{"title":"Boston Bands","description":"\u003cp\u003e\u003cspan\u003eShop \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evinyl records from Boston, Massachusetts bands\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e at Iodine Recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoston has one of the most influential underground music histories in the country, with generations of bands pushing hardcore, punk, post-hardcore, emo and heavy music in new directions. This collection brings together records from artists connected by the city and the scene that shaped them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExplore LPs, EPs and reissues from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoston bands past and present\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, spanning classic hardcore, melodic punk, post-hardcore, metal and the wider Massachusetts underground.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"there-were-wires-somnambulists","title":"There Were Wires 'Somnambulists'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an underground hardcore\/metal band from Boston, MA that formed in the late 90s. They quickly gained notoriety in New England for their intense and chaotic live shows. The band played regularly throughout the early 2000’s, sharing stages with prominent bands like Mastodon, Converge, and The Dillinger Escape Plan, along with successful tours with Daughters (Ipecac Records) and Zombi (Relapse Records).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an early pioneer of the moody, atmospheric metal genre, and became an influential giant that would pave the way for a wave of slow, heavy music that would follow after the band’s demise. Members of There Were Wires later went on to play in Doomriders (Deathwish Inc.) and Disappearer (Dark Operative).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Somnambulists\" was There Were Wires’ sophomore release, originally released on Iodine Recordings in 2003. The record was a departure from their original fast and thrashy sound, which was dominant on their debut Self Titled LP. For this release, the band worked with producer Matt Squire at Camp Street and Q-Division studios. By this time, There Were Wires had matured as song writers and constructed songs considerably longer and more intricate than anything previously written. These tracks belied much of the frenetic energy of earlier works, moving glacially at times, winding tension with extended buildups and clean vocals while still maintaining its intensity. Somnambulists was not only a dramatic departure from the punchy abruptness of their earlier sound, but a welcomed one, as well - the record was met with much acclaim from fans and critics alike. Somnambulists is a full album experience that combines heavy, droning, and bluesy riffs with atmospheric interludes. The album follows a theme of loss, regret, sleep walking, and darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIodine Recordings and Tor Johnson Records are excited to present \"Somnambulists\" on vinyl for the first time ever. The album has been remastered for optimal listening and contains all new artwork in a gatefold jacket. The record also includes a previously unreleased cover of Tunic by Sonic Youth. This is Iodine Recordings’ first release in 17 years!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e \u003cbr\u003eJaime Mason: Vocals\u003cbr\u003eJebb Riley: Bass and Vocals \u003cbr\u003eThomas Moses: Guitars \u003cbr\u003eDon Belcastro: Guitars\u003cbr\u003eRyan Begley: Drums\u003c\/p\u003e\n\u003cp\u003eRecorded and engineered by Matt Squire at Q-Division Studios \u003cbr\u003eMastered by Alan Douches at West West Side \u003cbr\u003eAll songs written by There Were Wires \u003cbr\u003eexcept “Tunic” written by Sonic Youth\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Black Vinyl","offer_id":41790465179819,"sku":"IOD16V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":39279623438507,"sku":"IOD16TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/ThereWereWires-Digital.jpg?v=1652900957"},{"product_id":"garrison-the-bend-before-the-break","title":"Garrison 'The Bend Before the Break'","description":"\u003cp\u003eGarrison was born in Boston during the heyday of the prolific late ’90s post-hardcore scene. Their cohort featured heavy hitters like Piebald, Cave In and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo, all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.\u003c\/p\u003e\n\u003cp\u003eGarrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their first EP “The Bend Before the Break.” The EP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. “The Bend Before the Break” opens with “Serious Heavy Drama,” which immediately hooks you with its melody, and slowly builds to a brooding and emotional breakdown where singer Joseph Grillo screams his words in a final emotional crescendo. The EP rises with pop melodies such as “Harlow” (a song that remained a fan favorite even after three more releases) and ends with the somber and dark “Untitled,” embracing more of a Midwest-Emo theme, and bringing to mind a band like Mineral.\u003c\/p\u003e\n\u003cp\u003eThough Garrison went on to release numerous albums on Revelation Records, Iodine Recordings, and Simba Recordings, “The Bend Before the Break” remained their most popular release. The record harnessed a raw and genuine youthful energy. Nearly 23 years later, Iodine Recordings presents “The Bend Before the Break” for the first time as a full length LP, including “You're Devastated, I'm Sure” and “Untitled”, previously unavailable on vinyl. The new B-Side includes rare and previously unreleased material that spans the band’s history from 1998 to 2004, including their first 7” record “24” and their split EP with UK’s Hundred Reasons, all fully remastered and featuring all new artwork by Dan McCarthy. “The Bend Before the Break” remains a relevant and vital volume in the post-hardcore and emo canon.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":40538272301227,"sku":"IOD18VC","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":40338499469483,"sku":"IOD18TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/Garrison-Cover-Sm-1.jpg?v=1652901735"},{"product_id":"smoke-or-fire-beauty-fades","title":"Smoke Or Fire 'Beauty Fades'","description":"\u003cp\u003eSmoke Or Fire were formed in Boston, MA during the late 90s alongside countless bands in the Boston underground scene. They delivered their unique brand of heartfelt emotional punk that included complex layered guitars, dirty vocals, and lyrics that ranged from deeply personal topics to social criticisms of war and politics. The songs often drew comparisons to bands like Avail, Hot Water Music, and Against Me! Although, Smoke Or Fire brought their own unique take on the genre with catchy melodies, and sing along choruses.\u003c\/p\u003e\n\u003cp\u003eThe band released their debut EP “Worker’s Union” on Iodine Recordings in 2002, and after several US tours, Smoke Or Fire relocated to Richmond, VA where they caught the attention of the iconic NOFX record label Fat Wreck Chords. They signed to Fat and remained through their career, releasing three full lengths: Above the City (produced by Fat Mike\/NOFX), This Sinking Ship, and The Speakeasy. Smoke Or Fire was praised by music critics, and revered by fans for capturing a raw energy and a genuine approach to punk music.\u003c\/p\u003e\n\u003cp\u003eSmoke Or Fire toured relentlessly over their twenty-plus year history, with numerous US and European tours, sharing the stage regularly with bands such as: Avail, Against Me!, Dillinger Four, Hot Water Music, Descendents, Anti-Flag, NOFX, Silverstein, Rise Against, Bad Religion, and The Ataris (just to name a few…).\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” is a collection of out of print and unreleased tracks from Smoke Or Fire. Side A includes their debut Iodine EP “Worker’s Union” which was completely remixed and remastered at New Alliance Studios in Boston, MA. Side B includes seven rare or unreleased tracks that span the history of the band, including the EP “Rises in the East” which was never released, but included a number of songs that were in the band’s live set throughout their tenure. The entire collection is being pressed on vinyl for the first time ever. Complete with all new artwork and packaging.\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” documents some of the best moments of the band’s legacy with fist-pumping anthems and emotional breakdowns. Singer Joe McMahon remains adamant that these are the best songs he ever wrote, which capture a youthful energy and idealism that is fleeting for us all.\u003c\/p\u003e\n\u003cp\u003e\"Distinctive hooks, infectious melodies and fist-pumping choruses: It’s all here, and it sounds damn near perfect.\" – ALTERNATIVE PRESS\u003cbr\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":45662930206891,"sku":"IOD19VC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/SOF-BC.jpg?v=1652902257"},{"product_id":"orange-island-one-night-stay","title":"Orange Island 'One Night Stay'","description":"\u003cp\u003eHailing from the suburban mill town of Clinton, MA, Orange Island were once a household name during the late 90s and early 00’s post-hardcore scene, coming up alongside bands like Taking Back Sunday and Thursday. Orange Island were often mislabeled as emo, but a more accurate description of their sound would be calling them an abrasive yet matured indie-rock band with an awareness of a pop-filled past. “One Night Stay” combines melodic hardcore, complex guitar interplay with lots of pop-influenced choruses and deeply somber lyrics that focus on the darker sides of life. Featuring tracks that have been out of print for over 15 years, they are now available on vinyl for the first time. Produced by Matt Squire (Taking Back Sunday, Thrice, and The Used). \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“While indie-rock bands Hum and Samiam helped paved the way for the genre, Orange Island has taken those ideas and infused them with new energy.” - AltPress \u003c\/p\u003e\n\u003cp\u003e“Sounding like a drop-D tuned Saves the Day or Jawbreaker, this Clinton, MA, quartet fuses gut-quaking East coast post-hardcore rhythms, à la Quicksand, dual guitar interplay and intelligent and earnest lyrics.” - EXCLAIM\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":42423476191403,"sku":"IOD24VC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/OrangIsland-OneNightStay-Cover_2000x_jpg.webp?v=1672844507"},{"product_id":"bucket-full-of-teeth-i-ii-iii-iv","title":"Bucket Full Of Teeth 'I \/ II \/ III \/ IV'","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Complete Discography\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e collects the entire recorded output of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBucket Full of Teeth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the short-lived avant-grind and powerviolence project formed by members of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOrchid\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in 2001.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBuilt around \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWill Killingsworth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Orchid, Ampere, No Faith, Vaccine) and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBrad Wallace\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Orchid, Wolves, Transistor Transistor), alongside drummer \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMatt Wilga\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Cancer Kids), Bucket Full of Teeth took the speed and violence of grindcore and powerviolence and pushed it into stranger, more experimental territory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe band’s first three EPs were originally released through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYouth Attack Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, founded by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCharles Bronson vocalist Mark McCoy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, placing Bucket Full of Teeth squarely within the lineage of late-’90s and early-2000s experimental powerviolence and hardcore.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlown-out hardcore, blast beats, noise, electronics, abrupt structural shifts, and ambient passages collide throughout the recordings, creating something far less predictable than straightforward grind. Rooted in classic powerviolence but connected to the chaotic Massachusetts scene that produced Orchid, Bucket Full of Teeth developed a sound that remains abrasive, confrontational, and genuinely strange.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eThe Complete Discography\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e brings the band’s entire output together in one definitive collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Grindcore Splatter","offer_id":45665262928043,"sku":"IOD26V3","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/26-BucketFullOfTeeth-IIIIIIIV_jpg.webp?v=1728052946"},{"product_id":"there-were-wires","title":"There Were Wires 'There Were Wires'","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThere Were Wires’ self-titled debut captures the Boston band at their most immediate: tense, melodic, chaotic hardcore built from equal parts abrasion and vulnerability.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormed on Martha’s Vineyard in 1999 before becoming part of the Boston hardcore scene, There Were Wires drew from bands like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eConverge, Portraits of Past, and Unbroken\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, pairing jagged guitars and explosive dynamics with a much more emotional core than their live shows initially suggested.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released after a series of self-recorded demos, the album became the foundation for everything the band would do next. This vinyl edition marks the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efirst time the record has been pressed on LP\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, completely remixed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKurt Ballou of Converge at God City Studios\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and remastered specifically for vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe expanded edition also includes several previously out-of-print B-sides along with the band’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1999 demo\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, bringing together the earliest chapter of There Were Wires in one release.