{"title":"Post-Hardcore","description":null,"products":[{"product_id":"there-were-wires-somnambulists","title":"There Were Wires 'Somnambulists'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an underground hardcore\/metal band from Boston, MA that formed in the late 90s. They quickly gained notoriety in New England for their intense and chaotic live shows. The band played regularly throughout the early 2000’s, sharing stages with prominent bands like Mastodon, Converge, and The Dillinger Escape Plan, along with successful tours with Daughters (Ipecac Records) and Zombi (Relapse Records).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an early pioneer of the moody, atmospheric metal genre, and became an influential giant that would pave the way for a wave of slow, heavy music that would follow after the band’s demise. Members of There Were Wires later went on to play in Doomriders (Deathwish Inc.) and Disappearer (Dark Operative).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Somnambulists\" was There Were Wires’ sophomore release, originally released on Iodine Recordings in 2003. The record was a departure from their original fast and thrashy sound, which was dominant on their debut Self Titled LP. For this release, the band worked with producer Matt Squire at Camp Street and Q-Division studios. By this time, There Were Wires had matured as song writers and constructed songs considerably longer and more intricate than anything previously written. These tracks belied much of the frenetic energy of earlier works, moving glacially at times, winding tension with extended buildups and clean vocals while still maintaining its intensity. Somnambulists was not only a dramatic departure from the punchy abruptness of their earlier sound, but a welcomed one, as well - the record was met with much acclaim from fans and critics alike. Somnambulists is a full album experience that combines heavy, droning, and bluesy riffs with atmospheric interludes. The album follows a theme of loss, regret, sleep walking, and darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIodine Recordings and Tor Johnson Records are excited to present \"Somnambulists\" on vinyl for the first time ever. The album has been remastered for optimal listening and contains all new artwork in a gatefold jacket. The record also includes a previously unreleased cover of Tunic by Sonic Youth. This is Iodine Recordings’ first release in 17 years!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e \u003cbr\u003eJaime Mason: Vocals\u003cbr\u003eJebb Riley: Bass and Vocals \u003cbr\u003eThomas Moses: Guitars \u003cbr\u003eDon Belcastro: Guitars\u003cbr\u003eRyan Begley: Drums\u003c\/p\u003e\n\u003cp\u003eRecorded and engineered by Matt Squire at Q-Division Studios \u003cbr\u003eMastered by Alan Douches at West West Side \u003cbr\u003eAll songs written by There Were Wires \u003cbr\u003eexcept “Tunic” written by Sonic Youth\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Black Vinyl","offer_id":41790465179819,"sku":"IOD16V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":39279623438507,"sku":"IOD16TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/ThereWereWires-Digital.jpg?v=1652900957"},{"product_id":"jeromes-dream-presents","title":"Jeromes Dream 'Presents'","description":"\u003cp\u003eJeromes Dream formed during the burgeoning post-hardcore and emo era of the mid-90s, when a surge of new genres and subgenres spread like wildfire and would become the foundation of an entirely new music scene. Created in the basements of Connecticut in 1997, Jeromes Dream began as a result of personal uncertainty, instability, loss, and rage. Jeff Smith (bass, vocals) Nick Antonopoulos (guitar), and Erik Ratensperger (drums) created an aural violence in their dynamic and unpredictable songs. At that time, bands like Orchid, Reversal of Man, and pageninetynine were making similarly polemic music. But Jeromes Dream carved its own path and helped to define the subgenre that would come to be known as emo-violence.\u003c\/p\u003e\n\u003cp\u003eIn 2001, Jeromes Dream recorded and released their final record “Presents” before disbanding that same year. “Presents” was a deliberate departure from anything the band did previously, which included a more refined and technical sound and new vocal stylings from singer Jeff Smith. On “Presents” Jeromes Dream felt that they were creatively in uncharted territory, and embraced it throughout the writing process. It was a liberating time for the band, and they did not adhere to rules or preconceived notions as to how the album “should” sound. “Presents” was simultaneously cynical and personal, and yet still drew from the depths of their collective creative expression. Jeromes Dream development of “Presents” culminated in early 2001 when they worked with Converge guitarist Kurt Ballou at God City Studios, bringing the record to life before being released. “Presents” remains an important installation of Jeromes Dream, and a work that they remain proud of.\u003c\/p\u003e\n\u003cp\u003eIn 2018, Jeromes Dream announced that they would reunite and begin writing a new record together as a band. The response was overwhelming, with fans from all over the world hailing the reunion. In March 2019 the band entered the studio and created a 12-song untitled LP, which they released on their own label, Microspy. Shortly after the LP release, Jeromes Dream became a fully active band again and spent the better part of the following year on tour with the likes of Loma Prieta, Gouge Away, Soul Glo, Touché Amoré, and Daughters. Before everything halted with the pandemic.