{"title":"Boston Bands","description":"\u003cp\u003e\u003cspan\u003eShop \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003evinyl records from Boston, Massachusetts bands\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e at Iodine Recordings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBoston has one of the most influential underground music histories in the country, with generations of bands pushing hardcore, punk, post-hardcore, emo and heavy music in new directions. This collection brings together records from artists connected by the city and the scene that shaped them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExplore LPs, EPs and reissues from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBoston bands past and present\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, spanning classic hardcore, melodic punk, post-hardcore, metal and the wider Massachusetts underground.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"there-were-wires-somnambulists","title":"There Were Wires 'Somnambulists'","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an underground hardcore\/metal band from Boston, MA that formed in the late 90s. They quickly gained notoriety in New England for their intense and chaotic live shows. The band played regularly throughout the early 2000’s, sharing stages with prominent bands like Mastodon, Converge, and The Dillinger Escape Plan, along with successful tours with Daughters (Ipecac Records) and Zombi (Relapse Records).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThere Were Wires were an early pioneer of the moody, atmospheric metal genre, and became an influential giant that would pave the way for a wave of slow, heavy music that would follow after the band’s demise. Members of There Were Wires later went on to play in Doomriders (Deathwish Inc.) and Disappearer (Dark Operative).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Somnambulists\" was There Were Wires’ sophomore release, originally released on Iodine Recordings in 2003. The record was a departure from their original fast and thrashy sound, which was dominant on their debut Self Titled LP. For this release, the band worked with producer Matt Squire at Camp Street and Q-Division studios. By this time, There Were Wires had matured as song writers and constructed songs considerably longer and more intricate than anything previously written. These tracks belied much of the frenetic energy of earlier works, moving glacially at times, winding tension with extended buildups and clean vocals while still maintaining its intensity. Somnambulists was not only a dramatic departure from the punchy abruptness of their earlier sound, but a welcomed one, as well - the record was met with much acclaim from fans and critics alike. Somnambulists is a full album experience that combines heavy, droning, and bluesy riffs with atmospheric interludes. The album follows a theme of loss, regret, sleep walking, and darkness.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIodine Recordings and Tor Johnson Records are excited to present \"Somnambulists\" on vinyl for the first time ever. The album has been remastered for optimal listening and contains all new artwork in a gatefold jacket. The record also includes a previously unreleased cover of Tunic by Sonic Youth. This is Iodine Recordings’ first release in 17 years!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCredits:\u003c\/strong\u003e \u003cbr\u003eJaime Mason: Vocals\u003cbr\u003eJebb Riley: Bass and Vocals \u003cbr\u003eThomas Moses: Guitars \u003cbr\u003eDon Belcastro: Guitars\u003cbr\u003eRyan Begley: Drums\u003c\/p\u003e\n\u003cp\u003eRecorded and engineered by Matt Squire at Q-Division Studios \u003cbr\u003eMastered by Alan Douches at West West Side \u003cbr\u003eAll songs written by There Were Wires \u003cbr\u003eexcept “Tunic” written by Sonic Youth\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Black Vinyl","offer_id":41790465179819,"sku":"IOD16V2","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":39279623438507,"sku":"IOD16TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/ThereWereWires-Digital.jpg?v=1652900957"},{"product_id":"garrison-the-bend-before-the-break","title":"Garrison 'The Bend Before the Break'","description":"\u003cp\u003eGarrison was born in Boston during the heyday of the prolific late ’90s post-hardcore scene. Their cohort featured heavy hitters like Piebald, Cave In and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo, all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.\u003c\/p\u003e\n\u003cp\u003eGarrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their first EP “The Bend Before the Break.” The EP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. “The Bend Before the Break” opens with “Serious Heavy Drama,” which immediately hooks you with its melody, and slowly builds to a brooding and emotional breakdown where singer Joseph Grillo screams his words in a final emotional crescendo. The EP rises with pop melodies such as “Harlow” (a song that remained a fan favorite even after three more releases) and ends with the somber and dark “Untitled,” embracing more of a Midwest-Emo theme, and bringing to mind a band like Mineral.\u003c\/p\u003e\n\u003cp\u003eThough Garrison went on to release numerous albums on Revelation Records, Iodine Recordings, and Simba Recordings, “The Bend Before the Break” remained their most popular release. The record harnessed a raw and genuine youthful energy. Nearly 23 years later, Iodine Recordings presents “The Bend Before the Break” for the first time as a full length LP, including “You're Devastated, I'm Sure” and “Untitled”, previously unavailable on vinyl. The new B-Side includes rare and previously unreleased material that spans the band’s history from 1998 to 2004, including their first 7” record “24” and their split EP with UK’s Hundred Reasons, all fully remastered and featuring all new artwork by Dan McCarthy. “The Bend Before the Break” remains a relevant and vital volume in the post-hardcore and emo canon.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":40538272301227,"sku":"IOD18VC","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Cassette Tape","offer_id":40338499469483,"sku":"IOD18TAPE","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/Garrison-Cover-Sm-1.jpg?v=1652901735"},{"product_id":"smoke-or-fire-beauty-fades","title":"Smoke Or Fire 'Beauty Fades'","description":"\u003cp\u003eSmoke Or Fire were formed in Boston, MA during the late 90s alongside countless bands in the Boston underground scene. They delivered their unique brand of heartfelt emotional punk that included complex layered guitars, dirty vocals, and lyrics that ranged from deeply personal topics to social criticisms of war and politics. The songs often drew comparisons to bands like Avail, Hot Water Music, and Against Me! Although, Smoke Or Fire brought their own unique take on the genre with catchy melodies, and sing along choruses.