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFollowing the self-titled record, the band went on to release \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eSomnambulists\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e in 2003, pushing their sound into darker and more atmospheric territory before disbanding after a final show in 2004. Members would later go on to projects including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDisappearer, Doomriders,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNo Flowers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Yellow and Black Moon","offer_id":45662906712235,"sku":"IOD08V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Yellow w\/ Blood Splatter","offer_id":48255586631851,"sku":"IOD08V1","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/08-ThereWereWires_jpg.webp?v=1728060799"},{"product_id":"love-letter-everyone-wants-something-beautiful","title":"Love Letter 'Everyone Wants Something Beautiful'","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eEveryone Wants Something Beautiful\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is the debut full-length from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLove Letter\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a New England hardcore band featuring \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eQuinn Murphy of Verse\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e alongside founding \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDefeater\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e members \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJay Maas\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAndrew Reitz\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross ten songs, Love Letter channel decades of experience in hardcore into something urgent, melodic, and deeply personal. The album explores generational trauma, grief, self-awareness, mental health, and the ways pain can be carried forward or projected onto the people around us, pairing those themes with emotionally charged hardcore and post-hardcore that never loses its sense of momentum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSongs like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“New Anthemic,” “Wellness Checks and Dead Friends,” “Misanthropic Holiday or Vacation,” “Settlements,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Panic Disordinary”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e move between cathartic intensity and quieter moments of reflection, giving Quinn Murphy’s lyrics room to hit with the same directness that made Verse so powerful.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGuitarist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJay Maas\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, whose production work includes records by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBane, Counterparts, and Title Fight\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, engineered the album with bassist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDavid Alcan\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDave McNair\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e handled mastering. Love Letter also features guitarist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMatthew Spence\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and drummer \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAndrew Reitz\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, bringing together musicians with a shared history that stretches back more than two decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIodine Recordings\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eEveryone Wants Something Beautiful\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e sits firmly in the lineage of New England hardcore while pushing toward something more mature, vulnerable, and expansive.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e","brand":"Iodine Recordings","offers":[{"title":"Spence Purple","offer_id":45658695598251,"sku":"IOD63V5","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Survival White","offer_id":45658695631019,"sku":"IOD63V4","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Blue Ice Marble","offer_id":45658695663787,"sku":"IOD63V3","price":25.0,"currency_code":"USD","in_stock":false},{"title":"CD","offer_id":45670749503659,"sku":"IOD63CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":45670749536427,"sku":"IOD63TAPE","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/63-LoveLetter-EveryoneWantsSomethingBeautiful.jpg?v=1728053181"},{"product_id":"hassan-i-sabbah-untitled","title":"Hassan I Sabbah 'Untitled' (Discography)","description":"\u003cp\u003eHassan I Sabbah was a short lived, yet legendary, Emo-Violence band that originated during a chance meeting of its core members in 1999 in Boston, MA who shared a love for bands like Heroin and Mohinder. Featuring members of Puritan, Prevail, and Forcefedglass, to name a few, the band started when Fall of Leningrad bassist Ryan Daniels met Tommy Davis. The lineup was rounded out by drummer Mike Justain and then sixteen year-old Forcefedglass guitarist Zac Davis, eventually coming to rest with Chad Pfeiffer of Puritan on vocals.\u003c\/p\u003e\n\u003cp\u003eExisting for less than a year, Hassan I Sabbah canceled, or vanished, from more shows than they actually played and ended without ever releasing a full album - yet the ink they left in the ledger of New England Hardcore persists. They found their way to many basements and VFW halls coming up alongside and playing with genre defining bands such as Orchid, Jeromes Dream, American Nightmare, Saetia, and PG.99. There were more stories and tales of the band’s shows than there were recorded songs. Their influence and live performances were chaotic, powerful and the stuff of messageboard lore. After disappearing at the end of 2000, some members would go on to play in bands such as Unearth, The Red Chord and Madball.\u003c\/p\u003e\n\u003cp\u003e‘Untitled’ serves as the defining document of Hassan I Sabbah, archiving all of the known recordings, photographs, and show posters, which took years to find and collect. This complete discography includes their self-titled EP produced by Kurt Ballou (Converge) at God City Studio, the split with Usurp Synapse, their track from Ghost in the Gears (Iodine Compilation), and a demo recording of “Not So In Tune With Shells”. The first four tracks were also remixed and remastered by Jack Shirley at The Atomic Garden (Deafheaven, Loma Prieta). The release is complete with a 12-page retrospective zine with thoughts and reflections from the band on their short history and is accompanied by photographs and poster art.\u003c\/p\u003e\n\u003cp\u003eAlthough they were only active from October 1999 through August of 2000, the legacy of Hassan I Sabbah is a lasting one.\u003cbr\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Oxblood Inside Ghost w\/Splatter","offer_id":45665274364075,"sku":"IOD50V2","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Oxblood\/Bone Smash","offer_id":45665274396843,"sku":"IOD50V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Piss Yellow Marble","offer_id":45665274429611,"sku":"IOD50V3","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Canvas Patch","offer_id":45665274462379,"sku":"IOD50V4","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/50-Hassan_I_Sabbah_-_Untitled.jpg?v=1728054539"},{"product_id":"garrison-a-mile-in-cold-water","title":"Garrison 'A Mile In Cold Water'","description":"\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2000 on Revelation Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA Mile in Cold Water\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the debut full-length from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoston post-hardcore band Garrison\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and one of the defining records to emerge from the late-’90s and early-2000s New England underground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor this \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2023 Iodine Recordings reissue\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the album was completely \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eremixed by Kurt Ballou of Converge at God City Studio from the original recordings\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and remastered by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, bringing new clarity and weight to a record that had been out of print on vinyl for more than two decades.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGarrison came out of the same Boston-area scene as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePiebald, Cave In, and Converge\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, blending the urgency of hardcore with the melodic tension of emo and post-hardcore. Drawing from bands like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eQuicksand, Drive Like Jehu, and Texas Is the Reason\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, they developed a sound built around intricate guitar work, sharp dynamics, heavy breakdowns, and memorable vocal melodies.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSongs like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“After the Fight,” “Selective Hearing Loss,” “Always Be Closing,” “The Dumbest Angel,” “Penelope,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Favorite Goodbye Fuck”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e capture Garrison at their most distinctive, moving between angular post-hardcore, melodic punk, and quieter, more introspective moments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe reissue is presented in a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003especial gatefold jacket\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e with artwork combining elements of the original release with new work from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDan McCarthy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, giving one of Garrison’s most important records a definitive modern presentation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Amber \u0026 Midnight w\/Splatter","offer_id":45665377157291,"sku":"IOD34V1","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Yellow and Blue Swirl","offer_id":45670857965739,"sku":"IOD34V2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/34-Garrison-AMileinColdWater_jpg.webp?v=1728056132"},{"product_id":"six-going-on-seven-self-made-mess","title":"Six Going On Seven 'Self-Made Mess'","description":"\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1997 on Some Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSelf-Made Mess\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the debut full-length from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoston’s Six Going On Seven\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, capturing the band at the beginning of a run that helped bridge ’90s emo, post-hardcore, and melodic indie rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBrian McTernan at Salad Days Studio\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the album is built around intricate guitar and bass interplay, sharp rhythmic movement, and Joshua English’s direct, melodic vocals. Songs like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Sexy Like the Titanic,” “Endurance,” “Getaway Car,” “Flu Season,” “Lampwick,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Method Actor”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e show a band already developing the tense, hook-driven sound that would become fully realized on \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHeartbreak’s Got Backbeat\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSix Going On Seven came up in the same late-’90s underground as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHot Water Music, Elliott, The Promise Ring, Texas Is the Reason, Jimmy Eat World,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Get Up Kids\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, sharing stages with many of the bands that would define the era. Rather than fitting neatly into one scene, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSelf-Made Mess\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e sits at the point where hardcore-informed emo was opening into something more melodic, angular, and expansive.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter being out of print on vinyl for more than \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e25 years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSelf-Made Mess\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e returned in 2023 through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIodine Recordings\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, newly remastered by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and presented with completely new artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs Six Going On Seven’s first full-length, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSelf-Made Mess\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the starting point for one of Boston’s most underrated late-’90s bands and an essential companion to \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHeartbreak’s Got Backbeat\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Brown\/Green w\/ Yellow Splatter","offer_id":45670720307371,"sku":"IOD40V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Brown \u0026 Yellow Smash","offer_id":45670720340139,"sku":"IOD40V2","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/40-SixGoingonSeven-Self-MadMess-Cover_jpg.webp?v=1728056516"},{"product_id":"garrison-orange-island-songs-from-a-central-massachusetts-mill-town","title":"Garrison \u0026 Orange Island 'Songs From A Central Massachusetts Mill Town'","description":"\u003cp\u003eHailing from small towns in Central Massachusetts, both Garrison and Orange Island shared a similar history coming up in the music scene. They shared influences, stages, equipment, and even occasionally members. Even though both bands took their different paths, they always shared a friendship and common roots having come up in the time of the Worcester Space and the St. John’s Gym in Clinton. In 2003, while both bands were in the studio working on new albums, Iodine Recordings proposed the idea of a split where they covered each other’s songs. These two songs were the result, and although the record never saw the light of day, we are excited to present it now, almost 20 years later, on vinyl for the first time. Both songs were remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden, and the Garrison track was remixed by Ethan Dussault (On the Might of Princes, Smoke or Fire) at New Alliance Studio. It is being presented as a limited edition pressing on transparent red vinyl, hand numbered out of 250 copies.\u003c\/p\u003e\n\u003cp\u003eBoth Garrison and Orange Island embody the best parts of late-90s emo and post-hardcore. Garrison covers Orange Island’s “Stand Up, State Your Name” from “Everything You Thought You Knew” and Orange Island covers Garrison’s “Recognize and Opportunity” from “Be a Criminal.”