\u003c\/p\u003e\n\u003cp\u003eAround the same time, Jeromes Dream began talks with Iodine Recordings about a “Presents” reissue on vinyl for its 20-year anniversary, shortly after the label announced its return following a 17-year hiatus. Jeromes Dream and Iodine Recordings shared a history together going back to the band’s formation in 1997 when Iodine included one of the band’s first demo tracks on the seminal “Ghost in the Gears” compilation. Everyone felt that this was the right relationship to bring back “Presents” in a vinyl format for the first time and give the album a new life. “Presents” was remastered by producer Jack Shirley (Deafheaven, Gouge Away, Loma Prieta, Joyce Manor), and the album was fully redesigned with all new artwork created by drummer Erik Ratensperger.\u003c\/p\u003e\n\u003cp\u003eNearly 20 years after its initial release, “Presents” remains a powerful collection of songs that feels just as relevant, sincere and raw as it did when it was first released.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":44578101133483,"sku":"IOD17VC","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":44578101166251,"sku":"IOD17TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/JD-Presents-Cover-Web.jpg?v=1652901503"},{"product_id":"garrison-the-bend-before-the-break","title":"Garrison 'The Bend Before the Break'","description":"\u003cp\u003eGarrison was born in Boston during the heyday of the prolific late ’90s post-hardcore scene. Their cohort featured heavy hitters like Piebald, Cave In and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo, all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.\u003c\/p\u003e\n\u003cp\u003eGarrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their first EP “The Bend Before the Break.” The EP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. “The Bend Before the Break” opens with “Serious Heavy Drama,” which immediately hooks you with its melody, and slowly builds to a brooding and emotional breakdown where singer Joseph Grillo screams his words in a final emotional crescendo. The EP rises with pop melodies such as “Harlow” (a song that remained a fan favorite even after three more releases) and ends with the somber and dark “Untitled,” embracing more of a Midwest-Emo theme, and bringing to mind a band like Mineral.\u003c\/p\u003e\n\u003cp\u003eThough Garrison went on to release numerous albums on Revelation Records, Iodine Recordings, and Simba Recordings, “The Bend Before the Break” remained their most popular release. The record harnessed a raw and genuine youthful energy. Nearly 23 years later, Iodine Recordings presents “The Bend Before the Break” for the first time as a full length LP, including “You're Devastated, I'm Sure” and “Untitled”, previously unavailable on vinyl. The new B-Side includes rare and previously unreleased material that spans the band’s history from 1998 to 2004, including their first 7” record “24” and their split EP with UK’s Hundred Reasons, all fully remastered and featuring all new artwork by Dan McCarthy. “The Bend Before the Break” remains a relevant and vital volume in the post-hardcore and emo canon.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":40538272301227,"sku":"IOD18VC","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":40338499469483,"sku":"IOD18TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/Garrison-Cover-Sm-1.jpg?v=1652901735"},{"product_id":"the-darling-fire-dark-celebration","title":"The Darling Fire 'Dark Celebration'","description":"\u003cp\u003eAfter years of individual success in some of the scene's most beloved bands, The Darling Fire was born of both deep struggle and deeper friendships. 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Produced by Matt Squire (Taking Back Sunday, Thrice, and The Used). \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“While indie-rock bands Hum and Samiam helped paved the way for the genre, Orange Island has taken those ideas and infused them with new energy.” - AltPress \u003c\/p\u003e\n\u003cp\u003e“Sounding like a drop-D tuned Saves the Day or Jawbreaker, this Clinton, MA, quartet fuses gut-quaking East coast post-hardcore rhythms, à la Quicksand, dual guitar interplay and intelligent and earnest lyrics.” - EXCLAIM\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":42423476191403,"sku":"IOD24VC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/OrangIsland-OneNightStay-Cover_2000x_jpg.webp?v=1672844507"},{"product_id":"jeromes-dream-the-gray-in-between","title":"Jeromes Dream 'The Gray In Between'","description":"\u003cp\u003eJeromes Dream is a hardcore band based in San Francisco, sharing a history with bands like Orchid, Saetia, Reversal of Man, and pageninetynine. 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Originally released by Hydra Head Records in 1998, the album remains a defining document of late-’90s metallic hardcore, pairing angular riffs, chaotic intensity, and noise-rock abrasion with unexpectedly melodic songwriting.