\u003c\/p\u003e\n\u003cp\u003eSmoke Or Fire toured relentlessly over their twenty-plus year history, with numerous US and European tours, sharing the stage regularly with bands such as: Avail, Against Me!, Dillinger Four, Hot Water Music, Descendents, Anti-Flag, NOFX, Silverstein, Rise Against, Bad Religion, and The Ataris (just to name a few…).\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” is a collection of out of print and unreleased tracks from Smoke Or Fire. Side A includes their debut Iodine EP “Worker’s Union” which was completely remixed and remastered at New Alliance Studios in Boston, MA. Side B includes seven rare or unreleased tracks that span the history of the band, including the EP “Rises in the East” which was never released, but included a number of songs that were in the band’s live set throughout their tenure. The entire collection is being pressed on vinyl for the first time ever. Complete with all new artwork and packaging.\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” documents some of the best moments of the band’s legacy with fist-pumping anthems and emotional breakdowns. 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Their unique mix of melodic and emotional punk rock helped them develop a big fan base and quickly caught the attention of Kung Fu records, who signed them in 2001 alongside bands like Blink-182 and Tsunami Bomb. Audio Karate were far from being just another “punk” band, and their blend of melodies and hooks set them apart, making it difficult to place them in any one genre. The band has mastered the art of writing infectiously catchy songs with deeply personal lyrics, while still remaining upbeat and fun. \u003cbr\u003e\u003cbr\u003eAudio Karate spent the early 2000s touring heavily and shared stages with bands like Blink-182, NOFX, The Ataris, Face to Face, and had many Van’s Warped Tour appearances. Their first studio album “Space Camp” was met with much acclaim from critics and fans, and the band was often featured on MTV and Fuse TV. Their follow up album “Lady Melody” was produced by Bill Stevenson of the Descendents. The record straddled pop-punk convention and technical oddity, with unique key changes and riffs that seemed to sound “wrong” while sounding gloriously right. Even Stevenson wondered how they did it, marveling at times during their recording sessions: “Technically, this shouldn’t work.” \u003cbr\u003e\u003cbr\u003eAudio Karate went on a long Hiatus in 2006 and returned in 2018 to record their third album “Malo” for Wiretap Records and support their idols, Descendents, on a U.S. tour. Shortly after their return, the band began working with Iodine Recordings for anther release. “¡OTRA!” is a collection of their rare and unreleased material that spans the history of the band and feature works produced by Bill Stevenson (Descendents\/ALL) and Trever Keith (Face to Face). Featuring guest vocals by Agent M \/ Emily Whitehurst of Tsunami Bomb and new original artwork by Chris Shary (Descendents\/Teenage Bottlerocket). “¡OTRA!” contains some of Audio Karate’s best songs that have never been released on vinyl. A soon to be essential volume for pop-punk and emo fans’ collections. \u003cbr\u003e\u003cbr\u003e“Well crafted melodic-punk and the passion in the vocals is undeniably infectious. 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Once hiding behind the aggressive and in-your-face façade as frontman of hardcore stalwarts BoySetsFire, Gray’s personal reckoning came with his confrontation of his own painful and past – he couldn’t just keep pummeling his repressed emotions into submission… he had to slow down, dissect and examine it. A victim of sexual assault at the hands of the church (which he is rather open about on stage and in song), he once sublimated the bubbling-under pain and anger into hardcore’s demands for speed and fury. These days, however, he battles his repressed demons by relaying his experience to his audience in a more relatable and therapeutic manner – though indie rock. “In my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. As such, what we do in our own lives influences our political leanings and world view.”\u003c\/p\u003e\n\u003cp\u003eRebel Songs is Gray’s reaction to not only his own personal past but the cultural and political unrest that infects this country and, on a larger scale, the world. “I think the impetus for the sound and style of Rebel Songs was to get back to my roots on what got me into hardcore in the first place, which was pure and simple punk rock,” he says of the album’s inspiration. “Coming back to that place while redefining myself through my roots was freeing. I grew up listening to The Clash, The Ramones, Fat Boys, RUN DMC, Black Flag and NWA. These artists defined and shaped me. They were there for me during the good times and the horrific times. Taking those inspirations with me into this place of my life and career just make sense.”