\u003cbr\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Red 7\"","offer_id":45642370580651,"sku":"IOD52V1","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/52-GarrisonOrangeIsland-Split_jpg.webp?v=1728056844"},{"product_id":"there-were-wires-his-talk-her-teeth","title":"There Were Wires 'His Talk, Her Teeth'","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHis Talk, Her Teeth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a two-song 7\" from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThere Were Wires\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the Boston hardcore band that emerged from Martha’s Vineyard in 1999 and became a fixture of the early-2000s New England underground.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIodine Recordings in 2003\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the single pairs \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“His Talk, Her Teeth”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSomnambulists\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e with the band’s cover of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSonic Youth’s “Tunic (Song for Karen).”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Both tracks were recorded during the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSomnambulists\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e sessions with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMatt Squire at Q-Division Studios\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, capturing the darker, more atmospheric direction There Were Wires were moving toward at the end of their original run.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing from hardcore, screamo, post-hardcore, and the dissonance of bands like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eConverge, Portraits of Past, and Unbroken\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, There Were Wires built a sound that balanced chaotic intensity with an increasingly heavy and moody sense of atmosphere. Members would later go on to projects including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDoomriders, Disappearer,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNo Flowers\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis limited reissue features an \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ealternate cover and hand-numbered edition of 100 copies\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, with audio remastered by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAlan Douches at West West Side\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Ghost + Smoke 7\"","offer_id":45642701045931,"sku":"IOD13V1","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/13-ThereWereWires-HisTalk_HerTeeth.jpg?v=1728058861"},{"product_id":"rebuilder-local-support","title":"Rebuilder 'Local Support'","description":"\u003cp\u003e\"Local Support\" is the sophomore full length effort from Boston's Rebuilder. The self proclaimed gnarly-punk band from Boston has piled into their van, and brought their brand of never-say-die Rock \u0026amp; Roll to the people. “Local Support” highlights the band’s dedication to the local scene and being an important part of the music community. These eleven melodic punk anthems capture raw energy and passion with fist pumping sing alongs. Rebuilder’s earnest lyrics cover everything from the importance of friendships to the dark state of the world and surviving the low points in life. “Local Support” is both sincere and enigmatic, bringing back memories of youthful nights singing along with our favorite bands when nothing else mattered more.\u003c\/p\u003e\n\u003cp\u003eTireless travel up and down both coasts, throughout the Midwest, and even crossing the occasional boarder into Canada and Mexico, Rebuilder has put the pedal through the floor since their inception. They have shared the stage with Dropkick Murphys, Mighty Mighty Bosstones, Bad Religion, A Wilhelm Scream,, and NOFX. Produced by Jay Maas (Defeater, Bane, Title Fight), “Local Support” offers something for everyone. Iodine Recordings is presenting this LP on three limited color variants!\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Lemonheads Yellow","offer_id":44578111193259,"sku":"IOD49V1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Arnold Palmer Splatter","offer_id":45569556119723,"sku":"IOD49V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Home Depot Merch Tub","offer_id":45569557102763,"sku":"IOD49V3","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":46015344869547,"sku":"IOD49CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/49-Rebuilder-LocalSupport_jpg.webp?v=1728060980"},{"product_id":"piebald-we-are-the-only-friends-we-have","title":"Piebald 'We Are The Only Friends We Have'","description":"\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2002\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWe Are the Only Friends We Have\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the landmark third full-length from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePiebald\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and one of the defining emo and indie-rock records of the early 2000s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow back on vinyl for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efirst time in more than 20 years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this edition has been completely remastered for vinyl by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and features reconstructed artwork created from negatives of the original photo shoot, along with a new retrospective essay from the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePaul Q. Kolderie\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Radiohead, Pixies, Dinosaur Jr.), \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWe Are the Only Friends We Have\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e captures Piebald at the height of their transition from the New England hardcore and post-hardcore underground into something unmistakably their own. Huge hooks, sharp humor, restless arrangements, and Travis Shettel’s deeply personal lyrics come together across songs like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“American Hearts,” “Just a Simple Plan,” “King of the Road,” “Fear and Loathing on Cape Cod,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“The Stalker.”\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormed in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAndover, Massachusetts\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Piebald emerged from the same Merrimack Valley scene that produced \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eConverge and Cave In\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, carrying that DIY foundation into a sound that blended emo, post-hardcore, indie rock, and power-pop melody.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eWe Are the Only Friends We Have\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e became the record that pushed Piebald to a much wider audience, with national radio play and tours alongside bands including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaves the Day, Glassjaw, Hey Mercedes, New Found Glory, RX Bandits,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMinus the Bear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. More than two decades later, its mix of sincerity, humor, and enormous sing-along hooks remains central to the band’s legacy.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Green\/White\/Orange Twist","offer_id":45569561395371,"sku":"IOD67V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Green\/White Pinwheel","offer_id":45569561428139,"sku":"IOD67V2","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Green\/White Smash","offer_id":45569561460907,"sku":"IOD67V7","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Big Yellow Sun","offer_id":45569561493675,"sku":"IOD67V12","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Astroturf Green","offer_id":45977799426219,"sku":"IOD67V13","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-67_STD_DIGITAL_COVER.jpg?v=1786121362"},{"product_id":"piebald-we-are-the-only-friends-we-have-deluxe","title":"Piebald 'We Are The Only Friends We Have' (Deluxe)","description":"\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDeluxe 2xLP edition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of Piebald’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWe Are the Only Friends We Have\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e expands the landmark 2002 album with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e12 bonus tracks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including B-sides, demos, covers, and other archival recordings, presented in an expanded gatefold package.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBack on vinyl for the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003efirst time in more than 20 years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the album has been completely remastered for vinyl by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and features reconstructed artwork created from negatives of the original photo shoot, along with a retrospective essay written by the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally produced by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePaul Q. Kolderie\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Radiohead, Pixies, Dinosaur Jr.), \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWe Are the Only Friends We Have\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e captures Piebald at the height of their evolution from the New England hardcore and post-hardcore underground into one of the most distinctive bands of the early-2000s emo and indie-rock scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSongs like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“American Hearts,” “Just a Simple Plan,” “King of the Road,” “Fear and Loathing on Cape Cod,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“The Stalker”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e pair huge hooks and sharp humor with the sincerity and unpredictable songwriting that became Piebald’s signature.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFormed in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAndover, Massachusetts\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Piebald emerged from the same Merrimack Valley scene that produced \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eConverge and Cave In\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eWe Are the Only Friends We Have\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e became their breakthrough, earning national radio play and helping establish the band’s cult following through tours with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSaves the Day, Glassjaw, Hey Mercedes, New Found Glory, RX Bandits,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMinus the Bear\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis deluxe edition offers the most expansive vinyl presentation of the album, pairing the newly remastered original record with a full second LP of rare material from the same era.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"American Hearts Pink 2xLP","offer_id":47879355596971,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true},{"title":"Red\/Yellow Bus Door Smash 2xLP","offer_id":45196585894059,"sku":"IOD67DLXV1","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Piñata Splatter 2xLP","offer_id":45569566965931,"sku":"IOD67DLXV2","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/piebald_we_are_the_onyl_frinds_we_have_deluxe.png?v=1756591904"},{"product_id":"bloodhorse-a-malign-star","title":"Bloodhorse 'A Malign Star'","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eA Malign Star\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the long-awaited second full-length from Boston’s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBloodhorse\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, featuring members of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAmerican Nightmare, The Red Chord, and All Pigs Must Die\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHeavy, bleak, and relentlessly physical, the record moves between post-metal, sludge, stoner rock, and hardcore without settling neatly into any one of them. Massive riffs and tightly controlled dynamics give way to moments of speed, unease, and atmosphere, creating a record that feels both immediate and oppressive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA Malign Star\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Bloodhorse wrestle with self-destruction, alienation, doubt, and dread, balancing brute force with a sharp sense of restraint. The songs are dense without becoming shapeless, and heavy without sacrificing the clarity that has always made the band stand apart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“Bloodhorse might be the best kept secret in the world of post-metal\/stoner-rock (with a touch of hardcore\/punk). Their execution as a beast of a three piece is downright awe-inspiring. Massive riffs, clean songwriting, and perfectly balanced instrumentation. Absolutely essential for fans of the genre.”