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFormed in Burlington, Vermont, Drowningman emerged alongside bands like Converge and Cave In, helping shape a strain of metalcore that was as strange and inventive as it was heavy. Songs like “Sadder Than Saturday” move effortlessly between dissonance and melody, while the record’s title track famously helped inspire the name Every Time I Die after a misheard lyric.\u003c\/p\u003e\n\u003cp\u003eThis expanded vinyl reissue includes two bonus tracks originally released around the same era, including material from Drowningman’s split with The Dillinger Escape Plan. 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Their blend of harshly emotive dissonance and punchy, anthemic songs pulled inspiration from bands like Converge, Portraits of Past, and Unbroken. Though it’s true that TWW’s live shows were a powder keg of chaos, the true gooey center of the band revealed an honest vulnerability that belied the tough crowd of contemporaries, which gained them a small but devoted cult following in the New England scene.\u003c\/p\u003e\n\u003cp\u003eAfter several self-released demo tapes and CD’s, TWW teamed up with Iodine Recordings for a professional version of their debut S\/T record (including a live radio set), as well as their final 2003 record ‘Somnambulists’, which tread into darker, moodier, and more atmospheric territory than ever before. The boys disbanded shortly after this release with a final show in 2004, which led to the formation of the bands Disappearer, Doomriders, and No Flowers.\u003c\/p\u003e\n\u003cp\u003eThe band’s debut self titled LP is being pressed for the first time on vinyl and has been completely remixed by Kurt Ballou (Converge) at God City Studios and re-mastered for vinyl. The LP now includes several out of print B-Sides and the band’s 1999 demo. Available on two limited color variants. Nearly two decades later, with fresh new vinyl re-releases of both records in tow, TWW is poised to return to the stage once again. For now, what TWW’s second life yields beyond another chance to sing and dance with fans - both old and new - remains to be seen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e01. Lukewarm Happy\u003cbr\u003e02. Prepare For Collapse\u003cbr\u003e03. Instinctually Dumb\u003cbr\u003e04. The Physics of Air Hockey\u003cbr\u003e05. 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Featuring members of Puritan, Prevail, and Forcefedglass, to name a few, the band started when Fall of Leningrad bassist Ryan Daniels met Tommy Davis. The lineup was rounded out by drummer Mike Justain and then sixteen year-old Forcefedglass guitarist Zac Davis, eventually coming to rest with Chad Pfeiffer of Puritan on vocals.\u003c\/p\u003e\n\u003cp\u003eExisting for less than a year, Hassan I Sabbah canceled, or vanished, from more shows than they actually played and ended without ever releasing a full album - yet the ink they left in the ledger of New England Hardcore persists. They found their way to many basements and VFW halls coming up alongside and playing with genre defining bands such as Orchid, Jeromes Dream, American Nightmare, Saetia, and PG.99. There were more stories and tales of the band’s shows than there were recorded songs. Their influence and live performances were chaotic, powerful and the stuff of messageboard lore. 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Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo, all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.\u003c\/p\u003e\n\u003cp\u003eGarrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their first debut LP “A Mile in Cold Water.” The LP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. 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The environment that shaped them resonates in their sound – dark, ugly and furious.\u003c\/p\u003e\n\u003cp\u003eTheir new full-length LP Consume and Burn is an uncompromising sonic odyssey. Horsewhip merges together the darkest corners of hardcore punk, screamo, and metal into their own vision of annihilation. Comprised of members of Reversal of Man, Combatwoundedveteran, Sutek Conspiracy and a myriad of other acts, it’s an album that shows the band’s pedigree in writing heavy music. But more than anything, there’s a clear hunger to push the genre forward with each song.\u003c\/p\u003e\n\u003cp\u003eHorsewhip shows moments of dissonance and unexpected beauty amid the oppressive weight of their sound. Songs like “Buried” offer brief respites of melody to create a forlorn sense of dread before redoubling their efforts. The aptly titled “Pain” shows its subject matter through multiple lenses, opening with a reflective riff before plummeting into breakneck speeds and full-throated chaos. Their strength lies in the raw, unadulterated fury that few can truly tap into.\u003c\/p\u003e\n\u003cp\u003eThe band’s punishing new focus is thanks to a change in lineup, adding Dave Teten on guitar and allowing for a delta in riffage, as well as moving Shaun Drees to main vocals and Jeff Howe on back up vox. Consume and Burn calls to mind His Hero Is Gone and Disfear at their most disgusting, or Neurosis at a sped-up RPM. Each member is a master of their craft, drums guitar and bass all synchronizing into an aural mugging of heaviness. It’s a testament to the depth and richness that can be found in anger, and why hardcore is at its best when it’s mean.