{"title":"Cassette","description":null,"products":[{"product_id":"there-were-wires-somnambulists","title":"There Were Wires 'Somnambulists'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an underground hardcore\/metal band from Boston, MA that formed in the late 90s. They quickly gained notoriety in New England for their intense and chaotic live shows. The band played regularly throughout the early 2000’s, sharing stages with prominent bands like Mastodon, Converge, and The Dillinger Escape Plan, along with successful tours with Daughters (Ipecac Records) and Zombi (Relapse Records).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an early pioneer of the moody, atmospheric metal genre, and became an influential giant that would pave the way for a wave of slow, heavy music that would follow after the band’s demise. Members of There Were Wires later went on to play in Doomriders (Deathwish Inc.) and Disappearer (Dark Operative).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Somnambulists\" was There Were Wires’ sophomore release, originally released on Iodine Recordings in 2003. The record was a departure from their original fast and thrashy sound, which was dominant on their debut Self Titled LP. For this release, the band worked with producer Matt Squire at Camp Street and Q-Division studios. By this time, There Were Wires had matured as song writers and constructed songs considerably longer and more intricate than anything previously written. These tracks belied much of the frenetic energy of earlier works, moving glacially at times, winding tension with extended buildups and clean vocals while still maintaining its intensity. Somnambulists was not only a dramatic departure from the punchy abruptness of their earlier sound, but a welcomed one, as well - the record was met with much acclaim from fans and critics alike. Somnambulists is a full album experience that combines heavy, droning, and bluesy riffs with atmospheric interludes. The album follows a theme of loss, regret, sleep walking, and darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIodine Recordings and Tor Johnson Records are excited to present \"Somnambulists\" on vinyl for the first time ever. The album has been remastered for optimal listening and contains all new artwork in a gatefold jacket. The record also includes a previously unreleased cover of Tunic by Sonic Youth. This is Iodine Recordings’ first release in 17 years!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e \u003cbr\u003eJaime Mason: Vocals\u003cbr\u003eJebb Riley: Bass and Vocals \u003cbr\u003eThomas Moses: Guitars \u003cbr\u003eDon Belcastro: Guitars\u003cbr\u003eRyan Begley: Drums\u003c\/p\u003e\n\u003cp\u003eRecorded and engineered by Matt Squire at Q-Division Studios \u003cbr\u003eMastered by Alan Douches at West West Side \u003cbr\u003eAll songs written by There Were Wires \u003cbr\u003eexcept “Tunic” written by Sonic Youth\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Black Vinyl","offer_id":41790465179819,"sku":"IOD16V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":39279623438507,"sku":"IOD16TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/ThereWereWires-Digital.jpg?v=1652900957"},{"product_id":"jeromes-dream-presents","title":"Jeromes Dream 'Presents'","description":"\u003cp\u003eJeromes Dream formed during the burgeoning post-hardcore and emo era of the mid-90s, when a surge of new genres and subgenres spread like wildfire and would become the foundation of an entirely new music scene. Created in the basements of Connecticut in 1997, Jeromes Dream began as a result of personal uncertainty, instability, loss, and rage. Jeff Smith (bass, vocals) Nick Antonopoulos (guitar), and Erik Ratensperger (drums) created an aural violence in their dynamic and unpredictable songs. At that time, bands like Orchid, Reversal of Man, and pageninetynine were making similarly polemic music. But Jeromes Dream carved its own path and helped to define the subgenre that would come to be known as emo-violence.\u003c\/p\u003e\n\u003cp\u003eIn 2001, Jeromes Dream recorded and released their final record “Presents” before disbanding that same year. “Presents” was a deliberate departure from anything the band did previously, which included a more refined and technical sound and new vocal stylings from singer Jeff Smith. On “Presents” Jeromes Dream felt that they were creatively in uncharted territory, and embraced it throughout the writing process. It was a liberating time for the band, and they did not adhere to rules or preconceived notions as to how the album “should” sound. “Presents” was simultaneously cynical and personal, and yet still drew from the depths of their collective creative expression. Jeromes Dream development of “Presents” culminated in early 2001 when they worked with Converge guitarist Kurt Ballou at God City Studios, bringing the record to life before being released. “Presents” remains an important installation of Jeromes Dream, and a work that they remain proud of.\u003c\/p\u003e\n\u003cp\u003eIn 2018, Jeromes Dream announced that they would reunite and begin writing a new record together as a band. The response was overwhelming, with fans from all over the world hailing the reunion. In March 2019 the band entered the studio and created a 12-song untitled LP, which they released on their own label, Microspy. Shortly after the LP release, Jeromes Dream became a fully active band again and spent the better part of the following year on tour with the likes of Loma Prieta, Gouge Away, Soul Glo, Touché Amoré, and Daughters. Before everything halted with the pandemic.