\u003c\/p\u003e\n\u003cp\u003eThe band released their debut EP “Worker’s Union” on Iodine Recordings in 2002, and after several US tours, Smoke Or Fire relocated to Richmond, VA where they caught the attention of the iconic NOFX record label Fat Wreck Chords. They signed to Fat and remained through their career, releasing three full lengths: Above the City (produced by Fat Mike\/NOFX), This Sinking Ship, and The Speakeasy. Smoke Or Fire was praised by music critics, and revered by fans for capturing a raw energy and a genuine approach to punk music.\u003c\/p\u003e\n\u003cp\u003eSmoke Or Fire toured relentlessly over their twenty-plus year history, with numerous US and European tours, sharing the stage regularly with bands such as: Avail, Against Me!, Dillinger Four, Hot Water Music, Descendents, Anti-Flag, NOFX, Silverstein, Rise Against, Bad Religion, and The Ataris (just to name a few…).\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” is a collection of out of print and unreleased tracks from Smoke Or Fire. Side A includes their debut Iodine EP “Worker’s Union” which was completely remixed and remastered at New Alliance Studios in Boston, MA. Side B includes seven rare or unreleased tracks that span the history of the band, including the EP “Rises in the East” which was never released, but included a number of songs that were in the band’s live set throughout their tenure. The entire collection is being pressed on vinyl for the first time ever. Complete with all new artwork and packaging.\u003c\/p\u003e\n\u003cp\u003e“Beauty Fades” documents some of the best moments of the band’s legacy with fist-pumping anthems and emotional breakdowns. Singer Joe McMahon remains adamant that these are the best songs he ever wrote, which capture a youthful energy and idealism that is fleeting for us all.\u003c\/p\u003e\n\u003cp\u003e\"Distinctive hooks, infectious melodies and fist-pumping choruses: It’s all here, and it sounds damn near perfect.\" – ALTERNATIVE PRESS\u003cbr\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":45662930206891,"sku":"IOD19VC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/SOF-BC.jpg?v=1652902257"},{"product_id":"orange-island-one-night-stay","title":"Orange Island 'One Night Stay'","description":"\u003cp\u003eHailing from the suburban mill town of Clinton, MA, Orange Island were once a household name during the late 90s and early 00’s post-hardcore scene, coming up alongside bands like Taking Back Sunday and Thursday. Orange Island were often mislabeled as emo, but a more accurate description of their sound would be calling them an abrasive yet matured indie-rock band with an awareness of a pop-filled past. “One Night Stay” combines melodic hardcore, complex guitar interplay with lots of pop-influenced choruses and deeply somber lyrics that focus on the darker sides of life. Featuring tracks that have been out of print for over 15 years, they are now available on vinyl for the first time. Produced by Matt Squire (Taking Back Sunday, Thrice, and The Used). \u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“While indie-rock bands Hum and Samiam helped paved the way for the genre, Orange Island has taken those ideas and infused them with new energy.” - AltPress \u003c\/p\u003e\n\u003cp\u003e“Sounding like a drop-D tuned Saves the Day or Jawbreaker, this Clinton, MA, quartet fuses gut-quaking East coast post-hardcore rhythms, à la Quicksand, dual guitar interplay and intelligent and earnest lyrics.” - EXCLAIM\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Random Color Vinyl","offer_id":42423476191403,"sku":"IOD24VC","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/products\/OrangIsland-OneNightStay-Cover_2000x_jpg.webp?v=1672844507"},{"product_id":"bucket-full-of-teeth-i-ii-iii-iv","title":"Bucket Full Of Teeth 'I \/ II \/ III \/ IV'","description":"\u003cp\u003eBucket Full Of Teeth, The Complete Discography.\u003c\/p\u003e\n\u003cp\u003eThe avant-grind brainchild from the founding members of Orchid! Formed in 2001 through a shared love of the foundations of Power Violence, Will Killingsworth (ORCHID, AMPERE, NO FAITH, VACCINE) and Brad Wallace (ORCHID, WOLVES, TRANSISTOR TRANSISTOR) teamed up with drummer Matt Wilga (CANCER KIDS) and began creating their particular brand of brutal Grindcore and Power Violence that pushes the conventions of heavy music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e01. It's a Setup\u003cbr\u003e02. Conditioned Response\u003cbr\u003e03. Selective Amnesia\u003cbr\u003e04. These Frequencies Are Ours\u003cbr\u003e05. Self-Induced Coma\u003cbr\u003e06. If Everything Has A Price Then Nothing Has Value\u003cbr\u003e07. Grind In A Tin Can\u003cbr\u003e08. Piss In The I.V.\u003cbr\u003e09. Dreams Of Dead Bosses\u003cbr\u003e10. Sickened\u003cbr\u003e11. Wake Up\u003cbr\u003e12. Standing On Top Of A Mountain\u003cbr\u003e13. Hollow\u003cbr\u003e14. Exit Only\u003cbr\u003e15. Psychosis\u003cbr\u003e16. 23 Reasons to Play Grindcore\u003cbr\u003e17. Coughing Up Wires\u003cbr\u003e18. Empty Dreams\u003cbr\u003e19. Empty Faces\u003cbr\u003e20. Raised on Failure\u003cbr\u003e21. Lost Keys\u003cbr\u003e22. Null\u003cbr\u003e23. Technical Desires\u003cbr\u003e24. Dark Colossus\u003cbr\u003e25. It's Heating Up\u003cbr\u003e26. Listen\u003cbr\u003e27. Here's Your Warning\u003cbr\u003e28. Morizar\u003cbr\u003e29. Fork Tie Response\u003cbr\u003e30. Broadcast\u003cbr\u003e31. Anger of Convenience\u003cbr\u003e32. Basic Delusions\u003cbr\u003e33. 11302\u003cbr\u003e34. Blast For Humanity\u003cbr\u003e35. Imperfect Vibrations\u003cbr\u003e36. Capital Districts \u0026amp; Imprisons\u003cbr\u003e37. The Dream Continues\u003cbr\u003e38. A Morbid Gathering\u003cbr\u003e39. The Path\u003cbr\u003e40. Comfort Made Us Passive\u003cbr\u003e41. Error Is Progress\u003cbr\u003e42. Confessions\u003cbr\u003e43. The Present, Forsaken\u003cbr\u003e44. A Hopeful Sound\u003cbr\u003e45. Embrace The Current Of Time\u003cbr\u003e46. Let Us Resonate\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst Press:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e100 x Neon Blood Splatter + Blood Red\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e200 x Piss Yellow + Blood Red\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSecond Press:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e250 x Yellow Splatter + Red Splatter\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e","brand":"Iodine Recordings","offers":[{"title":"Grindcore Splatter (Yellow + Red) 12\" Vinyl","offer_id":45665262928043,"sku":"IOD26V3","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/26-BucketFullOfTeeth-IIIIIIIV_jpg.webp?v=1728052946"},{"product_id":"there-were-wires","title":"There Were Wires 'There Were Wires'","description":"\u003cp\u003eUnlikely but overwilling, the embryonic form of Boston’s There Were Wires (formed on Martha’s Vineyard in 1999) traversed every basement, rec hall and dive club in the city to blow out speakers and vocal chords alike with their explosive brand of hardcore punk. Their blend of harshly emotive dissonance and punchy, anthemic songs pulled inspiration from bands like Converge, Portraits of Past, and Unbroken. Though it’s true that TWW’s live shows were a powder keg of chaos, the true gooey center of the band revealed an honest vulnerability that belied the tough crowd of contemporaries, which gained them a small but devoted cult following in the New England scene.