\u003c\/p\u003e\n\u003cp\u003eConsume and Burn was tracked and mixed by John Howard at War House Recordings and Mastered by Will Killingsworth at Dead Air Studios. 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They shared influences, stages, equipment, and even occasionally members. Even though both bands took their different paths, they always shared a friendship and common roots having come up in the time of the Worcester Space and the St. John’s Gym in Clinton. In 2003, while both bands were in the studio working on new albums, Iodine Recordings proposed the idea of a split where they covered each other’s songs. These two songs were the result, and although the record never saw the light of day, we are excited to present it now, almost 20 years later, on vinyl for the first time. Both songs were remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden, and the Garrison track was remixed by Ethan Dussault (On the Might of Princes, Smoke or Fire) at New Alliance Studio. 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Ghostly female vocals float above a pounding wall of sound, sewn together with vast atmospheric waves. Bleak, somber, and enchanting. Most will find “Distortions” to be a significant departure from their previous LP “Dark Celebration” as this recording is much more abrasive, gloomy, and brooding—more metal influenced than indie. The band felt that this new aggressive sound more accurately portrayed the sadness, rage, and pain they felt and that it seamlessly balanced with the hypnotizing softness of Jolie’s vocals. The outcome was an amalgamation of something beautiful, austere, and cathartic. It combines the haunting chills of My Bloody Valentine and the heaviness of Deftones. The band allowed themselves to feel unconstrained while writing this album without having to force these songs to adhere to one genre or sound. “It felt like a natural evolution for us to go in this direction—to create more movement…” says Jolie Lindholm.\u003c\/p\u003e\n\u003cp\u003eThe vast collective experience of each member of The Darling Fire is exceptional by any measure. Members previously played with: Shai Hulud, Further Seems Forever, The Rocking Horse Winner, As Friends Rust, and Strongarm. An impressive collaboration that was only strengthened by working with Producer Jay Maas (Defeater, Title Fight, Bane) in the studio. The outcome is an impressive and ambitious album that will resonate with listeners of all underground music.\u003c\/p\u003e\n\u003cp\u003e“I’ve had very specific dreams and nightmares throughout my life that I still remember vividly. A dream can blur the line between what is and isn’t real. 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Formed in early 1992, a group of close friends who shared a love of punk music formed SAS in Columbia, South Carolina and played regularly to their local scene before releasing their debut LP “Compassion Fills the Void” in 1998. The band quickly gained the attention of the iconic Seattle based hardcore\/metal label Solid State Records, and released their highly influential sophomore release “Rituals of Life” in 1999.\u003c\/p\u003e\n\u003cp\u003eStretch Arm Strong perfectly executes a style of Hardcore Punk that few other bands have been able master as well as them. The band embodies a style of Melodic Hardcore, but seamlessly incorporates elements of pop-punk and heavy breakdowns, incorporating both harmonized vocals and brutal screaming. Their style appealed to fans of all punk sub-genres, allowing them to remain an important band in our scene until this day. But it is Stretch Arm Stong’s live show that perfectly captures their energy and passion for music. Stretch Arm Strong shows have been almost legendary in fans’ memories, full of intense dancing, stage dives, breakdowns, and sing alongs. The band were one of the biggest acts during a burgeoning time in punk and hardcore, coming up along many notable bands such as Bane, BoySetsFire, and Shai Hulud.\u003c\/p\u003e\n\u003cp\u003eStretch Arm Strong has been credited for paving the way for many well known punk and indie bands around today, most notably they’ve been named as a major influence by: Dashboard Confessional, New Found Glory, Paramore, Thursday, and Rise Against, all of whom grew up attending Stretch Arm Strong shows. The band toured relentlessly around the world from 1999-2005 and released five LPs and a number of splits and singles. After a long hiatus, Stretch Arm Strong played a few reunion benefit shows in 2009 and 2011 with Bane and Evergreen Terrace. In 2021, Stretch Arm Strong played Furnace Fest in Birmingham, AL and were one of the most anticipated acts.\u003c\/p\u003e\n\u003cp\u003eIodine Recordings and Stretch Arm Strong have partnered together to reissue “Rituals of Life”, which is one of the most iconic and popular hardcore punk records of the 90s, and has been out of print for over 20 years. This limited pressing has been completely redesigned and packaged using elements of the original art by award winning design firm Unoriginal Vinyl and completely remastered for vinyl by Jack Shirley (Joyce Manor, Deafheaven, Jeff Rosenstock) at The Atomic Garden in San Francisco, CA. Offered in several exclusive color vinyl variants. “Rituals of Life” will be presented with a special limited retrospective companion fanzine with notes, reflections, and essays from the band as well as: Hatebreed, Rise Against, Stick To Your Guns, Bane, The Gaslight Anthem, Further Seems Forever, and more… Includes a download card of the remastered audio (not available elsewhere!).