\u003c\/p\u003e\n\u003cp\u003eMelding all those music reference points into a 12-track album of fierce and passionate anthems, Gray and his band The Iron Roses takes all the experiences of their collective lives and coalesces it into melting pot of inclusivity. “People like me (white men) have to set an example,” he says of his very conscious decision to make his band as culturally and racially inclusive as possible. “How would people in the audience experience the show if they didn’t feel represented? The Iron Roses include a trans woman, a black man, a mother of two, pansexuals, bisexuals, CIS straight folks, etc. We represent many, because it is our duty to. It's important to me to create a space to allow others to express themselves on stage by using my own privilege. I'd be full of shit if I didn’t back my words. I see no point in talking about inclusion and diversity, about Black Lives Matter and LGBTQ rights and women’s rights if I didn't back it up. It would be a mockery.”\u003c\/p\u003e\n\u003cp\u003eThis blend creates a fascinating and organic brew of the different corners of rock that he imbues in his album. From the Elvis Costello-esque New Wave of “Reckoning” to the anthemic and earnest title track “Rebel Songs” (which features friend and Rise Against frontman Tim McIlrath) to balladic album closer “That Said,” Rebel Songs covers a lot of ground – musically and thematically. The reggae and hiphop-infused “Look Alive” was new ground for him. “It was the first time I ever tried adding hip-hop influences into my body of work, which was terrifying and invigorating all at once,” he explains. “It presented a perfect opportunity to add to the mix my friend Eugenius who had recently sampled one of my old band’s songs. It’s the first song on the album that shows what an insane mix of influences the rest of this album will bring - reggae, punk, hip hop… Fuck, it’s like a ‘buckle up’ moment.”\u003c\/p\u003e\n\u003cp\u003eBut Rebel Songs isn’t a preachy album. It admits to being adrift in the feeling of aimless direction and asks for help as well. He tackles this rudderless abandon on the openly unanchored song “Lost.” “This was the first purely personal song on the album which was a huge shift from the albums prior to this,” he confesses. “It speaks to something people don’t acknowledge when speaking on social issues… It's okay to admit that you are also lost in the world, but that you are doing the best you can. It’s a personal experience we can all attach to. It’s important to hear this on an album that is socially and politically driven - being vulnerable to say ‘this is what I see, and I know I don’t have all the solutions and I’m not always right but I am doing what I can to be better. 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Formed in early 1992 in Columbia, South Carolina, Stretch Arm Strong perfectly executes a style of Hardcore Punk that few other bands have been able master as well as them. The band embodies a style of Melodic Hardcore, but seamlessly incorporates elements of pop-punk and heavy breakdowns. Their style appealed to fans of all punk sub-genres, allowing them to remain an important band in our scene until this day.\u003c\/p\u003e\n\u003cp\u003eIodine Recordings and Stretch Arm Strong have partnered together to reissue “A Revolution Transmission”, which has become one of the most iconic and popular hardcore punk records of the early 2000's, and has been out of print for over 20 years. This limited pressing has been completely redesigned and packaged using elements of the original art and completely remastered for vinyl by Jack Shirley (Joyce Manor, Deafheaven, Jeff Rosenstock) at The Atomic Garden in San Francisco, CA. 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Quicksand retained the tension and rhythmic force of hardcore while introducing melody, space and a distinctly modern sense of songwriting.\u003c\/p\u003e\n\u003cp\u003eOpening track “Fazer” establishes that balance immediately, pairing massive guitars with anthemic hooks and tightly wound dynamics. “Dine Alone” became one of the band’s signature songs, showcasing Walter Schreifels’ unmistakable vocal delivery alongside one of the album’s most memorable riffs and bridge sections.\u003c\/p\u003e\n\u003cp\u003eElsewhere, tracks like “Lie and Wait,” “Omission,” “Unfulfilled” and “Transparent” reveal the full range of the record, moving between crushing heaviness, melodic restraint and moments of open space without ever losing momentum.\u003c\/p\u003e\n\u003cp\u003eMore than three decades later, Slip remains a cornerstone of the Quicksand catalog and a foundational post-hardcore record whose influence can be heard across generations of alternative and heavy music.