{"title":"Post-Punk","description":null,"products":[{"product_id":"hey-thanks-start-living-lp","title":"Hey Thanks! 'Start\/Living'","description":"\u003cp\u003e\u003cspan\u003eHey Thanks! formed in 2016 when 5 friends from outside of New Orleans, LA came together to share their love of music. They wrote songs that drew from their wide range of influences to include emo, punk, electronica, and indie-pop. They quickly developed a unique sound that set them apart from the majority of new bands emerging at the moment. They perfectly capture the essence of indie-pop music with earnest lyrics and hooks that you won’t forget. After several early lineup changes, the band found vocalist Travis Opal, who helped refine and define their exceptional sound.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe band gained a lot of attention soon after their formation around the New Orleans scene, being added to Warped Tour dates, and opening for shows with notable bands such as Metro Station, Issues, Save Face, I Set My Friends on Fire, and We The Kings. They quickly developed a dedicated following and have established themselves as one of the most well-known bands in the region.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHey Thanks! spent the better part of two years writing and recording their debut full length “Start\/Living,” working with an all-star team and some of the best production talent around today. The album was engineered and produced by Gary Cioni at Sound Acres Studio (Hot Mulligan, Crime In Stereo, Sorority Noise) and mixed by Brett Romnes (The Movielife, Heart Attack Man, The Front Bottoms, Oso Oso) and mastered by Mike Kalajian (The Devil Wears Prada, New Found Glory, Silverstein).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe band toured relentlessly, prior to the pandemic, and shared the stage with many up and coming bands such as: Greet Death, Keep Flying, Dozer Tx, Nominee, Bad Luck, Sundressed, Fernway, and Super American.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2021, Hey Thanks! caught the attention of the recently relaunched Iodine Recordings, who quickly signed them for several records, to include the official release of “Start\/Living” on vinyl and CD. Start\/Living breaks down the boundaries of pop-music and expertly incorporates elements of 90s alternative, electronic rock, and emo. Twelve infectious songs that captures the complexity of youth, longing, and love. Featuring the singles “From Me 2 U” and “The Part I Call Myself.” They are planning on hitting the road in 2022 to tour and support the release.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color 12\" Vinyl","offer_id":44578095399083,"sku":"IOD36VC","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":44578095431851,"sku":"IOD36TAPE","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/HEYTHANKS_StartLiving_LP_digital.jpg?v=1652903651"},{"product_id":"hey-thanks-avoidance","title":"hey thanks. 'Avoidance'","description":"\u003cp\u003eHey Thanks. return with their sophomore full-length, \u003cem\u003eAvoidance\u003c\/em\u003e, stepping back from trying to explain everything and instead sitting in uncertainty. The record lives in that in-between space, where moments repeat, thoughts loop, and meaning stays just out of reach.\u003c\/p\u003e\n\u003cp\u003eThe band leans into a more melodic, synth-forward sound, pulling closer to indie rock and synth pop. Guitars and synths move together over bright, steady rhythms, giving the songs a sense of motion that never quite settles. On the surface it feels open and immediate, but there’s a tension running underneath.\u003c\/p\u003e\n\u003cp\u003eLyrically, \u003cem\u003eAvoidance\u003c\/em\u003e reflects on time, identity, and emotional distance, exploring the space between love and desire and the search for belonging. Rather than offering clarity, the songs stay with the questions.\u003c\/p\u003e\n\u003cp\u003eRecorded entirely in the band’s home studio, the album was built piece by piece using live drum samples, layered percussion, guitar, and synths, allowing each track to take shape naturally.\u003ca href=\"https:\/\/iodinerecords.com\/products\/rebuilder-local-support\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch2\u003ecredits\u003c\/h2\u003e\n\u003cp\u003e\u003cb\u003ehey thanks.\u003cbr\u003e\u003c\/b\u003eTravis Opal\u003cbr\u003eTrevor Lee\u003cbr\u003eJaron Dufrene\u003c\/p\u003e\n\u003cp\u003eProduced by Travis Opal and Trevor Lee \u003cbr\u003eEngineered and Mixed by Travis Opal\u003cbr\u003eDrum Engineering by Kyle Eroche and Ben Lorio \u003cbr\u003eAll songs written by Jaron Dufrene, Trevor Lee, and Travis Opal\u003cbr\u003eMastered by Mike Kalajian at Rogue Planet\u003cbr\u003eAlbum Design and Layout by Simon Tripcony | @onetricpony\u003cbr\u003ePhotography by Aubrey Meier, Kayla Autin, Alexis Lindenman, Angelo Joseph \u003cbr\u003eVideo Production by Bryson Chauvin, Lord Winter, and Jeff Van Gerwen\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Avoidance Orange","offer_id":46390900654251,"sku":"IOD99V1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Tension Black","offer_id":46390900687019,"sku":"IOD99V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":46390994796715,"sku":"IOD99CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Copy_of_IOD-99_Digital_Cover.png?v=1775089892"},{"product_id":"stephen-brodsky-stephen-brodskys-octave-museum","title":"Stephen Brodsky 'Stephen Brodsky's Octave Museum'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn his third full-length solo release (originally issued in 2006), Cave In vocalist\/guitarist Stephen Brodsky parlays his formidable songwriting chops and solid gold power-pop sensibilities into a sparkling sea of shimmering chords, glorious vocal harmonies, and infectious acoustic ditties.