\u003c\/p\u003e\n\u003cp\u003eFanzine:\u003c\/p\u003e\n\u003cp\u003eSecond Chances – The Rituals of Life Years, is a retrospective companion zine that reflects on Stretch Arm Strong’s iconic hardcore record from 1999. The zine includes essays and commentary from many notable bands, including: Hatebreed, Bane, Rise Against, The Gaslight Anthem, Stick To Your Guns, Further Seems Forever, and many more. The band collected old photographs, tour posters, lanyards, and other artifacts of their youth to be presented in this beautiful book constructed and designed by Unoriginal Vinyl. 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National radio airplay of singles “American Hearts” and “Just a Simple Plan” and tours with the likes of Minus the Bear, Glassjaw, Hey Mercedes, RX Bandits, Saves the Day, and New Found Glory led to more mainstream success and helped birth a cult following.\u003c\/p\u003e\n\u003cp\u003ePiebald became recognized as “one of the most dependably fun bands of the late '90s\/early '00s emo touring circuit,” and “kings of sing-alongs,” led by Shettel, who “crafted lyrics that could weave between intensely autobiographical, sociopolitical, and sarcastic.”\u003c\/p\u003e\n\u003cp\u003eThe band initially called it quits in 2008 but reformed in 2016 to celebrate the digital re-release of their catalog, and they haven’t looked back. 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Known for their distinctive blend of raw emotion and confrontational intensity, Modern Life Is War once again delivers a mix of gritty realism and poetic despair, pushing forward while staying in touch with that which has resonated with audiences over the years.\u003c\/p\u003e\n\u003cp\u003eCrafted over several years with the help of long-time collaborator Brooks Strause and friends, Life on the Moon is as much an emotional outpouring as it is a sonic evolution. 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were to merge the melody and tension of modern post-hardcore with the volatility and urgency of ’90s screamo, you might begin to approach Quiet Fear. Raised in the DIY communities of Los Angeles, the band channel a sound that is as chaotic as it is deliberate, shaped by culture, identity, and lived experience.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eQuiet Fear’s music exists in the space between internal collapse and external pressure. Across their work, themes of systemic oppression, economic control, and social alienation collide with deeply personal reflections on isolation, fear, and self-destruction. Their songs capture what it means to feel trapped within a system, within a city, and within your own mind, while still searching for something beyond it. Lyrics move fluidly between Spanish and English, not as a stylistic choice, but as a reflection of reality, a voice that speaks to community, history, and the weight carried across generations.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn their sophomore full-length, La Tierra Arriba \/ El Abismo Abajo, Quiet Fear push further into that tension. The album confronts false authority, spiritual manipulation, and cycles of exploitation, while giving equal space to grief, exhaustion, and the psychological toll of existing within those structures. There is a constant sense of pressure throughout, a world closing in, a body breaking down, met with an undercurrent of resistance that refuses to disappear. It is as much about endurance as it is about defiance.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSonically, the record expands beyond traditional screamo into heavier and more dynamic territory, blending the intensity of hardcore, screamo, and grindcore with a modern sense of atmosphere and depth. Recorded by Alex Estrada at Pale Moon Ranch (Touché Amoré, Drug Church) and mastered by Jack Shirley (Deafheaven, Jeromes Dream), the album captures both immediacy and scale, shifting between overwhelming chaos and stark, breathing space without losing cohesion.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally emerging from Los Angeles’ DIY circuit, Quiet Fear have built their identity through honesty and intention rather than spectacle. With La Tierra Arriba \/ El Abismo Abajo, they deliver a record that feels uncompromising in both sound and purpose, a reflection of lived experience, and a refusal to look away from it.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Noise Cult Splatter","offer_id":46332828319915,"sku":"IOD94V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Blood and Smoke","offer_id":46332828352683,"sku":"IOD94V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Rojo Sangre","offer_id":46332828385451,"sku":"IOD94V3","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":46332828418219,"sku":"IOD94TAPE","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-94DIGITALCOVERFRONT_2.jpg?v=1773955990"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/collections\/Bane-Brooklyn-NYC-JCPhotoMedia-194_ef3c4dd7-a007-4cbc-a66d-eac61ad75002.jpg?v=1789522578","url":"https:\/\/iodinerecords.com\/collections\/post-hardcore.oembed?page=4","provider":"Iodine Recordings","version":"1.0","type":"link"}