\u003cbr\u003e\u003cstrong\u003eLambgoat\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Blood Red Vinyl","offer_id":45662665867435,"sku":"IOD86V1","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Bloodhorse-AMalignStar-Cover_800.png?v=1758771831"},{"product_id":"six-going-on-seven-heartbreaks-got-backbeat","title":"Six Going On Seven 'Heartbreak's Got Backbeat'","description":"\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1999 on Some Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHeartbreak’s Got Backbeat\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the second full-length from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoston’s Six Going On Seven\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, capturing the band at the intersection of ’90s emo, post-hardcore, and melodic indie rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBrian McTernan at Salad Days Studio\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the album expands on the foundation of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSelf-Made Mess\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e with nine tightly constructed songs built around angular guitars, driving rhythms, huge melodic hooks, and Joshua English’s unmistakable vocals. \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Portsmouth,” “Southbound,” “How to Sell the Brooklyn Bridge,” “Valentine, They’re Dropping Like Flies,” “New\/Improved!,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Reverse Midas”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e capture a band developing a sound that sat comfortably alongside \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTexas Is the Reason, Elliott, The Promise Ring, Hot Water Music,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Get Up Kids\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e without ever sounding quite like any of them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWalter Schreifels of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eQuicksand, Rival Schools, and Gorilla Biscuits\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e famously described the record as \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“The Reign in Blood of Emo,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e a pretty perfect summary of its concise, relentlessly focused 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter being unavailable on vinyl for more than \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e25 years\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHeartbreak’s Got Backbeat\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e returned through \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIodine Recordings\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, newly remastered by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and presented with completely new artwork. The first pressing is limited to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e300 copies on Half Yellow \/ Half Red vinyl\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith Six Going On Seven active again and releasing their first new full-length in decades, \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eHuman Tears\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, in 2026, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHeartbreak’s Got Backbeat\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e feels less like an obscure artifact and more like an essential missing chapter in the history of Boston emo and post-hardcore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Red \u0026 Yellow Split","offer_id":45662705320107,"sku":"IOD70V1","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/SGOSHGBB.jpg?v=1758774286"},{"product_id":"fastbreak-fast-cars-fast-women","title":"Fastbreak 'Fast Cars, Fast Women'","description":"\u003cp\u003eIn the late 90s, no one carried the torch for Youth Crew hardcore like Fastbreak. Formed in 1994, the Connecticut band quickly made a name for themselves in the New England area, thanks to their explosive approach to fast-paced hardcore music and unrelenting positivity. Their sound was a true successor to the upbeat style of bands like Gorilla Biscuits and Youth of Today. Their energy made them a staple in Connecticut hardcore, as they became a fixture playing alongside bands like H2O, Bane, Ten Yard Fight, Right Brigade, and more.\u003c\/p\u003e\n\u003cp\u003eDespite their significant impact on the hardcore scene, Fastbreak's recordings had long been out of print and unavailable on streaming services. This is why Iodine Records is proud to re-release Fastbreak’s seminal debut album, Fast Cars, Fast Women. Originally released in 1998, every idea, riff, and rhythm on the record feels as fresh as ever. Songs like “Said and Done” and “Places Trades” are bursting with pure exuberance and energy. In a time when bands were getting darker and gloomier, Fastbreak was a breath of fresh air, bringing a more inviting energy to the genre.\u003c\/p\u003e\n\u003cp\u003eFastbreak’s ideas were extremely ahead of their time, predicting the future fusion of hardcore and pop-punk that would go on to take over the world. Their influence can be heard in countless bands that followed, blending the raw energy of hardcore with the immediacy of a positive attitude and approach. It’s a painfully underrated record, but thankfully, listeners now have a chance to realize just what was going on.\u003c\/p\u003e\n\u003cp\u003eFastbreak’s Fast Cars, Fast Women features Patrick Rorick on vocals, Steven Pica and Neal St. Clair on guitar, Don Raymond on bass, and Luke Garro on drums. The album was produced by Dean Baltulonis and mastered at Metropolis Studios.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Red \u0026 Blue Racing Stripe","offer_id":45662733271211,"sku":"IOD66V1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Black \u0026 Blue Smash","offer_id":45662733238443,"sku":"IOD66V2","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Fastbreak-FastCars_FastWomen-Cov.png?v=1758775035"},{"product_id":"cave-in-final-transmission","title":"Cave In 'Final Transmission'","description":"\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eOriginally intended as demos, Final Transmission marks the first Cave In album in eight years and the band’s last with Caleb, who performs on all of the songs. Caleb’s voice—musical and physical—are everywhere on Final Transmission. The opening title track is a voice memo of a song idea he sent to his bandmates the last time they saw each other. “Hearing his voice fucks you up a little bit,” Adam says today. “We were surprised to get it from him, actually, but we thought it was great. And that was it. In a weird way, it’s the end of the story as far as our relationship together.”\u003cbr\u003e\u003cbr\u003eCaleb plays bass on six of the album’s remaining eight songs, and guitar on the other two. Even a cursory listen of Final Transmission will offer glimpses of past Cave In eras, from the scintillating space rock of their 2000 breakthrough opus Jupiter to the ripping metal melodies of White Silence. All told, it’s a direction that was largely spearheaded by Caleb. “When I look back at our email correspondence about the demos, Caleb had a really crystallized view of how to navigate the whole thing,” Steve reveals. “He was really digging the stuff that was spacey, heavy, a little bit weird, but with very pretty melodies and hooks. I think he was encouraging us to embrace what we’ve always been good at and what sets us apart from our contemporaries.”\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Hydra Head Records","offers":[{"title":"Pitch Black Vinyl","offer_id":45687970594987,"sku":"IOD-HH245v1","price":20.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":46014197858475,"sku":"IOD-HH245CD","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/a0394063936_10.jpg?v=1790916395"},{"product_id":"piebald-venetian-blinds","title":"Piebald 'If It Weren't For Venetian Blinds It Would Be Curtains For Us All'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1999 on Big Wheel Recreation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIf It Weren’t for Venetian Blinds, It Would Be Curtains for Us All\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e captures \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePiebald\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e at the moment they were transforming from their hardcore roots into the witty, melodic, and impossible-to-pin-down sound that would define the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNow available again on vinyl after being \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eout of print since its original release\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this deluxe edition from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIodine Recordings\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e has been completely remastered for vinyl by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and features reconstructed artwork created from the original source materials and photographs, along with new retrospective commentary from the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing out of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMerrimack Valley scene that also produced Converge and Cave In\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Piebald brought the energy of hardcore into increasingly adventurous songwriting, pairing angular guitars and unpredictable arrangements with huge hooks, humor, and unmistakable personality. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eVenetian Blinds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e sits at the center of that evolution, bridging underground post-hardcore and emo with the more expansive indie-rock songwriting that would follow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEqual parts sincere, chaotic, melodic, and strange, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIf It Weren’t for Venetian Blinds, It Would Be Curtains for Us All\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e remains one of the most important records in Piebald’s catalog and an essential document of late-’90s New England emo and post-hardcore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Noise Cult Splatter","offer_id":45914830373035,"sku":"IOD82V3","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Life is a Beach (yellow\/orange)","offer_id":45914830405803,"sku":"IOD82V4","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Thunderbolt Blue","offer_id":47913811804331,"sku":"IOD82V5","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Rules for Mules Purple","offer_id":47913818980523,"sku":"IOD82V8","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Grace Kelly Purple Cloud","offer_id":47913824026795,"sku":"IOD82V9","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Dance Party (yellow\/blue)","offer_id":47913829499051,"sku":"IOD82V10","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Sea Blue","offer_id":47913831956651,"sku":"IOD82V11","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-82DIGITALCOVER_1.jpg?v=1764651795"},{"product_id":"piebald-venetian-blinds-deluxe","title":"Piebald 'If It Weren't For Venetian Blinds It Would Be Curtains For Us All' (Deluxe)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDeluxe 2xLP edition\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e of Piebald’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eIf It Weren’t for Venetian Blinds, It Would Be Curtains for Us All\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e expands the landmark 1999 album with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e12 bonus tracks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, including the long-lost \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGod City Demos, newly remixed by Kurt Ballou\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and presents the complete collection in an expanded gatefold package.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1999 on Big Wheel Recreation\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eVenetian Blinds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e captures Piebald at the moment they were evolving from their hardcore roots into the melodic, unpredictable, and unmistakably personal sound that would define the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompletely \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eremastered for vinyl by Jack Shirley at The Atomic Garden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, this deluxe edition restores the album with greater clarity while preserving the restless energy of the original recordings. The packaging features expanded artwork reconstructed from original source materials and photographs, along with retrospective commentary from the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe second LP dives deeper into the album’s history with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e12 archival bonus tracks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, highlighted by the previously lost \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGod City Demos\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, remixed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKurt Ballou of Converge\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. Together, the additional recordings offer a wider look at Piebald during one of the most important transitional periods in their career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing out of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMerrimack Valley scene alongside Converge and Cave In\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Piebald helped bridge the distance between underground hardcore and post-hardcore experimentation, ’90s emo, and the hook-driven indie rock that would follow. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eVenetian Blinds\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e remains one of the clearest snapshots of that evolution.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDeluxe 2xLP Edition\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan\u003eOriginal 1999 album remastered by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJack Shirley\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e\u003cspan\u003e12 bonus tracks\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eLost \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGod City Demos remixed by Kurt Ballou\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eExpanded \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003egatefold packaging\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReconstructed artwork from original materials and photographs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRetrospective commentary from Piebald\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eReleased by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIodine Recordings\u003c\/span\u003e\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Iodine Recordings","offers":[{"title":"Sea\/Orchid Splatter 2xLP","offer_id":45914851246251,"sku":"IOD82DLXV1","price":35.0,"currency_code":"USD","in_stock":false},{"title":"Karma Blue Smash 2xLP","offer_id":45914851279019,"sku":"IOD82DLXV2","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/PIEBALD_bookletCover_1.jpg?v=1764653470"},{"product_id":"the-saddest-landscape-alone-with-heaven","title":"The Saddest Landscape 'Alone With Heaven'","description":"\u003cp\u003eTheir first new music in a decade, the full length dives fearlessly into themes of survival, grief, the ache that follows, and the fragile hope that keeps us pushing through the dark. These songs exist in the place where the things not said aloud dwell, where memory turns to ash, where love outlives the wreckage.\u003c\/p\u003e\n\u003cp\u003eRecorded with Steve Albini and Jack Shirley, the double LP moves between songs and instrumental passages, shaped by memory, endurance, and hope. Guest appearances from Julien Baker, Jeremy Bolm, and Evan Weiss appear across select tracks.\u003c\/p\u003e\n\u003cp\u003eOne of the most enduring voices in modern post-hardcore, The Saddest Landscape have returned after a decade, making sure we’re still alive.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Noise Cult Splatter","offer_id":46096915857579,"sku":"IOD95V2","price":37.0,"currency_code":"USD","in_stock":false},{"title":"A Badge Of Sorrow","offer_id":46096915890347,"sku":"IOD95V3","price":37.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":47954385240235,"sku":"IOD95CD","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Cassette","offer_id":47954390974635,"sku":"IOD95TAPE","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Midnight Blue","offer_id":48345213173931,"sku":"IOD95V4","price":37.