\u003c\/p\u003e\n\u003cp\u003eAround the same time, Jeromes Dream began talks with Iodine Recordings about a “Presents” reissue on vinyl for its 20-year anniversary, shortly after the label announced its return following a 17-year hiatus. Jeromes Dream and Iodine Recordings shared a history together going back to the band’s formation in 1997 when Iodine included one of the band’s first demo tracks on the seminal “Ghost in the Gears” compilation. Everyone felt that this was the right relationship to bring back “Presents” in a vinyl format for the first time and give the album a new life. “Presents” was remastered by producer Jack Shirley (Deafheaven, Gouge Away, Loma Prieta, Joyce Manor), and the album was fully redesigned with all new artwork created by drummer Erik Ratensperger.\u003c\/p\u003e\n\u003cp\u003eNearly 20 years after its initial release, “Presents” remains a powerful collection of songs that feels just as relevant, sincere and raw as it did when it was first released.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":44578101133483,"sku":"IOD17VC","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":44578101166251,"sku":"IOD17TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/JD-Presents-Cover-Web.jpg?v=1652901503"},{"product_id":"garrison-the-bend-before-the-break","title":"Garrison 'The Bend Before the Break'","description":"\u003cp\u003eGarrison was born in Boston during the heyday of the prolific late ’90s post-hardcore scene. 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Their follow up album “Lady Melody” was produced by Bill Stevenson of the Descendents. The record straddled pop-punk convention and technical oddity, with unique key changes and riffs that seemed to sound “wrong” while sounding gloriously right. Even Stevenson wondered how they did it, marveling at times during their recording sessions: “Technically, this shouldn’t work.” \u003cbr\u003e\u003cbr\u003eAudio Karate went on a long Hiatus in 2006 and returned in 2018 to record their third album “Malo” for Wiretap Records and support their idols, Descendents, on a U.S. tour. Shortly after their return, the band began working with Iodine Recordings for anther release. “¡OTRA!” is a collection of their rare and unreleased material that spans the history of the band and feature works produced by Bill Stevenson (Descendents\/ALL) and Trever Keith (Face to Face). 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Once hiding behind the aggressive and in-your-face façade as frontman of hardcore stalwarts BoySetsFire, Gray’s personal reckoning came with his confrontation of his own painful and past – he couldn’t just keep pummeling his repressed emotions into submission… he had to slow down, dissect and examine it. A victim of sexual assault at the hands of the church (which he is rather open about on stage and in song), he once sublimated the bubbling-under pain and anger into hardcore’s demands for speed and fury. These days, however, he battles his repressed demons by relaying his experience to his audience in a more relatable and therapeutic manner – though indie rock. “In my own journey through healing, I started to understand that no one can influence change in the world without turning that inward to heal themselves first. 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I see no point in talking about inclusion and diversity, about Black Lives Matter and LGBTQ rights and women’s rights if I didn't back it up. It would be a mockery.”\u003c\/p\u003e\n\u003cp\u003eThis blend creates a fascinating and organic brew of the different corners of rock that he imbues in his album. From the Elvis Costello-esque New Wave of “Reckoning” to the anthemic and earnest title track “Rebel Songs” (which features friend and Rise Against frontman Tim McIlrath) to balladic album closer “That Said,” Rebel Songs covers a lot of ground – musically and thematically. The reggae and hiphop-infused “Look Alive” was new ground for him. “It was the first time I ever tried adding hip-hop influences into my body of work, which was terrifying and invigorating all at once,” he explains. “It presented a perfect opportunity to add to the mix my friend Eugenius who had recently sampled one of my old band’s songs. It’s the first song on the album that shows what an insane mix of influences the rest of this album will bring - reggae, punk, hip hop… Fuck, it’s like a ‘buckle up’ moment.”\u003c\/p\u003e\n\u003cp\u003eBut Rebel Songs isn’t a preachy album. It admits to being adrift in the feeling of aimless direction and asks for help as well. He tackles this rudderless abandon on the openly unanchored song “Lost.” “This was the first purely personal song on the album which was a huge shift from the albums prior to this,” he confesses. “It speaks to something people don’t acknowledge when speaking on social issues… It's okay to admit that you are also lost in the world, but that you are doing the best you can. It’s a personal experience we can all attach to. It’s important to hear this on an album that is socially and politically driven - being vulnerable to say ‘this is what I see, and I know I don’t have all the solutions and I’m not always right but I am doing what I can to be better. 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