\u003c\/p\u003e\n\u003cp\u003eAfter several self-released demo tapes and CD’s, TWW teamed up with Iodine Recordings for a professional version of their debut S\/T record (including a live radio set), as well as their final 2003 record ‘Somnambulists’, which tread into darker, moodier, and more atmospheric territory than ever before. The boys disbanded shortly after this release with a final show in 2004, which led to the formation of the bands Disappearer, Doomriders, and No Flowers.\u003c\/p\u003e\n\u003cp\u003eThe band’s debut self titled LP is being pressed for the first time on vinyl and has been completely remixed by Kurt Ballou (Converge) at God City Studios and re-mastered for vinyl. The LP now includes several out of print B-Sides and the band’s 1999 demo. Available on two limited color variants. Nearly two decades later, with fresh new vinyl re-releases of both records in tow, TWW is poised to return to the stage once again. For now, what TWW’s second life yields beyond another chance to sing and dance with fans - both old and new - remains to be seen.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e01. Lukewarm Happy\u003cbr\u003e02. Prepare For Collapse\u003cbr\u003e03. Instinctually Dumb\u003cbr\u003e04. The Physics of Air Hockey\u003cbr\u003e05. Stop Motion Aesthetic\u003cbr\u003e06. Fat with Glasses\u003cbr\u003e07. Commotion Strange\u003cbr\u003e08. The Hours\u003cbr\u003e09. Bigger and Better Things\u003cbr\u003e10. It Will Be Better Than the Rest of Your Life\u003cbr\u003e11. Cru Jones\u003cbr\u003e12. The Physics of Air Hockey (God City Demo)\u003cbr\u003e13. Stop Motion Aesthetic (God City Demo)\u003cbr\u003e14. Instinctually Dumb (God City Demo)\u003cbr\u003e15. Fat With Glasses (God City Demo)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFirst Press\u003c\/strong\u003e\u003cbr\u003e250 x Yellow w\/ Blood Splatter (Noise Cult)\u003cbr\u003e300 x Yellow and Black Moon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e\u003c!----\u003e","brand":"Iodine Recordings","offers":[{"title":"Yellow and Black Moon","offer_id":45662906712235,"sku":"IOD08V2","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/08-ThereWereWires_jpg.webp?v=1728060799"},{"product_id":"love-letter-everyone-wants-something-beautiful","title":"Love Letter \"Everyone Wants Something Beautiful\"","description":"\u003cp\u003eNew England has always served as a breeding ground for some of the most passionate and heartfelt voices in hardcore. Featuring members of Verse and Defeater, Love Letter are the latest powerhouse to join this esteemed lineage.\u003c\/p\u003e\n\u003cp\u003eEveryone Wants Something Beautiful is an open window into insecurity and self-awareness. It is a deep-dive into generational trauma, its different forms, and the ways it can be projected onto others. We share a commitment to crafting music that is honest and powerful–that reflects our friendships, views, and shared musical journey over two decades. We believe every note and word must carry meaning and purpose. The musical vision for this record was to create a compelling backdrop for captivating and emotional storytelling. It’s honest, mature, and carries deep personal meaning for each member.\u003c\/p\u003e\n\u003cp\u003eGuitarist Jay Maas (Defeater) has also produced countless records for other bands at Getaway Recordings in Massachusetts, including Bane, Counterparts, Title Fight and more. After being behind the scenes on so many quintessential records, Maas is back at the helm. “Having produced records for two decades now I've had the chance to work with thousands of artists, I’m grateful that this was my opportunity to pull together some of my favorite people who also happen to be extremely talented musicians.”\u003c\/p\u003e\n\u003cp\u003eMaas tapped fellow founding member of Defeater, Andrew Reitz, to play drums along with guitarist Matthew Spence and fellow engineer and bassist Dave Alcan. The result is high-octane instrumentation paired with the poignant yet biting lyrics and vocals of Quinn Murphy (VERSE).\u003c\/p\u003e\n\u003cp\u003eThe debut LP’s first single “Misanthropic Holiday or Vacation” sounds like both warning and indictment, exploring ways we are expected to deal with the human condition in modern society. It seems to blur the lines of perseverance and begrudged surrender, crescendoing into a cathartic release that makes one feel both possessed and furious. It’s hard to stay sitting by the end of it.\u003c\/p\u003e\n\u003cp\u003eThere’s a notable freedom in the band’s songwriting, and their desire to push the limits of where heartfelt, emotive and heavy music can go is apparent with every note and word. Matched by a charged live show, Love Letter is sure to turn heads of fans of hardcore, post-hardcore, screamo and beyond. Everyone Wants Something Beautiful is available for pre-order now.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e01. New Anthemic\u003cbr\u003e02. Wellness Checks and Dead Friends\u003cbr\u003e03. Misanthropic Holiday or Vacation\u003cbr\u003e04. Popular Memes\u003cbr\u003e05. Unhousing Projects\u003cbr\u003e06. Settlements\u003cbr\u003e07. Meds \u0026amp; Taxes\u003cbr\u003e08. Debilitating Self Doubt And The Will To Use It\u003cbr\u003e09. 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Featuring members of Puritan, Prevail, and Forcefedglass, to name a few, the band started when Fall of Leningrad bassist Ryan Daniels met Tommy Davis. The lineup was rounded out by drummer Mike Justain and then sixteen year-old Forcefedglass guitarist Zac Davis, eventually coming to rest with Chad Pfeiffer of Puritan on vocals.\u003c\/p\u003e\n\u003cp\u003eExisting for less than a year, Hassan I Sabbah canceled, or vanished, from more shows than they actually played and ended without ever releasing a full album - yet the ink they left in the ledger of New England Hardcore persists. They found their way to many basements and VFW halls coming up alongside and playing with genre defining bands such as Orchid, Jeromes Dream, American Nightmare, Saetia, and PG.99. There were more stories and tales of the band’s shows than there were recorded songs. Their influence and live performances were chaotic, powerful and the stuff of messageboard lore. After disappearing at the end of 2000, some members would go on to play in bands such as Unearth, The Red Chord and Madball.