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-95_Digital_Cover_no_obi.jpg?v=1769558570"},{"product_id":"only-living-witness-prone-mortal-form","title":"Only Living Witness 'Prone Mortal Form'","description":"\u003csection class=\"sixcol product-gallery js-product-gallery\"\u003e\u003c\/section\u003e\n\u003csection class=\"sixcol last product-info js-product-info\"\u003e\n\u003csection class=\"product-description\"\u003e\n\u003cp\u003eThe Man Alive Records’ 30(ish) Anniversary Edition of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eONLY LIVING WITNESS’\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eProne Mortal Form\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis housed in a wide-spine jacket that holds the album as well as a bonus 12” featuring demos\/outtakes that have never been on vinyl before. The album comes with an 8-page booklet complete with rare photos, flyers, original art, posters, lyric sheets, and more from\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJonah Jenkins’\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(vocals) personal archives. The booklet also contains insights from those influenced by this album, including\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAaron Dalbec\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Be Well\/Bane\/Converge),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChris Gonzalez\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(End It),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJesse Leach \u0026amp; Mike D.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Killswitch Engage),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBrian Fair\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Shadows Fall\/Overcast), producer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTim O’Heir\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJem Aswad\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Variety Magazine),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eIann Robinson\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(MTV), and the band’s late drummer,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEric Stevenson\u003c\/b\u003e. The audio, including the bonus tracks, was mastered for vinyl by Jeff Lipton at Peerless Studios who, with Eric by his side, mastered the 2006 expanded CD editions. Additionally, the album’s packaging was modernized, and rebuilt by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTom Bejgrowicz\u003c\/b\u003e—known for his work with Quicksand, Beastie Boys, Johnny Cash, Snapcase, Eyehategod, and more.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e“Back then, you couldn’t make heads or tails of what [the album] was—it sounded like nothing else that had come out. The guitar tone and Jonah’s voice was such a perfect combination. I can’t even count the number of copies of the cassette I had and wore out.”\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e— Aaron Dalbec (Be Well\/Bane\/Converge) \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e“This album runs unforgivably under the radar, especially for how well it was produced and performed. I’m so glad I didn’t sleep on Only Living Witness.”\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e— Chris Gonzalez (End It)\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e","brand":"Man Alive Creative","offers":[{"title":"Mustard 2xLP","offer_id":46265539854507,"sku":"IOX15V1","price":34.99,"currency_code":"USD","in_stock":true},{"title":"Pink 2xLP","offer_id":46265609027755,"sku":"IOX15V2","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/OLW-PMF_Cover_fd56b013-ee1a-46a6-8289-adaf0f40a995.jpg?v=1772652269"},{"product_id":"only-living-witness-innocents","title":"Only Living Witness 'Innocents'","description":"\u003csection class=\"sixcol product-gallery js-product-gallery\"\u003e\u003c\/section\u003e\n\u003csection class=\"sixcol last product-info js-product-info\"\u003e\n\u003csection class=\"product-description\"\u003e\n\u003cp\u003eThe Man Alive Records’ 30(ish) Anniversary Editions of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eONLY LIVING WITNESS’ \u003c\/b\u003e\u003cb\u003e\u003ci\u003eInnocents\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis housed in a wide-spine jacket that holds the album as well as a bonus 12” featuring demos\/outtakes that have never been on vinyl before. The album comes with an 8-page booklet complete with rare photos, flyers, original art, posters, lyric sheets, and more from\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJonah Jenkins’\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(vocals) personal archives. The booklet also contains insights from those influenced by this album, including\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJesse Leach\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Killswitch Engage),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBrian Fair\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Shadows Fall\/Overcast),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eIann Robinson\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(MTV), and the band’s late drummer,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEric Stevenson\u003c\/b\u003e. The audio, including the bonus tracks, was mastered for vinyl by Jeff Lipton at Peerless Studios who, with Eric by his side, mastered the 2006 expanded CD editions. Additionally, the album’s packaging was redesigned to better match Jonah’s original intention of having a monochromatic design by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTom Bejgrowicz\u003c\/b\u003e—known for his work with Quicksand, Beastie Boys, Johnny Cash, Snapcase, Eyehategod, and more.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e“To me,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eInnocents\u003ci\u003e\u003cspan\u003e \u003c\/span\u003esees the band taking their formula and boiling it down to the pure essence. Every song is razor sharp and focused.”\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e— Brian Fair (Shadows Fall, Overcast)\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e“Their style would forever make [them] a staple in my life, as well as an influence on me as both a musician and artist. To this day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eInnocents\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eis a benchmark and a turning point for me as a vocalist. Untouchable.”\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e— Jesse Leach (Killswitch Engage) \u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e","brand":"Man Alive Creative","offers":[{"title":"Orange Crush 2xLP","offer_id":46265620103339,"sku":"IOX14V1","price":34.99,"currency_code":"USD","in_stock":true},{"title":"Ultra Clear 2xLP","offer_id":46265620136107,"sku":"IOX14V2","price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/OLW-INN_Cover.jpg?v=1772653807"},{"product_id":"miltown-tales-of-never-letting-go","title":"Miltown 'Tales Of Never Letting Go'","description":"\u003csection class=\"sixcol product-gallery js-product-gallery\"\u003e\n\u003cdiv class=\"_4ORMAT_content_page_row\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003csection class=\"sixcol last product-info js-product-info\"\u003e\n\u003csection class=\"product-description\"\u003e\n\u003cp\u003e\u003cb\u003e28 YEARS IN THE WAITING!!! \u003c\/b\u003e\u003cb\u003eMILTOWN\u003c\/b\u003e's debut full-length,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cb\u003eTALES OF NEVER LETTING GO\u003c\/b\u003e\u003c\/i\u003e, has finally been released. Limited edition \"Pitch Black\"\u003c\/p\u003e\n\u003cp\u003eFeaturing\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJONAH JENKINS\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Only Living Witness),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBRIAN McTERNAN\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Be Well, Battery, Ashes),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMATT SQUIRE\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Ashes),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJAY CANNAVA\u003c\/b\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eROB DULANEY\u003c\/b\u003e, these sessions were recorded at the legendary Long View Farm Studios (Bad Brains, Quicksand, Killswitch Engage) in December ’97 and January ’98. \u003c\/p\u003e\n\u003cp\u003eThe band broke up before the songs were mixed and the master tapes have sat in Southern California warehouses ever since. In 2024, Man Alive Records achieved an exclusive license to release the recordings after almost 30 years. The sessions were then mixed by guitarist\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBRIAN McTERNAN\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Turnstile, Thrice, Angel Du$t) at Salad Days Studio and its packaging designed by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eTOM BEJGROWICZ\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(Beastie Boys, Johnny Cash, Snapcase). The album was mastered and cut to lacquers by \u003cb\u003eNICK TOWNSEND\u003c\/b\u003e (The Hold Steady, Nails, Dr. Dre) and features 13 songs, 10 of which debut here and three re-recordings of songs that appeared on the band's debut EP for Hydra Head Records in 1997.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eTALES OF NEVER LETTING GO\u003c\/b\u003e\u003c\/i\u003e's packaging includes a full-color jacket, an innersleeve featuring complete lyrics and credits, an insert with the band's photos, ephemera, and master tape imagery from the time of recording the album—all of which have a matte coating to help protect against finger prints.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/section\u003e","brand":"Man Alive Creative","offers":[{"title":"Pitch Black Vinyl","offer_id":46265792659627,"sku":"IOX07V2","price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Miltown-TalesofNeverLettingGo-Cover_2000x_4305c33c-4e49-417b-9ae1-923d55f9a22f.jpg?v=1772657606"},{"product_id":"cave-in-beyond-hypothermia","title":"Cave In 'Beyond Hypothermia'","description":"\u003cp\u003eCave In's ability to weave different sounds and moods throughout one song is simply uncanny. The band achieves this by deftly assembling multiple riffs and tempos in a manner that recalls Metallica's Master of Puppets. The difference, though, is that Beyond Hypothermia is much more extreme: more riffs, more tempos, and more chaos, screams, and confusion. Additionally, Cave-In draw from a wider pool of influences than Metallica could have at that point: hardcore-styled mosh grooves, evocative strains that recall Split Lip's Midwestern emo, and occasional black\/death metal riffing dance atop the traditional foundation of Black Sabbath and Iron Maiden. Wherever Beyond Hypothermia goes, though, it remains consistently heavy and cohesive, an additional wonder considering the album is a collection of various sessions.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Hydra Head Records","offers":[{"title":"CD","offer_id":46289733222571,"sku":"IOD-HHH25CD","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/CaveIn-BeyondHypothermia.png?v=1773080654"},{"product_id":"cave-in-perfect-pitch-black","title":"Cave In 'Perfect Pitch Black'","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003eCave In’s \u003cem\u003ePerfect Pitch Black\u003c\/em\u003e is one of the band’s heaviest and most volatile records, pulling together the crushing force of their early metallic hardcore with the expansive, atmospheric songwriting that defined their later work.\u003c\/strong\u003e Dense, abrasive and unpredictable, the album moves between punishing riffs, fractured rhythms and wide-open melodic passages without ever settling comfortably into one sound.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded and mixed between January 2003 and May 2005 at Mad Oak in Allston, New Alliance in Boston, and Translator Audio in Brooklyn, the album was engineered and mixed by Andrew Schneider. The recordings were revisited in 2016 and remastered by Nick Zampiello at New Alliance East, adding renewed weight and clarity to an already massive-sounding record.\u003c\/p\u003e","brand":"Hydra Head Records","offers":[{"title":"CD","offer_id":46289969873067,"sku":"IOD-HHH103CD","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/CaveIn-PerfectPitchBlack.png?v=1773085364"},{"product_id":"cave-in-until-your-heart-stops","title":"Cave In 'Until Your Heart Stops'","description":"\u003cp\u003eCave In have had many musical identities since their inception in Methuen, MA, in 1995, but the one that first established them as underground heroes was the dizzying, face-ripping metal blowout now known the world over as Until Your Heart Stops.\u003cbr\u003e- J Bennett \/ Decibel Magazine\u003c\/p\u003e\n\u003cp\u003eUntil Your Heart Stops continues and widens Cave-In's assault upon body and mind. The chugga-chugga chunks are still there, this time refined into escalating and edgy walls of sound that owe a large debt to Slayer. Newly present, however, are forays into psychedelia and noise. At times expansive and at other times dark and claustrophobic, these always aggressive ventures open new doors for Cave-In. When fused with the usual jarring assemblage of riffs, a bold and original heavy music is created. Perhaps the only band who has successfully tread similar ground is Neurosis. Until Your Heart Stops' production is a major force as well; the band's undertakings are captured and conveyed in a way that at times sound impossibly dense, balancing gut-stabbing bottom end with piercing highs. This is one key factor among many that burn away the hardcore framework through which Cave-In originally slipped.\u003cbr\u003e- Matt Kantor \/ All Music\u003c\/p\u003e\n\u003cp\u003eForget Master of Puppets and the ever-evolving D\u0026amp;D discs of Mastodon for a minute. If there’s one metal record we reach for on a regular basis, it’s Cave In’s first proper full-length, the decade-old Until Your Heart Stops. A dizzying array of chord-climbing riffs, speaker-rattling vocals and traumatic time changes—not to mention the anvil-dropping rhythm section of drummer J.R. Conners and bassist Caleb Scofield—it’s a prime example of masochistic pop music, catchy but chaotic stuff that wouldn’t sound out of place while driving your car off a cliff.\u003cbr\u003e- Self-Titled Magazine\u003c\/p\u003e","brand":"Hydra Head Records","offers":[{"title":"CD","offer_id":46289989435563,"sku":"IOD-HHH31CD","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/CaveIn-UntilYourHeartStops.png?v=1773086247"},{"product_id":"cave-in-white-silence","title":"Cave In 'White Silence'","description":"\u003cp\u003eCave In's first full length in more than half a decade speaks to us in ways we're still processing. Were there not deadlines to meet, and onesheets to submit, we would be taking a bit more time to reflect further on why we find this album, and this band, so important to us. Had you told us in 1997 that we'd be here, in Spring 2011, prepping a new Cave In album, we very likely wouldn't have registered the sort of impact that fact might have on our lives. Now, a decade and a half since we began working together, we find ourselves humbled and emotional while reflecting on the depth of meaning we find in our relationship. As friends, and as business partners, we've seen each other grow and stumble with an ebb and flow that feels every bit as powerful as this album we hold in our hands. The sentiment we feel while listening to White Silence is every bit an indicator of the bond we're grateful to have with old friends who happen to collectively bust out some of our favorite jams time and time again.