{"title":"Distro","description":"\u003cp\u003eBrowse a curated selection of records and releases distributed by Iodine Recordings.\u003c\/p\u003e","products":[{"product_id":"the-darling-fire-dark-celebration","title":"The Darling Fire 'Dark Celebration'","description":"\u003cp\u003eAfter years of individual success in some of the scene's most beloved bands, The Darling Fire was born of both deep struggle and deeper friendships. A veritable mosaic of indie notoriety, the band features members or ex-members of The Rocking Horse Winner, Further Seems Forever, Dashboard Confessional, Poison The Well, Shai Hulud, As Friends Rust, and Strongarm among others. The debut album, Dark Celebration, is in many ways what you'd anticipate — energetic, powerful, melodic, and heavy; however, it is far more nuanced than you would imagine. 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On full lengths we like to write varied songs and broaden our musical parameters; here, we just raged. Short, fast, pissed. More MDC than Opeth, though we love both and sound like neither.\u003c\/p\u003e\n\u003cp\u003eLyrically, as always, we try to isolate aspects of humanity we find regressive and counterproductive to mass wellbeing; analyzing bits of \"profound hatred\" we're always spouting off about. The original songs this time around deal with valuing reason, and the negativity often reaped by those who champion uncomfortable truths; the unfortunate and seemingly inevitable hardening of human hearts; and the importance of communication, and how its avoidance breeds contempt.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e01. Sincerely Hated\u003cbr\u003e02. Colder Than The Cold World\u003cbr\u003e03. The Fucking Silence- Or: How Hates The Heat\u003cbr\u003e04. A Profound Hatred Of Man\u003cbr\u003e05. 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Each track will tug at your heartstrings without closing you off, and instead hopefully open your eyes to the higher sense of spiritual themes the band is trying to convey.” - The Alternative\u003c\/p\u003e\n\u003cp\u003eState Faults is a post-hardcore band from Northern California formed in early 2010. Clairvoyant is their third studio album that was written following a four-year hiatus between 2015 and 2019 when they returned to the studio with Producer Jack Shirley at The Atomic Garden (Jeromes Dream, Gouge Away, Deafheaven).\u003c\/p\u003e\n\u003cp\u003eState Faults has always been known for their smooth incorporation of post-rock elements underlying a post-hardcore and screamo core, and this album manifests such a beautiful blend of both elements giving the avid State Faults listener the impression that they haven’t lost their touch; that they were never on a long hiatus to begin with. 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Audio was completely remastered for vinyl. 061502 is a live concert DVD of Botch‘s final show at The Showbox in Seattle. Concert DVD consists of 14 songs with a bonus commentary, a video for \"Saint Matthew Returns To The Womb\", and other bonuses.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e“This is your last chance.”\u003cbr\u003e\u003cbr\u003eThat statement near the tail end of the final Botch show says it all. Starting out as wannabe hardcore kids from Tacoma, Washington, over the course of eight years they morphed into one of the most iconic and influential bands of their generation.\u003cbr\u003e\u003cbr\u003eAfter breaking up, the members wound up in so many renowned projects (Russian Circles, Minus the Bear, These Arms are Snakes, Narrows) that some may argue Botch's mathrock\/ noisecore was just a stepping stone, part of their evolution. 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It captures, as best as it can, what it felt like to be there: the deranged, macerating\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eguitar work of Dave Knudson skittering over Brian Cook's obscene bass tone; Tim Latona's algebraic rhythms hammering behind the screams of Dave Verellen; the crowd, as one body, mournfully singing “It's so quiet here” before the mayhem begins again.\u003cbr\u003e\u003cbr\u003eIt seems as if every band is doing a reunion nowadays, and many are clamoring for Botch to finally join the crowd. 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The opening title track is a voice memo of a song idea he sent to his bandmates the last time they saw each other. “Hearing his voice fucks you up a little bit,” Adam says today. “We were surprised to get it from him, actually, but we thought it was great. And that was it. In a weird way, it’s the end of the story as far as our relationship together.”\u003cbr\u003e\u003cbr\u003eCaleb plays bass on six of the album’s remaining eight songs, and guitar on the other two. Even a cursory listen of Final Transmission will offer glimpses of past Cave In eras, from the scintillating space rock of their 2000 breakthrough opus Jupiter to the ripping metal melodies of White Silence. 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Limited edition \"Pitch Black\"\u003c\/p\u003e\n\u003cp\u003eFeaturing\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJONAH JENKINS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Only Living Witness),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBRIAN McTERNAN\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Be Well, Battery, Ashes),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMATT SQUIRE\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Ashes),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJAY CANNAVA\u003c\/b\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eROB DULANEY\u003c\/b\u003e, these sessions were recorded at the legendary Long View Farm Studios (Bad Brains, Quicksand, Killswitch Engage) in December ’97 and January ’98. \u003c\/p\u003e\n\u003cp\u003eThe band broke up before the songs were mixed and the master tapes have sat in Southern California warehouses ever since. 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Like its predecessor, the album offers a bleak yet empathetic assessment of the human condition and its ongoing deterioration. With this album, the songs are more raw and exposed. “When we came together to write, we ended up with a wealth of material,” Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis distinct from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e, but just as volatile and potent. “It’s not a sequel,” Bannon explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”\u003c\/p\u003e\n\u003cp\u003eOpener “Slip the Noose” erupts with a furious cannonade from drummer Ben Koller before launching into a short, grinding frenzy that would feel at home on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJane Doe\u003c\/i\u003e. “Doom in Bloom” is raw and bloody, as guitarist Kurt Ballou’s spiky riffs scrape against Nate Newton’s bass and Koller’s drums. You can practically hear Bannon’s throat tearing apart in every scream. “It’s dark and pointed right at you,” he says. “Lyrically, I’m exploring how my own middle-aged introspection doesn’t always bring a brighter light. I see my own trappings reflected in those around me. Here I am imploring them to slip the noose to see another day.”\u003c\/p\u003e\n\u003cp\u003e“Dream Debris” is a gripping, doomy epic born from a single bass note that builds to a booming crescendo. “It has a lot of twists and turns, yet starts off incredibly simple. The slow build was driven by Nate’s vision and bass tone,” Bannon says. “We kept asking ourselves ‘Does it need anything else?’ In the end, it didn’t. It was just so heavy, encapsulating everything we wanted in the song.\"\u003c\/p\u003e\n\u003cp\u003eThe menacing track “Detonator” delivers a powerful line that will linger: There’s nothing to win if there’s no one to lose. “I go on a bit of a rant here,” Bannon says. “The idea is that when passion withers, the broken and beaten often remain in discomfort. The song ends with the line, ‘Don't be blown apart by your mistakes,’ which sums up the stark mentality on this one.”\u003c\/p\u003e\n\u003cp\u003eThe title track stands as one of the most propulsive and emotional songs of their career. Thematically, Bannon examines the price of the lives we pursue. “I’ve given 35 years of my life to creating art and music,” he says. “I appreciate the creative home and support this community has given, yet rarely is space left for anything else. These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”\u003c\/p\u003e\n\u003cp\u003eThe album also features a new rendition of “I Won’t Let You Go,” originally recorded for the 2020 video game Cyberpunk 2077. “When we recorded the first version, Ben tracked drums in California and we assembled it here,” Bannon explains. “It was good, but we knew we could do better. This version has everything the previous one was missing. 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