\u003c\/p\u003e\n\u003cp\u003e‘Untitled’ serves as the defining document of Hassan I Sabbah, archiving all of the known recordings, photographs, and show posters, which took years to find and collect. This complete discography includes their self-titled EP produced by Kurt Ballou (Converge) at God City Studio, the split with Usurp Synapse, their track from Ghost in the Gears (Iodine Compilation), and a demo recording of “Not So In Tune With Shells”. The first four tracks were also remixed and remastered by Jack Shirley at The Atomic Garden (Deafheaven, Loma Prieta). The release is complete with a 12-page retrospective zine with thoughts and reflections from the band on their short history and is accompanied by photographs and poster art.\u003c\/p\u003e\n\u003cp\u003eAlthough they were only active from October 1999 through August of 2000, the legacy of Hassan I Sabbah is a lasting one.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e01. A Shell of a Wooden Box\u003cbr\u003e02. Watching The Eyes Of Someone Lying\u003cbr\u003e03. Not So In Tune With Shells\u003cbr\u003e04. I Carry Night Under My Arms\u003cbr\u003e05. Yella Son, Cold Mourning\u003cbr\u003e06. A Horse Never Goes Heartless\u003cbr\u003e07. Fuck The Thinking That They're Living Some\u003cbr\u003e08. Cut Fixed With Mud\u003cbr\u003e09. 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Their cohort featured heavy hitters like Piebald, Cave In and Converge. Following in the footsteps of bands like Quicksand, Drive Like Jehu, and Texas is the Reason, Garrison drew from many influences to create a hyper-melodic sound that ranged from hardcore to emo, all without fitting neatly into any genre. They executed a complex and unique sound, seamlessly combining technical guitar riffs, melodic vocals, and heavy breakdowns in a way that few bands were able to achieve.\u003c\/p\u003e\n\u003cp\u003eGarrison toured relentlessly, playing regularly alongside iconic bands of the era such as The Get Up Kids, Hot Water Music, Taking Back Sunday, and New Found Glory. Shortly after forming, the band found themselves signed to Revelation Records where they released their first debut LP “A Mile in Cold Water.” The LP was well received among fans and critics and made a place for itself as a notable release for the post-hardcore movement. The album opens with “After the Fight,” which immediately hooks you with its melody, fast tempo, and emotional breakdowns, highlighting the band’s hardcore roots and complex style. The LP rises with heavier post-hardcore moments such as “The Dumbest Angel” and falls with several softer emo ballads, most notably on the somber closer “Favorite Goodbye Fuck.”\u003c\/p\u003e\n\u003cp\u003eThough Garrison went on to release numerous albums on Revelation Records and Iodine Recordings, “A Mile in Cold Water” remained their most significant and important release. While Garrison never broke in the same way that many of their peers did, this record clearly paved the way forward for many bands that followed in the post-hardcore and emo scenes.\u003c\/p\u003e\n\u003cp\u003eProduced by Kurt Ballou (Converge) at God City Studio in 2001, Ballou returned in 2023 to completely remix the album to really make these songs shine the way they always intended to sound. Remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden. The album is being presented in a special gatefold jacket and features elements of the original art, and new artwork from Dan McCarthy.\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Amber \u0026 Midnight w\/Splatter","offer_id":45665377157291,"sku":"IOD34V1","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Yellow and Blue Swirl","offer_id":45670857965739,"sku":"IOD34V2","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/34-Garrison-AMileinColdWater_jpg.webp?v=1728056132"},{"product_id":"six-going-on-seven-self-made-mess","title":"Six Going On Seven 'Self-Made Mess'","description":"\u003cp\u003eSelf-Made Mess is the debut album from Boston's indie rock\/emo band Six Going On Seven. Out of print for over 25 years, this highly influential album helped define a genre that bridged the gap between hardcore influenced emo and indie-rock, with its complex bass and guitar harmonies and sincere vocals. Often referred to as a “band’s band”, Six Going on Seven came up alongside many of the household names we still discuss from the era: Jimmy Eat World, Hot Water Music, The Get Up Kids, sharing the stage with them and many others. Originally released on Some Records in 1997 and produced by Brian McTernan at Salad Days Studio, it is being presented on a limited-edition vinyl pressing with all new artwork and remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden.\u003c\/p\u003e\n\u003cp\u003e\"self-made mess was our first full-length, the culmination of 3 friends woodshedding\/gigging around boston in early days. follow me here: i drove to boston in fall of 1994, we played our first show in january of '95, released a 7\" the following year \u0026amp; made 'self-made mess' summer of '96 - this one was recorded by our friend brian mcternan after demoing over 9 songs the year prior with another great engineer (who abruptly moved to los angeles to make a record with the rolling stones -- true story) faithful to our live sound, youth (lost on the young) recorded on a shoestring budget in a small new jersey town (that, a story for another day) 10 songs remastered for your listening pleasure, enjoy.” xo\/ six going on seven\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e01. Sexy Like the Titanic\u003cbr\u003e02. Endurance\u003cbr\u003e03. Getaway Car\u003cbr\u003e04. Flu Season\u003cbr\u003e05. Sincerely\u003cbr\u003e06. Deadpan Cool\u003cbr\u003e07. Lampwick\u003cbr\u003e08. New Faith in Loss\u003cbr\u003e09. Method Actor\u003cbr\u003e10. Everybody's Got a Hobby\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFirst Press:\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e250 x Sexy Like the Titanic (Brown\/Green w\/ Yellow Splatter)\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e300 x Method Actor (Brown and Yellow Smash)\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Sexy Like the Titanic (Brown\/Green w\/ Yellow Splatter) 12\" Vinyl","offer_id":45670720307371,"sku":"IOD40V1","price":25.0,"currency_code":"USD","in_stock":false},{"title":"Method Actor (Brown and Yellow Smash) 12\" Vinyl","offer_id":45670720340139,"sku":"IOD40V2","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/40-SixGoingonSeven-Self-MadMess-Cover_jpg.webp?v=1728056516"},{"product_id":"garrison-orange-island-songs-from-a-central-massachusetts-mill-town","title":"Garrison \u0026 Orange Island 'Songs From A Central Massachusetts Mill Town'","description":"\u003cp\u003eHailing from small towns in Central Massachusetts, both Garrison and Orange Island shared a similar history coming up in the music scene. They shared influences, stages, equipment, and even occasionally members. Even though both bands took their different paths, they always shared a friendship and common roots having come up in the time of the Worcester Space and the St. John’s Gym in Clinton. In 2003, while both bands were in the studio working on new albums, Iodine Recordings proposed the idea of a split where they covered each other’s songs. These two songs were the result, and although the record never saw the light of day, we are excited to present it now, almost 20 years later, on vinyl for the first time. Both songs were remastered by Jack Shirley (Quicksand, Joyce Manor) at The Atomic Garden, and the Garrison track was remixed by Ethan Dussault (On the Might of Princes, Smoke or Fire) at New Alliance Studio. It is being presented as a limited edition pressing on transparent red vinyl, hand numbered out of 250 copies.