\u003c\/p\u003e","brand":"Hydra Head Records","offers":[{"title":"CD","offer_id":46290033180843,"sku":"IOD-HHH218CD","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/CaveIn-WhiteSilence.png?v=1773086701"},{"product_id":"piebald-tales-for-the-rages-lp","title":"Piebald 'Tales For The Rages'","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eTales For The Rages\u003c\/strong\u003e\u003c\/em\u003e is \u003cstrong\u003ePiebald’s first full-length album in nineteen years\u003c\/strong\u003e, bringing one of indie rock and emo’s most singular bands back with thirteen songs that sound unmistakably like Piebald without simply trying to recreate the past.\u003c\/p\u003e\n\n\u003cp\u003eWritten and recorded between 2019 and 2025 following the band’s 2016 reunion, the album grew slowly from years of riffs, melodies, lyrics, and friendship. Songs like \u003cstrong\u003e“Still On The Couch,” “This Thing Is Old,” “Used to Good Advantage,” “Gentlemen Callers,”\u003c\/strong\u003e and \u003cstrong\u003e“More Month Than Money”\u003c\/strong\u003e carry the enormous hooks, vocal harmonies, sharp humor, and restless guitar work that have defined the band since the ’90s.\u003c\/p\u003e\n\n\u003cp\u003eBut \u003cem\u003eTales For The Rages\u003c\/em\u003e is more than a reunion record. Across the album, Piebald reflect on aging, friendship, inequality, consumerism, political frustration, and trying to remain connected to the people and things that give life meaning. The result feels less like looking backward than four longtime friends figuring out what Piebald should sound like now.\u003c\/p\u003e\n\n\u003cp\u003eThe record was \u003cstrong\u003erecorded and produced by longtime collaborator Doug Batchelder at The Den in North Reading, Massachusetts\u003c\/strong\u003e, mixed by \u003cstrong\u003eJay Maas\u003c\/strong\u003e, whose production work includes Title Fight and Citizen, and mastered by \u003cstrong\u003eJack Shirley at The Atomic Garden\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eNearly three decades into their history, Piebald still occupy an unusual space between \u003cstrong\u003eemo, indie rock, melodic punk, post-hardcore, and power pop\u003c\/strong\u003e, pairing deeply sincere songwriting with the wit and personality that made records like \u003cem\u003eWe Are the Only Friends We Have\u003c\/em\u003e so enduring. \u003cem\u003eTales For The Rages\u003c\/em\u003e proves that the things people loved about Piebald were never dependent on a particular era.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“It sounds about as ‘classic Piebald’ as it gets.”\u003c\/em\u003e — \u003cstrong\u003eBrooklynVegan\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“A new Piebald record is needed now more than ever.”\u003c\/em\u003e — \u003cstrong\u003eNew Noise Magazine\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“Piebald got back together because they actually have something to say.”\u003c\/em\u003e — \u003cstrong\u003eSwim Into The Sound\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003e“A shining example of how you can mature without sacrificing everything that made us fall in love with them in the first place.”\u003c\/em\u003e — \u003cstrong\u003ePunk Rock Theory, 8\/10\u003c\/strong\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Noise Cult Splatter","offer_id":46300776890539,"sku":"IOD87V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Fun Destroyer Tri-Stripe","offer_id":46300776923307,"sku":"IOD87V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Sky Blue","offer_id":46300776956075,"sku":"IOD87V3","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":46300830728363,"sku":"IOD87CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-87DigitalCover-Small.jpg?v=1773278231"},{"product_id":"there-were-wires-vessel","title":"There Were Wires 'Vessel'","description":"\u003cp\u003e\u003cspan\u003eVessel\u003c\/span\u003e\u003cspan\u003e marks the return of There Were Wires after more than two decades, capturing a band reshaped by years, loss, and persistence. From their genesis in Boston as a brash \u0026amp; chaotic hardcore punk band, TWW has morphed into a different beast - older, wiser, and heavier than ever before. The record moves elementally between caustic attack and contemplative restraint, balancing intensity with moments of space and reflection. Themes of fear, grief, and exhaustion surface throughout, shaping a body of work that feels both lived-in and immediate. \u003c\/span\u003e\u003cspan\u003eVessel\u003c\/span\u003e\u003cspan\u003e holds the accumulated experience of the past, expressed with clarity and purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile their self-titled album ran almost entirely on pure adrenaline and shirt-grabbing emotion, and \u003c\/span\u003e\u003cspan\u003eSomnambulists\u003c\/span\u003e\u003cspan\u003e took risks and hinted at musical growth, \u003c\/span\u003e\u003cspan\u003eVessel\u003c\/span\u003e\u003cspan\u003e sees TWW ignoring the strictures of genre, and producing their most creative and heartfelt songs to date. Through time, trust, and life experience, There Were Wires have created their most immersive and fully realized work. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Noise Cult Splatter","offer_id":46359754375339,"sku":"IOD98V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Sea and Bone Merge","offer_id":46359754408107,"sku":"IOD98V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Vessel Rose Marble","offer_id":46359754440875,"sku":"IOD98V3","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Unraveling Light Gold in Blue","offer_id":46359754473643,"sku":"IOD98V4","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-_98_Digital_Cover_3000_x_3000.jpg?v=1774579567"},{"product_id":"stephen-brodsky-stephen-brodskys-octave-museum","title":"Stephen Brodsky 'Stephen Brodsky's Octave Museum'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn his third full-length solo release (originally issued in 2006), Cave In vocalist\/guitarist Stephen Brodsky parlays his formidable songwriting chops and solid gold power-pop sensibilities into a sparkling sea of shimmering chords, glorious vocal harmonies, and infectious acoustic ditties.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith the expert assistance of Scissorfight's Kevin J. Strongbow and Thee Electric Bastards mastermind Johnny Northrup, \"Stephen Brodsky's Octave Museum\" is the kind of record that makes you want to sing along to your old Elvis Costello records and cry yourself to sleep thinking about Elliott Smith.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Hydra Head Records","offers":[{"title":"CD","offer_id":47129447432363,"sku":"IOD-HH116CD","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/StephenBrodsky-StephenBrodsky_sOctaveMuseum-Cover_2000x_ee128ccc-04fa-40f9-8546-88a02063b01a.jpg?v=1779843806"},{"product_id":"new-forms-nothings-sacred-anymore","title":"New Forms 'Nothing's Sacred Anymore'","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eNothing’s Sacred Anymore\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e is the first New Forms release on Iodine Recordings, capturing the band’s collision of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003escreamo, hardcore, and chaotic post-hardcore\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e at its most immediate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince forming in 2018, New Forms have built their sound around relentless momentum, dissonant guitars, and brief flashes of mournful melody. The songs rarely settle into repetition, instead moving through abrupt shifts in tension and release while \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMary White-Valliere’s\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e vocals turn memory, trauma, loss, and isolation into something intensely physical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe EP was \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003erecorded to tape at God City Studios\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and engineered and mixed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eZach Weeks\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Deafheaven, The Armed, Cerce), giving the recording a rawness that matches the force of the band’s live performances. It was mastered by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNick Townsend\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (Fleshwater, Full of Hell, Nails).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNew Forms remain rooted in the DIY community that shaped them, having toured with \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCrowning, Beau Navire, and Jeromes Dream\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and appeared at festivals including \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNew Friends Fest, ZBR Fest, California Kicks,\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDilly Dally Fest\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“I have found my voice in this band and it’s allowed me to offer up words to others that I wish someone had spoken to me earlier in life. I never want to stop connecting with others and pouring love into the type of community that builds us all up.”\u003c\/em\u003e - \u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eMary White-Valliere\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Sacred Splatter","offer_id":47134127620267,"sku":"IOD96V1","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Burning Leaves Yellow","offer_id":47134127653035,"sku":"IOD96V2","price":22.0,"currency_code":"USD","in_stock":true},{"title":"Frost Blue","offer_id":47134127685803,"sku":"IOD96V3","price":22.0,"currency_code":"USD","in_stock":false},{"title":"Threadbare Clear","offer_id":47134127718571,"sku":"IOD96V4","price":22.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Digital_ART_2.png?v=1779913745"},{"product_id":"new-forms-as-dust-collects","title":"New Forms 'As Dust Collects'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Massachusetts chaos slingshot known as NEW FORMS is back with their debut 12\"LP following years of silence and member changes. This new incarnation features ex-members of Youth Funeral, Lessener, Casper Elgin, etc. playing intense emo-violence akin to Nuvolascura and Blind Girls. The band destroyed ZBR Fest 2023 with these 12 bangers and the catharsis is still palpable on these excellent recordings from GodCity Studios.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel: Zegema Beach Records\u003c\/span\u003e\u003c\/p\u003e","brand":"Distro","offers":[{"title":"Ghostly Maroon","offer_id":47370662477995,"sku":"IOX13V1","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/NFcover.png?v=1783642562"},{"product_id":"fenway-punk","title":"Fenway Punk","description":"\u003cp\u003eAn audacious and inspiring debut social history that explores how entrepreneurial members of the tight-knit hardcore punk scene within the vibrant heart of Boston cashed in on one of baseball’s greatest rivalries.\u003c\/p\u003e\n\u003cp\u003eFor eighty-six years Boston Red Sox baseball fans lived in the shadow of their rivals, the New York Yankees, who more or less dominated the sport each season. Red Sox fans grew dejected as their team often got close, but ultimately would be eliminated from contention each year as New York went on to win yet another World Series championship. \u003c\/p\u003e\n\u003cp\u003eAuthor Chris Wrenn, a member of the Boston hardcore punk scene, had a dream of his own—to start his own record label. Embracing the do-it-yourself ethos of the scene, Chris set out to make it happen, networking and forging relationships with local bands. But such an endeavor required money he didn’t have … until he and his friends heard a familiar phrase echo out of Fenway Park, the home field of the Red Sox. The phrase “Yankees Suck!” was chanted at every single Red Sox game. Possessing the wherewithal to produce inexpensive merchandise and the free time to stake a claim to the sidewalks outside the baseball stadium, Chris and his crew of punks began a lucrative endeavor of selling “Yankees Suck” merchandise such as stickers and T-shirts to the fans. While navigating cops, competitors, a violent gang, and in-fighting within the crew, Wrenn and his friends turned Boston’s rivalry with New York into “six-figure summers,” affording him the capital to launch Bridge Nine Records and bring local Boston hardcore bands including American Nightmare and Have Heart to stages worldwide just as the Red Sox got closer than ever to finally winning the World Series again. \u003c\/p\u003e\n\u003cp\u003eA rousing story of entrepreneurship and ingenuity that also reveals fresh insight into one of the most epic rivalries in sports history, Fenway Punk is a gripping read for both fans of punk music and readers of Ben Mezrich, Lizzy Goodman, and Chuck Klosterman.\u003c\/p\u003e","brand":"Running Press","offers":[{"title":"Default Title","offer_id":47757088751787,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Fenway-Punk-1.jpg?v=1788736085"},{"product_id":"orchid-chaos-is-me","title":"Orchid 'Chaos is Me'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOrchid's first full length 12\" features eleven songs of their unique blend of emotive chaos and combustible hardcore. Blending it all together to create emo violence. The cover design has an almost Misfits inspired motif, and their lyrics are... well, they are Orchid lyrics, which means that they are slightly emotive and vague while retaining a sense of purpose. Orchid is all about blending; taking the best of several genres and putting it all together to get the Orchid sound. Screaming vocals and harsh sounding music to keep the kids screaming and dancin' whether they are Romulan emo kids or crusty Klingons.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ebullition Records","offers":[{"title":"Blood Red","offer_id":47853411238059,"sku":"EBU045v1","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Orchid-Chaos-Cover.jpg?v=1789099144"},{"product_id":"cave-in-until-your-heart-stops-1","title":"Cave In 'Until Your Heart Stops' (Reissue)","description":"\u003cp\u003e\"Cave In have had many musical identities since their inception in Methuen, MA, in 1995, but the one that first established them as underground heroes was the dizzying, face-ripping metal blowout now known the world over as Until Your Heart Stops.\" - Decibel Magazine\u003c\/p\u003e\n\u003cp\u003eBoston legends CAVE IN announce the Until Your Heart Stops reissues! The classic genre-defining album now remastered with the original sequence!