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith the expert assistance of Scissorfight's Kevin J. 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Special effect vinyl looks cool, but can have sound issues.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAll images are digital mockups\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e— \u003c\/span\u003ethe final product may appear differently.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll variations of the album come with the 70+ page zine made from the same files as earlier editions.\u003c\/strong\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Tide Pod","offer_id":47881251324075,"sku":"FR42v1","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/have-a-nice-life-deathconsciousness-dlp-zine-pre-order-28441222545486_2048x_e51b8029-b386-432a-b8ff-d702e442c0cf.jpg?v=1789682436"},{"product_id":"have-a-nice-life-the-unnatural-world","title":"Have a Nice Life 'The Unnatural World'","description":"\u003cp dir=\"auto\" data-start=\"175\" data-end=\"397\" class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginally released in 2014, \u003cem data-start=\"204\" data-end=\"225\"\u003eThe Unnatural World\u003c\/em\u003e is the second full-length from \u003cstrong data-start=\"257\" data-end=\"277\"\u003eHave a Nice Life\u003c\/strong\u003e, expanding the bleak, immersive sound of \u003cem data-start=\"319\" data-end=\"339\"\u003eDeathconsciousness\u003c\/em\u003e into something even heavier, denser and more atmospheric.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"399\" data-end=\"626\"\u003eBlending \u003cstrong data-start=\"408\" data-end=\"488\"\u003epost-punk, shoegaze, industrial noise, ambient music and crushing distortion\u003c\/strong\u003e, the album moves between massive walls of sound and stark, isolated moments, creating a record that feels both intimate and overwhelming.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"628\" data-end=\"840\"\u003eThis pressing was cut from the same \u003cstrong data-start=\"664\" data-end=\"731\"\u003eimproved masters used for the most recent editions of the album\u003c\/strong\u003e, offering a louder, cleaner and more transparent presentation with less surface noise than the original cut.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"842\" data-end=\"1044\"\u003ePressed as a \u003cstrong data-start=\"855\" data-end=\"889\"\u003esingle LP in a gatefold jacket\u003c\/strong\u003e, this edition is a co-release between \u003cstrong data-start=\"928\" data-end=\"976\"\u003eThe Flenser and Enemies List Home Recordings\u003c\/strong\u003e, with all aspects of the release overseen and approved by the band.\u003c\/p\u003e\n\u003cp class=\"m_-7170707172117470444gmail-p1\"\u003eThis LP was created from the same improved masters as the other recent pressings of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Unnatural World\u003c\/em\u003e. It is louder and has a more transparent sound with less noise than the original cut of the album.\u003cspan\u003e \u003c\/span\u003eThe album is a single LP in a gatefold jacket. \u003c\/p\u003e\n\u003cp\u003eThis is a co-release with Enemies List Home Recordings. All aspects of the release have been overseen and approved by the band. It is The Flenser's goal is to get the album into the hands of the as many of the band's fans as quickly as possible.\u003cbr\u003e\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"White Vinyl","offer_id":47889440309419,"sku":"FR39v1","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/have-a-nice-life-the-unnatural-world-lp-pre-sale-15643999797326_5000x_9e1d88b6-3226-4ad2-801c-5a32f8f450bd.jpg?v=1789745407"},{"product_id":"have-a-nice-life-sea-of-worry","title":"Have a Nice Life 'Sea of Worry'","description":"\u003cp\u003e\u003ci\u003e“\u003c\/i\u003e\u003ci\u003eI can stay up late whenever I want... but other than that, it’s nothing like I thought. 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It is a return to form of sorts to Planning for Burial’s beloved first album, 2010’s Leaving– an introverted work characterized by its heavy dynamics and personal obsessions. Likewise Below the House is a work that feels just as private, as it was created in the dark and not expressed in Wasluck’s day to day life.\u003c\/p\u003e\n\u003cp\u003eSince the beginning, Planning for Burial has been a solo endeavor. Thom has been recording music himself and touring extensively as one-man band, playing hundreds of shows in DIY spaces and nightclubs, where he has shared the stage with acts like Deafheaven, King Woman and Chelsea Wolfe. 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Desire, shame, performance and persistence blur together across songs that remain deliberately melodic even as their subject matter grows increasingly confrontational.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"777\" data-end=\"1180\"\u003eEarworm choruses collide with harsh textures and a sense of artificial, claustrophobic atmosphere, placing the record somewhere between \u003cstrong data-start=\"913\" data-end=\"972\"\u003enoise rock, post-punk, industrial music and damaged pop\u003c\/strong\u003e. Yet despite its darkness, \u003cem data-start=\"1000\" data-end=\"1009\"\u003eCamgirl\u003c\/em\u003e never fully gives itself over to nihilism. Its final moments find something resembling triumph not through redemption or escape, but through the simple act of continuing.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1182\" data-end=\"1418\"\u003eOriginally released on vinyl by \u003cstrong data-start=\"1214\" data-end=\"1244\"\u003ePortrayal of Guilt Records\u003c\/strong\u003e, the first pressing sold out quickly. 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