\u003c\/p\u003e\n\u003cp\u003eBoth Garrison and Orange Island embody the best parts of late-90s emo and post-hardcore. Garrison covers Orange Island’s “Stand Up, State Your Name” from “Everything You Thought You Knew” and Orange Island covers Garrison’s “Recognize and Opportunity” from “Be a Criminal.”\u003cbr\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Red 7\" Vinyl","offer_id":45642370580651,"sku":"IOD52V1","price":3.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/52-GarrisonOrangeIsland-Split_jpg.webp?v=1728056844"},{"product_id":"there-were-wires-his-talk-her-teeth","title":"There Were Wires 'His Talk, Her Teeth'","description":"\u003cp\u003eUnlikely but overwilling, the embryonic form of Boston’s There Were Wires (formed on Martha’s Vineyard in 1999) traversed every basement, rec hall and dive club in the city to blow out speakers and vocal chords alike with their explosive brand of hardcore punk. Their blend of harshly emotive dissonance and punchy, anthemic songs pulled inspiration from bands like Converge, Portraits of Past, and Unbroken. Though it’s true that TWW’s live shows were a powder keg of chaos, the true gooey center of the band revealed an honest vulnerability that belied the tough crowd of contemporaries, which gained them a small but devoted cult following in the New England scene.\u003c\/p\u003e\n\u003cp\u003eAfter several self-released demo tapes and CD’s, TWW teamed up with Iodine Recordings for a professional version of their debut S\/T record (including a live radio set), as well as their final 2003 record ‘Somnambulists’, which tread into darker, moodier, and more atmospheric territory than ever before. The boys disbanded shortly after this release with a final show in 2004, which led to the formation of the bands Disappearer, Doomriders, and No Flowers.\u003c\/p\u003e\n\u003cp\u003eThis limited edition 7\"EP was originally released in 2004 and is now available again with an alternate cover, hand numbered out of 100. Features the track \"His Talk, Her Teeth\" from Somnambulists backed with a cover of Sonic Youth's \"Tunic\". Recorded and produced by Matt Squire (Underoath, The Amity Affliction, The Used). Includes remastered digital download code.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e01. His Talk, Her Teeth\u003cbr\u003e02. Tunic\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Black 7\" Vinyl","offer_id":45642701045931,"sku":"IOD13V1","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/13-ThereWereWires-HisTalk_HerTeeth.jpg?v=1728058861"},{"product_id":"rebuilder-local-support","title":"Rebuilder 'Local Support'","description":"\u003cp\u003e\"Local Support\" is the sophomore full length effort from Boston's Rebuilder. The self proclaimed gnarly-punk band from Boston has piled into their van, and brought their brand of never-say-die Rock \u0026amp; Roll to the people. “Local Support” highlights the band’s dedication to the local scene and being an important part of the music community. These eleven melodic punk anthems capture raw energy and passion with fist pumping sing alongs. Rebuilder’s earnest lyrics cover everything from the importance of friendships to the dark state of the world and surviving the low points in life. “Local Support” is both sincere and enigmatic, bringing back memories of youthful nights singing along with our favorite bands when nothing else mattered more.\u003c\/p\u003e\n\u003cp\u003eTireless travel up and down both coasts, throughout the Midwest, and even crossing the occasional boarder into Canada and Mexico, Rebuilder has put the pedal through the floor since their inception. They have shared the stage with Dropkick Murphys, Mighty Mighty Bosstones, Bad Religion, A Wilhelm Scream,, and NOFX. Produced by Jay Maas (Defeater, Bane, Title Fight), “Local Support” offers something for everyone. Iodine Recordings is presenting this LP on three limited color variants!\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"12\" LP \/ Lemonheads Yellow","offer_id":44578111193259,"sku":"IOD49V1","price":24.99,"currency_code":"USD","in_stock":true},{"title":"12\" LP \/ Arnold Palmer Splatter","offer_id":45569556119723,"sku":"IOD49V2","price":24.99,"currency_code":"USD","in_stock":true},{"title":"12\" LP \/ Home Depot Merch Tub","offer_id":45569557102763,"sku":"IOD49V3","price":24.99,"currency_code":"USD","in_stock":true},{"title":"CD \/ Standard CD","offer_id":46015344869547,"sku":"IOD49CD","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/49-Rebuilder-LocalSupport_jpg.webp?v=1728060980"},{"product_id":"piebald-we-are-the-only-friends-we-have-lp","title":"Piebald 'We Are The Only Friends We Have' Standard Edition","description":"\u003cp\u003e\u003cspan\u003eNow on vinyl for the first time in over 20 years, Piebald’s “We Are The Only Friends We Have” has earned its place as one of the most notable and iconic emo albums of the era. Completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand). Completely reconstructed artwork created from negatives of the original photo shoot, and includes a retrospective essay written by the band. Originally produced by Paul Q. Kolderie (Radiohead, Pixies, Dinosaur Jr).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIf you were to look up the word \"piebald\" in the dictionary, you’d learn that it means “having irregular patches of two colors, typically black and white.” But if you were to ask any of their loyal fans, they’d probably refer to “Piebald” as one of their favorite bands of all time—a hard-to-describe, genre-less, energetic four-piece known for their raw, matter-of-fact lyrics, infectious hooks, fun live shows, and their penchant for doing everything on their own terms. And this year, Piebald turns 30!\u003c\/p\u003e\n\u003cp\u003ePiebald was founded in Andover, Massachusetts, in 1994 by Travis Shettel (vocals\/guitar\/keys) and Aaron Stuart (guitar\/vocals). Through Andover High School friends and siblings, Jon Sullivan (drums) and Andrew Bonner (bass) were added to complete the original lineup. In a time before cell phones, Spotify, or even Napster, Piebald became an integral part of the same indie, post-hardcore music scene of the Merrimack Valley that birthed musical monsters Cave-In and Converge.