\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Blood \u0026 Sea 2xLP","offer_id":47846469730475,"sku":"RR7504v1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":47846469763243,"sku":"RR7504cd","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/CaveIn-UYHS-Cover.jpg?v=1789100833"},{"product_id":"converge-hum-of-hurt","title":"Converge 'Hum Of Hurt'","description":"\u003cp\u003eCONVERGE “Hum of Hurt” by J. Bennett\u003c\/p\u003e\n\u003cp\u003eYou feel it before you hear it. And once you hear it, you can’t unhear it. A low, persistent noise throbbing in the background. Scientists say it registers between 30 and 40 hertz. It’s been heard in Ipswich, Massachusetts; Auckland, New Zealand; and Windsor, Ontario. It has haunted the population of Taos, New Mexico, for decades. It’s been linked to suicides in the UK. Not everyone can hear it. No one knows where it’s coming from. They call it\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Hum\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eConverge have taken this mysterious real-world phenomenon and reimagined it as a physical manifestation of human suffering. I read on the phenomena while researching my own tinnitus. Then an idea struck. “What if the Hum is the culmination of all the pain in the world, creating an audible signal across the universe?” vocalist and lyricist Jacob Bannon posits. “Something noticeable to others operating on a similar emotional plane.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efollows\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eas Converge’s second full-length release of 2026. Like its predecessor, the album offers a bleak yet empathetic assessment of the human condition and its ongoing deterioration. With this album, the songs are more raw and exposed. “When we came together to write, we ended up with a wealth of material,” Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis distinct from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e, but just as volatile and potent. “It’s not a sequel,” Bannon explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”\u003c\/p\u003e\n\u003cp\u003eOpener “Slip the Noose” erupts with a furious cannonade from drummer Ben Koller before launching into a short, grinding frenzy that would feel at home on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJane Doe\u003c\/i\u003e. “Doom in Bloom” is raw and bloody, as guitarist Kurt Ballou’s spiky riffs scrape against Nate Newton’s bass and Koller’s drums. You can practically hear Bannon’s throat tearing apart in every scream. “It’s dark and pointed right at you,” he says. “Lyrically, I’m exploring how my own middle-aged introspection doesn’t always bring a brighter light. I see my own trappings reflected in those around me. Here I am imploring them to slip the noose to see another day.”\u003c\/p\u003e\n\u003cp\u003e“Dream Debris” is a gripping, doomy epic born from a single bass note that builds to a booming crescendo. “It has a lot of twists and turns, yet starts off incredibly simple. The slow build was driven by Nate’s vision and bass tone,” Bannon says. “We kept asking ourselves ‘Does it need anything else?’ In the end, it didn’t. It was just so heavy, encapsulating everything we wanted in the song.\"\u003c\/p\u003e\n\u003cp\u003eThe menacing track “Detonator” delivers a powerful line that will linger: There’s nothing to win if there’s no one to lose. “I go on a bit of a rant here,” Bannon says. “The idea is that when passion withers, the broken and beaten often remain in discomfort. The song ends with the line, ‘Don't be blown apart by your mistakes,’ which sums up the stark mentality on this one.”\u003c\/p\u003e\n\u003cp\u003eThe title track stands as one of the most propulsive and emotional songs of their career. Thematically, Bannon examines the price of the lives we pursue. “I’ve given 35 years of my life to creating art and music,” he says. “I appreciate the creative home and support this community has given, yet rarely is space left for anything else. These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”\u003c\/p\u003e\n\u003cp\u003eThe album also features a new rendition of “I Won’t Let You Go,” originally recorded for the 2020 video game Cyberpunk 2077. “When we recorded the first version, Ben tracked drums in California and we assembled it here,” Bannon explains. “It was good, but we knew we could do better. This version has everything the previous one was missing. It now feels right.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks. Bannon and renowned UK artist Thomas Hooper collaborated on the album artwork.\u003c\/p\u003e\n\u003cp\u003e“For the cover, I had a vision of an EKG signal fusing with some kind of volatile seismography. This amalgamation represents the conditions that would theoretically create a ‘Hum.’ Specifically the heart skips beats before dissolving into static. The signal is then interrupted by a seismic event at the center point of the cover. In conversation, I shared some of these ideas with artist Thomas Hooper, who offered to illustrate them using scientific diagrams as a source of inspiration.\u003c\/p\u003e\n\u003cp\u003eI then spent months creating a mixed media piece for the interior,” Bannon says. “The figures represent the five elements of our planet, or ‘Pancha Bhuta’: Prithvi (Earth), Ap (Water), Agni (Fire), Vayu (Air), and Akasha (Aether). I present them in the throws of chaos, as if the elements themselves are entangled in the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e.”\u003c\/p\u003e","brand":"Deathwish Inc","offers":[{"title":"Fire and Brimstone","offer_id":47949987872939,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true},{"title":"Fist in the Gold","offer_id":47791664332971,"sku":"DW267v-INDIE","price":29.99,"currency_code":"USD","in_stock":true},{"title":"CD","offer_id":47791664365739,"sku":"DW267CD","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/a1579949818_10.jpg?v=1789188511"},{"product_id":"crippling-alcoholism-camgirl","title":"Crippling Alcoholism 'Camgirl'","description":"\u003cp dir=\"auto\" data-start=\"265\" data-end=\"448\"\u003e\u003cem data-start=\"265\" data-end=\"274\"\u003eCamgirl\u003c\/em\u003e is the 2025 breakthrough album from Boston’s \u003cstrong data-start=\"320\" data-end=\"344\"\u003eCrippling Alcoholism\u003c\/strong\u003e, a record that sets immediate pop hooks against abrasive noise rock, obsession, endurance and collapse.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"450\" data-end=\"775\"\u003eBuilt around a loose narrative following a sex worker moving through cycles of exploitation and survival, \u003cem data-start=\"556\" data-end=\"565\"\u003eCamgirl\u003c\/em\u003e refuses to separate pleasure from damage. Desire, shame, performance and persistence blur together across songs that remain deliberately melodic even as their subject matter grows increasingly confrontational.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"777\" data-end=\"1180\"\u003eEarworm choruses collide with harsh textures and a sense of artificial, claustrophobic atmosphere, placing the record somewhere between \u003cstrong data-start=\"913\" data-end=\"972\"\u003enoise rock, post-punk, industrial music and damaged pop\u003c\/strong\u003e. Yet despite its darkness, \u003cem data-start=\"1000\" data-end=\"1009\"\u003eCamgirl\u003c\/em\u003e never fully gives itself over to nihilism. Its final moments find something resembling triumph not through redemption or escape, but through the simple act of continuing.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"1182\" data-end=\"1418\"\u003eOriginally released on vinyl by \u003cstrong data-start=\"1214\" data-end=\"1244\"\u003ePortrayal of Guilt Records\u003c\/strong\u003e, the first pressing sold out quickly. This \u003cstrong data-start=\"1288\" data-end=\"1307\"\u003eFlenser reissue\u003c\/strong\u003e makes \u003cem data-start=\"1314\" data-end=\"1323\"\u003eCamgirl\u003c\/em\u003e widely available again, bringing one of Crippling Alcoholism’s defining records back to vinyl.\u003c\/p\u003e","brand":"The Flenser","offers":[{"title":"Hot Pink","offer_id":47894525116587,"sku":"FR192v1","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/crippling-alcoholism-camgirl-lp-pre-order-1214068401_5000x_cade4a95-baaf-45e5-bf5f-79d502b53eba.jpg?v=1789774396"},{"product_id":"disrupt-unrest","title":"DISRUPT 'Unrest'","description":"\u003cp\u003e\u003cspan\u003eBoston's crust-hardcore kings \u003cstrong\u003eDISRUPT\u003c\/strong\u003e ground out ferocious music in their short but furious existence, establishing a reputation as one of the world's premier hardcore grind bands. Their first (and only) full-length \u003cem\u003e\u003cstrong\u003eUnrest\u003c\/strong\u003e\u003c\/em\u003e contains 30 tracks of the most savage and powerful punk-inspired grindcore ever recorded. Influenced by E.N.T., Crude SS, Mob 47, Doom and Siege, \u003cstrong\u003eDISRUPT\u003c\/strong\u003e both destroyed the deftly contrived major label hardcore of the time (and continue to do so today) and set a standard matched by few punk bands since. \u003cem\u003e\u003cstrong\u003eUnrest\u003c\/strong\u003e\u003c\/em\u003e is a grating anarchist audio onslaught that will put you in the mood for rebellion! Newly remastered for the 2015 vinyl reissue by Brad Boatright (Obituary, Sleep, etc)!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRelease date: November 27, 2015\u003c\/b\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"Swamp Green","offer_id":47901859479723,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/919ND-lR58L._UF1000_1000_QL80.jpg?v=1789846500"},{"product_id":"ssd-the-kids-will-have-their-say","title":"SSD 'The Kids Will Have Their Say'","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released in 1982, SSD’s \u003c\/span\u003e\u003cspan\u003eThe Kids Will Have Their Say\u003c\/span\u003e\u003cspan\u003e is one of the foundational records of Boston hardcore and a defining document of the early straight-edge movement. Raw, confrontational and completely unfiltered, the album captured a scene before hardcore had settled into formulas, laying down a blueprint that would influence generations of bands that followed.\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing the original lineup of \u003c\/span\u003e\u003cspan\u003eSpringa, Al Barile, Jaime Sciarappa and Chris Foley\u003c\/span\u003e\u003cspan\u003e, the record tears through 18 tracks of stripped-down, urgent hardcore including “Boiling Point,” “Fight Them,” “Wasted Youth,” “The Kids Will Have Their Say” and “United.” Originally issued through X-Claim with Dischord involvement, the LP became an increasingly sought-after piece of hardcore history after disappearing from print for four decades.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis \u003c\/span\u003e\u003cspan\u003eTrust Records reissue\u003c\/span\u003e\u003cspan\u003e restores the album with newly remastered audio and a painstaking recreation of the original artwork by \u003c\/span\u003e\u003cspan\u003eBryan Ray Turcotte\u003c\/span\u003e\u003cspan\u003e, bringing one of American hardcore’s most important early records back to vinyl.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEssential early-’80s Boston hardcore and a cornerstone of straight-edge history.\u003c\/span\u003e\u003c\/p\u003e","brand":"Distro","offers":[{"title":"Purple Vinyl","offer_id":47915067408555,"sku":"TR007.5-1","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IMG-1119.jpg?v=1790397580"},{"product_id":"orchid-dance-tonight-revolution-tomorrow","title":"Orchid 'Dance Tonight... Revolution Tomorrow!'","description":"\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2000 on Ebullition Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDance Tonight! Revolution Tomorrow!\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is one of the defining releases from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOrchid\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the Amherst, Massachusetts band that helped shape the sound and vocabulary of screamo and emoviolence at the turn of the millennium.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded at \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGod City\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and produced by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eKurt Ballou\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the 10-song record condenses Orchid’s sound into just over fifteen minutes of frantic hardcore, jagged guitar work, abrupt shifts, melody, and total emotional overload. Tracks like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Destination: Blood!,” “To Praise Prosthesis,” “I Am Nietzche,” “Victory Is Ours,” “Black Hills,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“…And the Cat Turned to Smoke”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e capture the band at their most focused and volatile.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased between \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eChaos Is Me\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGatefold\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDance Tonight! Revolution Tomorrow!\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e pushed Orchid’s chaotic hardcore into an even sharper and more expressive form, helping establish a blueprint that would influence generations of screamo, hardcore, and emoviolence bands that followed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePressed as a \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e10\" vinyl release by Ebullition Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, it remains one of the essential records in Orchid’s catalog and a cornerstone of late-’90s \/ early-2000s DIY hardcore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ebullition Records","offers":[{"title":"Orange Marble","offer_id":47915424546987,"sku":"EBU46v1","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Orchid-Dance_cb1d3e53-dd10-42a0-89a0-37492abe4b9a.jpg?v=1791437094"},{"product_id":"orchid-lp","title":"Orchid 'Orchid'","description":"\u003cp\u003e\u003cspan\u003eOriginally released in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2002 on Ebullition Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Orchid’s self-titled LP, commonly known as \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eGatefold\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e, is the band’s third and final full-length from their original run.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcross \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e19 songs\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, Orchid push their frantic screamo and emoviolence foundation into a more expansive, art-damaged form, balancing explosive hardcore with jagged post-hardcore, melody, noise, and abrupt shifts in mood. Tracks like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Amherst Pandemonium,” “Loft Party,” “We Love Prison,” “Fashion Meets Passion,” “Tigers,” “None More Black,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Impersonating Martin Rev”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e capture a band sounding both completely unhinged and completely in control.