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Red Galaxy","offer_id":45665499611307,"sku":"IOD30V3","price":28.0,"currency_code":"USD","in_stock":false},{"title":"Cloudy Swamp Green","offer_id":45665499644075,"sku":"IOD30V5","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/30-quicksand-slip_jpg.webp?v=1728051706"},{"product_id":"stretch-arm-strong-the-revealing","title":"Stretch Arm Strong 'The Revealing'","description":"\u003cp\u003eAfter nearly two decades, kings of posi-hardcore Stretch Arm Strong are back with a pipebomb of an EP.\u003c\/p\u003e\n\u003cp\u003eFormed in Columbia, South Carolina in 1992, Stretch Arm Strong quickly made a name for themselves in the world of hardcore with their frenetic musicianship and unflinching positivity that crossed boundaries of belief and genre. The band initially went on hiatus in 2008 but made a significant return at Furnace Fest 2021. The festival's energy was palpable, leading the band not only to reconnect with countless friends from shows over the years but also with each other, reminding them of how rewarding playing music in Stretch Arm Strong is.\u003c\/p\u003e\n\u003cp\u003eIt was only a matter of time before the question of coming back together to write new music would arise. Recording with Steve Evetts, who was initially slated to produce 1999's \"Rituals of Life,\" turned out to be total kismet. Their combined chemistry shines through, displaying an energy that recalls their heaviest moments as a band. \"It was really refreshing to put an exclamation mark on this thing,\" says guitarist David Sease. \"We did it the way we wanted to, had a good time and expressed ourselves.\" The result of this is The Revealing, a true gem of a record and the model for what can be achieved on an EP.\u003c\/p\u003e\n\u003cp\u003eFrom the outset, it doesn't sound like any time has passed since Stretch Arm Strong stopped. Opening track \"The Mirror\" slams forward with total ferocity and youthfulness, showcasing why they're still an important part of the scene. \"Still Believe Part III\" follows up on previous entries with an absolute crusher, concluding with a monster of a breakdown. 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Formed in early 1992, a group of close friends who shared a love of punk music formed SAS in Columbia, South Carolina and played regularly to their local scene before releasing their debut LP “Compassion Fills the Void” in 1998. The band quickly gained the attention of the iconic Seattle based hardcore\/metal label Solid State Records, and released their highly influential sophomore release “Rituals of Life” in 1999.\u003c\/p\u003e\n\u003cp\u003eStretch Arm Strong perfectly executes a style of Hardcore Punk that few other bands have been able master as well as them. The band embodies a style of Melodic Hardcore, but seamlessly incorporates elements of pop-punk and heavy breakdowns, incorporating both harmonized vocals and brutal screaming. Their style appealed to fans of all punk sub-genres, allowing them to remain an important band in our scene until this day. But it is Stretch Arm Stong’s live show that perfectly captures their energy and passion for music. Stretch Arm Strong shows have been almost legendary in fans’ memories, full of intense dancing, stage dives, breakdowns, and sing alongs. The band were one of the biggest acts during a burgeoning time in punk and hardcore, coming up along many notable bands such as Bane, BoySetsFire, and Shai Hulud.\u003c\/p\u003e\n\u003cp\u003eStretch Arm Strong has been credited for paving the way for many well known punk and indie bands around today, most notably they’ve been named as a major influence by: Dashboard Confessional, New Found Glory, Paramore, Thursday, and Rise Against, all of whom grew up attending Stretch Arm Strong shows. The band toured relentlessly around the world from 1999-2005 and released five LPs and a number of splits and singles. After a long hiatus, Stretch Arm Strong played a few reunion benefit shows in 2009 and 2011 with Bane and Evergreen Terrace. 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Throughout this time, they've earned national acclaim while remaining a beloved institution. They're the band most likely to be seen sweating it out on stage any given night, delivering \"emotional singalong anthems—perfect for screaming along after you've had a beer, or five,\" as Kerrang! puts it.\u003c\/p\u003e\n\u003cp\u003eTheir third LP, All Dead Bars Go to Heaven, reaffirms that there is “arguably no better Seattle band,” according to The Seattle Times. With ten hook-laden heavy hitters—from the rousing opener “I Wanna Be a Ghost” to the anthemic closer “Be Me”—the album marks a new chapter: an introduction for the next generation ready to escape the grind, and a reminder to the previous one of their enduring power. The theme is heaven: a place of eternal reward for a life lived virtuously, regardless of the love or loss that once defined it. 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