\u003c\/p\u003e\n\u003cp\u003eOn February 19, 2002, Piebald released their critically acclaimed third album, *We Are the Only Friends We Have*. Now joined by Luke Garro on drums, the band embarked on the most thrilling stage of their career. National radio airplay of singles “American Hearts” and “Just a Simple Plan” and tours with the likes of Minus the Bear, Glassjaw, Hey Mercedes, RX Bandits, Saves the Day, and New Found Glory led to more mainstream success and helped birth a cult following.\u003c\/p\u003e\n\u003cp\u003ePiebald became recognized as “one of the most dependably fun bands of the late '90s\/early '00s emo touring circuit,” and “kings of sing-alongs,” led by Shettel, who “crafted lyrics that could weave between intensely autobiographical, sociopolitical, and sarcastic.”\u003c\/p\u003e\n\u003cp\u003eThe band initially called it quits in 2008 but reformed in 2016 to celebrate the digital re-release of their catalog, and they haven’t looked back. Since their reformation, Piebald has toured with Dashboard Confessional, The Movielife, and Weakened Friends, reinstated their annual holiday shows, and graced the stages of festivals such as Boston Calling, Riot Fest, Furnace Fest, and Wrecking Ball.\u003c\/p\u003e\n\u003cp\u003eNow, Piebald has teamed up with Iodine Recordings to remaster, repackage, and re-release their long out-of-print catalog, and there has even been talk of new music. The impact of Piebald on the alternative music scene is undeniable, and their legacy continues to inspire a new generation of musicians and fans. A toast to 30 years of Piebald!\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e\u003cspan\u003e01. King of the Road\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e02. Just a Simple Plan\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e03. American Hearts\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e04. Long Nights\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e05. Fear and Loathing on Cape Cod\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e06. The Monkey Versus the Robot\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e07. Karate Chops for Everyone but Us\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e08. Rich People Can Breed\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e09. It's Going to Get Worse Before it Gets Better\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e10. The Stalker\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e11. Look, I Just Don't Like You\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e12. Sex Sells and (Unfortunately) I'm Buying\u003c\/span\u003e\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"Green\/White\/Orange twist 12\" Vinyl","offer_id":45569561395371,"sku":"IOD67V1","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Green\/White Pinwheel 12\" Vinyl","offer_id":45569561428139,"sku":"IOD67V2","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Green\/White Smash 12\" Vinyl","offer_id":45569561460907,"sku":"IOD67V7","price":24.99,"currency_code":"USD","in_stock":false},{"title":"Big Yellow Sun 12\" Vinyl","offer_id":45569561493675,"sku":"IOD67V12","price":24.99,"currency_code":"USD","in_stock":true},{"title":"Astroturf Green 12\" Vinyl","offer_id":45977799426219,"sku":"IOD67V13","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/IOD-67_STD_DIGITAL_COVER.jpg?v=1786121362"},{"product_id":"piebald-we-are-the-only-friends-we-have-deluxe-vinyl","title":"Piebald 'We Are The Only Friends We Have' (Deluxe)","description":"\u003cp\u003eDeluxe edition 2xLP includes 12 bonus tracks (b-sides, demos, covers, etc) in an expanded gatefold package\u003cbr\u003e\u003cbr\u003eNow on vinyl for the first time in over 20 years, Piebald’s “We Are The Only Friends We Have” has earned its place as one of the most notable and iconic emo albums of the era. Completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand). Completely reconstructed artwork created from negatives of the original photo shoot, and includes a retrospective essay written by the band. Originally produced by Paul Q. Kolderie (Radiohead, Pixies, Dinosaur Jr).\u003c\/p\u003e\n\u003cp\u003eIf you were to look up the word \"piebald\" in the dictionary, you’d learn that it means “having irregular patches of two colors, typically black and white.” But if you were to ask any of their loyal fans, they’d probably refer to “Piebald” as one of their favorite bands of all time—a hard-to-describe, genre-less, energetic four-piece known for their raw, matter-of-fact lyrics, infectious hooks, fun live shows, and their penchant for doing everything on their own terms. And this year, Piebald turns 30!\u003c\/p\u003e\n\u003cp\u003ePiebald was founded in Andover, Massachusetts, in 1994 by Travis Shettel (vocals\/guitar\/keys) and Aaron Stuart (guitar\/vocals). Through Andover High School friends and siblings, Jon Sullivan (drums) and Andrew Bonner (bass) were added to complete the original lineup. In a time before cell phones, Spotify, or even Napster, Piebald became an integral part of the same indie, post-hardcore music scene of the Merrimack Valley that birthed musical monsters Cave-In and Converge.\u003c\/p\u003e\n\u003cp\u003eOn February 19, 2002, Piebald released their critically acclaimed third album, *We Are the Only Friends We Have*. Now joined by Luke Garro on drums, the band embarked on the most thrilling stage of their career. National radio airplay of singles “American Hearts” and “Just a Simple Plan” and tours with the likes of Minus the Bear, Glassjaw, Hey Mercedes, RX Bandits, Saves the Day, and New Found Glory led to more mainstream success and helped birth a cult following.\u003c\/p\u003e\n\u003cp\u003ePiebald became recognized as “one of the most dependably fun bands of the late '90s\/early '00s emo touring circuit,” and “kings of sing-alongs,” led by Shettel, who “crafted lyrics that could weave between intensely autobiographical, sociopolitical, and sarcastic.”\u003c\/p\u003e\n\u003cp\u003eThe band initially called it quits in 2008 but reformed in 2016 to celebrate the digital re-release of their catalog, and they haven’t looked back. Since their reformation, Piebald has toured with Dashboard Confessional, The Movielife, and Weakened Friends, reinstated their annual holiday shows, and graced the stages of festivals such as Boston Calling, Riot Fest, Furnace Fest, and Wrecking Ball.\u003c\/p\u003e\n\u003cp\u003eNow, Piebald has teamed up with Iodine Recordings to remaster, repackage, and re-release their long out-of-print catalog, and there has even been talk of new music. The impact of Piebald on the alternative music scene is undeniable, and their legacy continues to inspire a new generation of musicians and fans. A toast to 30 years of Piebald!