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded at \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDead Air Studios in Amherst, Massachusetts\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and engineered by guitarist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eWill Killingsworth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the album represents the fullest realization of Orchid’s sound before the band ended its original run in 2002.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eComing out of the Western Massachusetts underground, Orchid became one of the most influential names in screamo and emoviolence, and this final LP remains an essential document of that era.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePressed on vinyl by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEbullition Records\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e in a gatefold sleeve. The current 2026 pressing is on \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eorange vinyl\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ebullition Records","offers":[{"title":"Orange Marble","offer_id":47915473240235,"sku":"EBU51v1","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Orchid-LP.jpg?v=1791436640"},{"product_id":"new-idea-society-fire-on-the-hill","title":"New Idea Society 'Fire On The Hill'","description":"\u003cp\u003e\u003cspan\u003eFire on the Hill\u003c\/span\u003e\u003cspan\u003e captures \u003c\/span\u003e\u003cspan\u003eNew Idea Society\u003c\/span\u003e\u003cspan\u003e at the intersection of melodic indie rock, post-hardcore and emotionally charged experimental rock. Led by \u003c\/span\u003e\u003cspan\u003eMike Law\u003c\/span\u003e\u003cspan\u003e, the band builds songs around intricate guitar work, shifting dynamics and melodies that can move from restrained and intimate to explosive without losing their sense of purpose.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe record reflects the adventurous side of the early-2000s underground, where the boundaries between \u003c\/span\u003e\u003cspan\u003eindie rock, emo and post-hardcore\u003c\/span\u003e\u003cspan\u003e were considerably less rigid. Dense arrangements and angular guitars sit alongside quieter passages and strong melodic songwriting, giving \u003c\/span\u003e\u003cspan\u003eFire on the Hill\u003c\/span\u003e\u003cspan\u003e a restless quality that rewards repeat listens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn overlooked piece of the era’s independent rock landscape, \u003c\/span\u003e\u003cspan\u003eFire on the Hill\u003c\/span\u003e\u003cspan\u003e is well worth rediscovering for listeners drawn to thoughtful, dynamic guitar music that exists somewhere between indie rock and post-hardcore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"White w\/ Rainbow Splatter","offer_id":47921105928363,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/a1024864042_10.jpg?v=1790089089"},{"product_id":"american-nightmare-year-one","title":"American Nightmare 'Year One: 25th Anniversary'","description":"\u003cp\u003e\u003cspan\u003eAmerican Nightmare’s \u003c\/span\u003e\u003cspan\u003eYear One\u003c\/span\u003e\u003cspan\u003e collects the recordings that helped reshape hardcore at the beginning of the 2000s. Bringing together the Boston band’s first two 7”s on one 12” LP, these twelve tracks capture American Nightmare at their earliest and most volatile, pairing fast, uncompromising hardcore with Wesley Eisold’s bleak, intensely personal lyrics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released as a collection in 2001, \u003c\/span\u003e\u003cspan\u003eYear One\u003c\/span\u003e\u003cspan\u003e includes early staples like \u003c\/span\u003e\u003cspan\u003e“The Ice Age Is Coming,” “There’s a Black Hole in the Shadow of the Pru,” “Hearts” and “Fuck What Fireworks Stand For.”\u003c\/span\u003e\u003cspan\u003e All of the material was recorded by \u003c\/span\u003e\u003cspan\u003eKurt Ballou of Converge at God City\u003c\/span\u003e\u003cspan\u003e, documenting the formative period of a band that would become one of the most influential names in modern hardcore.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the \u003c\/span\u003e\u003cspan\u003e25th Anniversary Edition\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eYear One\u003c\/span\u003e\u003cspan\u003e returns on \u003c\/span\u003e\u003cspan\u003e180-gram vinyl\u003c\/span\u003e\u003cspan\u003e in an expanded gatefold package. The original design by \u003c\/span\u003e\u003cspan\u003eJake Bannon of Converge\u003c\/span\u003e\u003cspan\u003e has been reimagined by Del Jae and Wesley Eisold, with an insert featuring handwritten lyrics and collaged archival imagery.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn essential document of early-2000s Boston hardcore and the starting point for American Nightmare’s enduring influence.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bridge Nine Records","offers":[{"title":"180g Yellow\/Black Splatter","offer_id":47949992001707,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/American-Nightmare-Year-One.jpg?v=1790371877"},{"product_id":"have-heart-10-17-09-silver-edition","title":"Have Heart ‘10.17.09: Silver Edition’","description":"\u003cp\u003e\u003cspan\u003eRecorded at Have Heart’s legendary final show on October 17, 2009, \u003c\/span\u003e\u003cspan\u003e10.17.09\u003c\/span\u003e\u003cspan\u003e captures one of the defining moments in modern hardcore. Playing to a packed crowd in Revere, Massachusetts on National Edge Day, the Boston straight-edge band tore through a 21-song set spanning their entire career.\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe set pulls heavily from \u003c\/span\u003e\u003cspan\u003eThe Things We Carry\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003eSongs to Scream at the Sun\u003c\/span\u003e\u003cspan\u003e, alongside earlier favorites including “Watch Me Sink,” “Something More Than Ink,” “Armed With a Mind,” “The Unbreakable” and the closing “Watch Me Rise.” More than a traditional live album, \u003c\/span\u003e\u003cspan\u003e10.17.09\u003c\/span\u003e\u003cspan\u003e documents the intensity, community and emotional weight that made Have Heart one of the most influential hardcore bands of their generation.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released by \u003c\/span\u003e\u003cspan\u003eBridge Nine Records in 2010\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003e10.17.09\u003c\/span\u003e\u003cspan\u003e remains an essential document of Boston hardcore and the final chapter of Have Heart’s original run.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf yours is the current silver edition, add:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eBridge Nine Silver Anniversary Edition pressed on silver vinyl and housed in a black-and-white printed silverboard jacket. Limited to 1,000 copies.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bridge Nine Records","offers":[{"title":"Silver Vinyl","offer_id":47950422900907,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IMG-1118.png?v=1790394444"},{"product_id":"american-nightmare-when-we-were-young","title":"American Nightmare ‘When We Were Young’","description":"\u003cp\u003e\u003cspan\u003eRecorded live at \u003c\/span\u003e\u003cspan\u003eCBGB on December 10, 2000\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eWhen We Were Young\u003c\/span\u003e\u003cspan\u003e captures \u003c\/span\u003e\u003cspan\u003eAmerican Nightmare\u003c\/span\u003e\u003cspan\u003e at the very beginning, just as the Boston hardcore band was beginning to become one of the defining voices of a new generation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing the early lineup of \u003c\/span\u003e\u003cspan\u003eWes Eisold, Tim Cossar, Brian Masek, Alex Garcia-Rivera and Brandon Wallace\u003c\/span\u003e\u003cspan\u003e, the seven-song set was recorded directly from the CBGB soundboard for just $25 by Lucas Gonzalez and later mastered by \u003c\/span\u003e\u003cspan\u003eWill Killingsworth\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe set tears through early American Nightmare staples including \u003c\/span\u003e\u003cspan\u003e“The Ice Age Is Coming,” “Please Die!,” “Sore Throat Syndrome,” “Fuck What Fireworks Stand For,” “The Day The Music Died”\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003e“Protest Song 00,”\u003c\/span\u003e\u003cspan\u003e documenting the band in its rawest formative stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased as a one-time pressing of \u003c\/span\u003e\u003cspan\u003e2,500 7”s\u003c\/span\u003e\u003cspan\u003e in a gatefold jacket, \u003c\/span\u003e\u003cspan\u003eWhen We Were Young\u003c\/span\u003e\u003cspan\u003e is an essential snapshot of American Nightmare before the records, tours and influence that would make them one of the most important hardcore bands of the 2000s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe show line-up was Tear It Up, American Nightmare, Reach The Sky, Bane \u0026amp; Mouthpiece, and was booked by Rich Hall \/ 1000 Knives. Limited to a one-time pressing of 2,500 copies.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bridge Nine Records","offers":[{"title":"American Blue","offer_id":47952641720491,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IMG-1125.jpg?v=1790412399"},{"product_id":"american-nightmare-life-support","title":"American Nightmare 'Life Support'","description":"\u003cp\u003eReleased in 2020 on Deathwish Inc., Life Support is a two-song 7\" from American Nightmare that pushes the band’s sound beyond the boundaries of traditional hardcore while retaining the tension and emotional intensity that has defined them from the beginning.\u003c\/p\u003e\n\u003cp\u003eThe title track, “Life Support,” leans into the jagged, proto-punk influence that has long existed beneath American Nightmare’s sound, connecting naturally to a band whose history includes covers of the MC5, Black Flag and the Germs.\u003c\/p\u003e\n\u003cp\u003eOn the B-side, American Nightmare take on “Left for Dead” by The Lemonheads, putting their own darker, harder edge on a song from another cornerstone of Boston underground music.\u003c\/p\u003e\n\u003cp\u003eA compact snapshot of American Nightmare continuing to evolve decades into their career, Life Support connects Boston hardcore, punk and alternative rock across two sides of a 7\".\u003c\/p\u003e","brand":"Deathwish Inc","offers":[{"title":"Dead Black 7\"","offer_id":48018817220779,"sku":"DW225v1","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/a2053465954_10.jpg?v=1790907145"},{"product_id":"american-nightmare-dedicated-to-the-next-world","title":"American Nightmare 'Dedicated to the Next World'","description":"\u003cp\u003eDedicated to the Next World finds American Nightmare refusing to live on their legacy. Released in 2023, the four-song EP delivers a concentrated burst of the urgency, darkness and emotional intensity that made the Boston band one of the defining voices of modern hardcore.\u003c\/p\u003e\n\u003cp\u003e“How I Got Away” channels the anthemic force of classic American Nightmare, while “Self Check-Out” tears through a minute of stripped-down punk aggression. “Real Love” brings a raw proto-punk edge, and “Praying Hands on Fire” closes the record with echoes of the speed and intensity of bands like Bad Brains and Negative Approach.\u003c\/p\u003e\n\u003cp\u003eRecorded live to 2-inch tape by American Nightmare drummer Alex Garcia-Rivera at Mystic Valley Recording Studio in Boston, the EP was mastered and cut for vinyl by Bob Weston at Chicago Mastering Service.\u003c\/p\u003e\n\u003cp\u003eReleased by Heartworm Press, Dedicated to the Next World is American Nightmare sounding unmistakably like themselves while continuing to push forward more than two decades after their formation.\u003c\/p\u003e","brand":"Distro","offers":[{"title":"Deep Blue Water 10\"","offer_id":48020980203691,"sku":"HRTWRM099v2","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/AN-dedicated.jpg?v=1790912850"},{"product_id":"haywire-i-dont-wanna-say-goodbye","title":"Haywire 'I Don't Wanna Say Goodbye'","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eI Don’t Wanna Say Goodbye\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is the new full-length from Boston hardcore band \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHaywire\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, expanding the raw energy of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eConditioned for Demolition\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into something bigger, more melodic, and built for the kind of room-wide singalongs that have become central to the band’s live shows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMat Kerekes of Citizen\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and mixed by \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eTaylor Young at The Pit\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, the album moves between direct hardcore cuts like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Flex Your Head”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“Forever Alone”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the more anthemic pull of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e“That’s Life,” “Interstate Love Affair,” “Trouble in Paradise,” “Sincerely Yours,”\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the title track.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracked between studios in \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLeeds, UK and Toledo, Ohio\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eI Don’t Wanna Say Goodbye\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e also features appearances from members of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eNothing\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Aggrolites\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, along with friends from Haywire’s extended community.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince forming in late 2023, Haywire have built their reputation through an almost absurd amount of touring, moving easily between DIY hardcore shows, international tours, and huge stages while keeping the communal energy of Boston hardcore at the center of what they do. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eI Don’t Wanna Say Goodbye\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e captures that momentum while pushing the band toward bigger hooks, more melody, and a sense of melancholy that gives the record considerably more depth than a straightforward hardcore LP.\u003c\/span\u003e\u003c\/p\u003e","brand":"Distro","offers":[{"title":"Black Vinyl","offer_id":48122703380651,"sku":"ROAD5798v1","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/haywire-idontwannasaygoodbye.jpg?v=1791223333"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/collections\/Boston-Citco.jpg?v=1791085933","url":"https:\/\/iodinerecords.com\/collections\/boston.oembed?page=5","provider":"Iodine Recordings","version":"1.0","type":"link"}