\u003c\/p\u003e","brand":"Iodine Recordings","offers":[{"title":"American Hearts Pink 2xLP","offer_id":47879355596971,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true},{"title":"Red\/Yellow Bus Door Smash 2xLP","offer_id":45196585894059,"sku":"IOD67DLXV1","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Piñata Splatter 2xLP","offer_id":45569566965931,"sku":"IOD67DLXV2","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/piebald_we_are_the_onyl_frinds_we_have_deluxe.png?v=1756591904"},{"product_id":"bloodhorse-a-malign-star","title":"Bloodhorse 'A Malign Star'","description":"\u003cp\u003eThe long awaited sophomore LP from Boston’s Bloodhorse.\u003c\/p\u003e\n\u003cp\u003eFeaturing members of: American Nightmare, The Red Chord, and All Pigs Must Die\u003c\/p\u003e\n\u003cp\u003e‘A Malign Star’ is a reckoning—a raw, relentless journey through doubt, defiance, and the eerie spaces in between. From crushing riffs that pay tribute to self-destruction to compositions steeped in imperial dread, each track carves out its own space in the chaos. There's a biting critique of pettiness and alienation, an eerie drift through half-waking nightmares, and a full-throttle push to the brink of speed and control. If you like it fast, dark, and just a little self-aware of its own doom, you’re in the right place.\u003c\/p\u003e\n\u003cp\u003e\"Bloodhorse might be the best kept secret in the world of post-metal\/stoner-rock (with a touch of hardcore\/punk). Their execution as a beast of a three piece is downright awe-inspiring. Massive riffs, clean songwriting, and perfectly balanced instrumentation. Absolutely essential for fans of the genre.” - Lambgoat\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTRACK LISTING:\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e01. Saboteur\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e02. A Malign Star\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e03. 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Completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand) at The Atomic Garden, and out of print since its original release. \u003c\/span\u003e\u003cspan\u003eThis remastered edition features fully updated artwork reconstructed from original source materials and photos, as well as a retrospective commentary written by the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpringing from the thriving Merrimack Valley scene that produced Converge and Cave In, Venetian Blinds’ bridged the gap between underground post-hardcore experimentation and the hook-driven songwriting that would soon define an era. Witty, heartfelt, and impossible to categorize, this deluxe reissue celebrates a crucial piece of Piebald’s history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack Listing:\u003c\/strong\u003e\u003cbr\u003e1. Grace Kelly With Wings\u003cbr\u003e2. We Believe In Karma\u003cbr\u003e3. Mess With The Bulls\u003cbr\u003e4. 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Completely remastered for vinyl by Jack Shirley (Joyce Manor, Quicksand) at The Atomic Garden, and out of print since its original release. \u003c\/span\u003e\u003cspan\u003eThis remastered edition features fully updated artwork reconstructed from original source materials and photos, as well as a retrospective commentary written by the band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSpringing from the thriving Merrimack Valley scene that produced Converge and Cave In, Venetian Blinds’ bridged the gap between underground post-hardcore experimentation and the hook-driven songwriting that would soon define an era. 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While navigating cops, competitors, a violent gang, and in-fighting within the crew, Wrenn and his friends turned Boston’s rivalry with New York into “six-figure summers,” affording him the capital to launch Bridge Nine Records and bring local Boston hardcore bands including American Nightmare and Have Heart to stages worldwide just as the Red Sox got closer than ever to finally winning the World Series again. \u003c\/p\u003e\n\u003cp\u003eA rousing story of entrepreneurship and ingenuity that also reveals fresh insight into one of the most epic rivalries in sports history, Fenway Punk is a gripping read for both fans of punk music and readers of Ben Mezrich, Lizzy Goodman, and Chuck Klosterman.\u003c\/p\u003e","brand":"Running Press","offers":[{"title":"Default Title","offer_id":47757088751787,"sku":null,"price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/Fenway-Punk-1.jpg?v=1788736085"},{"product_id":"orchid-chaos-is-me","title":"Orchid 'Chaos is Me'","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOrchid's first full length 12\" features eleven songs of their unique blend of emotive chaos and combustible hardcore. 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It’s been linked to suicides in the UK. Not everyone can hear it. No one knows where it’s coming from. They call it\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eThe Hum\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eConverge have taken this mysterious real-world phenomenon and reimagined it as a physical manifestation of human suffering. I read on the phenomena while researching my own tinnitus. Then an idea struck. “What if the Hum is the culmination of all the pain in the world, creating an audible signal across the universe?” vocalist and lyricist Jacob Bannon posits. “Something noticeable to others operating on a similar emotional plane.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efollows\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eas Converge’s second full-length release of 2026. Like its predecessor, the album offers a bleak yet empathetic assessment of the human condition and its ongoing deterioration. With this album, the songs are more raw and exposed. “When we came together to write, we ended up with a wealth of material,” Bannon says. “As work progressed we realized we had created two separate albums, and treated them as such.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis distinct from\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e, but just as volatile and potent. “It’s not a sequel,” Bannon explains. “The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLove Is Not Enough\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”\u003c\/p\u003e\n\u003cp\u003eOpener “Slip the Noose” erupts with a furious cannonade from drummer Ben Koller before launching into a short, grinding frenzy that would feel at home on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eJane Doe\u003c\/i\u003e. “Doom in Bloom” is raw and bloody, as guitarist Kurt Ballou’s spiky riffs scrape against Nate Newton’s bass and Koller’s drums. You can practically hear Bannon’s throat tearing apart in every scream. “It’s dark and pointed right at you,” he says. “Lyrically, I’m exploring how my own middle-aged introspection doesn’t always bring a brighter light. I see my own trappings reflected in those around me. Here I am imploring them to slip the noose to see another day.”\u003c\/p\u003e\n\u003cp\u003e“Dream Debris” is a gripping, doomy epic born from a single bass note that builds to a booming crescendo. “It has a lot of twists and turns, yet starts off incredibly simple. The slow build was driven by Nate’s vision and bass tone,” Bannon says. “We kept asking ourselves ‘Does it need anything else?’ In the end, it didn’t. It was just so heavy, encapsulating everything we wanted in the song.\"\u003c\/p\u003e\n\u003cp\u003eThe menacing track “Detonator” delivers a powerful line that will linger: There’s nothing to win if there’s no one to lose. “I go on a bit of a rant here,” Bannon says. “The idea is that when passion withers, the broken and beaten often remain in discomfort. The song ends with the line, ‘Don't be blown apart by your mistakes,’ which sums up the stark mentality on this one.”\u003c\/p\u003e\n\u003cp\u003eThe title track stands as one of the most propulsive and emotional songs of their career. Thematically, Bannon examines the price of the lives we pursue. “I’ve given 35 years of my life to creating art and music,” he says. “I appreciate the creative home and support this community has given, yet rarely is space left for anything else. These lyrics are me looking in a mirror, recognizing that I am not the man I want to be. I need change, and still have work to do.”\u003c\/p\u003e\n\u003cp\u003eThe album also features a new rendition of “I Won’t Let You Go,” originally recorded for the 2020 video game Cyberpunk 2077. “When we recorded the first version, Ben tracked drums in California and we assembled it here,” Bannon explains. “It was good, but we knew we could do better. This version has everything the previous one was missing. It now feels right.”\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHum of Hurt\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewas recorded and mixed by Kurt Ballou at God City in Salem, Massachusetts, with engineering assistance from Zach Weeks. Bannon and renowned UK artist Thomas Hooper collaborated on the album artwork.\u003c\/p\u003e\n\u003cp\u003e“For the cover, I had a vision of an EKG signal fusing with some kind of volatile seismography. This amalgamation represents the conditions that would theoretically create a ‘Hum.’ Specifically the heart skips beats before dissolving into static. The signal is then interrupted by a seismic event at the center point of the cover. 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Desire, shame, performance and persistence blur together across songs that remain deliberately melodic even as their subject matter grows increasingly confrontational.\u003c\/p\u003e\n\u003cp dir=\"auto\" data-start=\"777\" data-end=\"1180\"\u003eEarworm choruses collide with harsh textures and a sense of artificial, claustrophobic atmosphere, placing the record somewhere between \u003cstrong data-start=\"913\" data-end=\"972\"\u003enoise rock, post-punk, industrial music and damaged pop\u003c\/strong\u003e. Yet despite its darkness, \u003cem data-start=\"1000\" data-end=\"1009\"\u003eCamgirl\u003c\/em\u003e never fully gives itself over to nihilism. 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Dense arrangements and angular guitars sit alongside quieter passages and strong melodic songwriting, giving \u003c\/span\u003e\u003cspan\u003eFire on the Hill\u003c\/span\u003e\u003cspan\u003e a restless quality that rewards repeat listens.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn overlooked piece of the era’s independent rock landscape, \u003c\/span\u003e\u003cspan\u003eFire on the Hill\u003c\/span\u003e\u003cspan\u003e is well worth rediscovering for listeners drawn to thoughtful, dynamic guitar music that exists somewhere between indie rock and post-hardcore.\u003c\/span\u003e\u003c\/p\u003e","brand":"Relapse Records","offers":[{"title":"White w\/ Rainbow Splatter","offer_id":47921105928363,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/a1024864042_10.jpg?v=1790089089"},{"product_id":"american-nightmare-year-one","title":"American Nightmare 'Year One: 25th Anniversary'","description":"\u003cp\u003e\u003cspan\u003eAmerican Nightmare’s \u003c\/span\u003e\u003cspan\u003eYear One\u003c\/span\u003e\u003cspan\u003e collects the recordings that helped reshape hardcore at the beginning of the 2000s. 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The original design by \u003c\/span\u003e\u003cspan\u003eJake Bannon of Converge\u003c\/span\u003e\u003cspan\u003e has been reimagined by Del Jae and Wesley Eisold, with an insert featuring handwritten lyrics and collaged archival imagery.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn essential document of early-2000s Boston hardcore and the starting point for American Nightmare’s enduring influence.\u003c\/span\u003e\u003c\/p\u003e","brand":"Bridge Nine Records","offers":[{"title":"180g Yellow\/Black Splatter","offer_id":47949992001707,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0550\/1642\/3595\/files\/American-Nightmare-Year-One.jpg?v=1790371877"},{"product_id":"have-heart-10-17-09-silver-edition","title":"Have Heart ‘10.17.09: Silver Edition’","description":"\u003cp\u003e\u003cspan\u003eRecorded at Have Heart’s legendary final show on October 17, 2009, \u003c\/span\u003e\u003cspan\u003e10.17.09\u003c\/span\u003e\u003cspan\u003e captures one of the defining moments in modern hardcore. Playing to a packed crowd in Revere, Massachusetts on National Edge Day, the Boston straight-edge band tore through a 21-song set spanning their entire career.\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe set pulls heavily from \u003c\/span\u003e\u003cspan\u003eThe Things We Carry\u003c\/span\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cspan\u003eSongs to Scream at the Sun\u003c\/span\u003e\u003cspan\u003e, alongside earlier favorites including “Watch Me Sink,” “Something More Than Ink,” “Armed With a Mind,” “The Unbreakable” and the closing “Watch Me Rise.” More than a traditional live album, \u003c\/span\u003e\u003cspan\u003e10.17.09\u003c\/span\u003e\u003cspan\u003e documents the intensity, community and emotional weight that made Have Heart one of the most influential hardcore bands of their generation.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released by \u003c\/span\u003e\u003cspan\u003eBridge Nine Records in 2010\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003e10.17.09\u003c\/span\u003e\u003cspan\u003e remains an essential document of Boston hardcore and the final chapter of Have Heart’s original run.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf yours is the current silver edition, add:\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e \u003c\/span\u003e\u003cspan\u003eBridge Nine Silver Anniversary Edition pressed on silver vinyl and housed in a black-and-white printed silverboard jacket. 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